10 best behringer graphic equalizers

Behringer is a company that manufactures a wide range of audio equipment, including graphic equalizers. Graphic equalizers are a type of equalizer that allows users to adjust the amplitude of different frequency bands in an audio signal. This enables precise control over the tonal balance of the sound.

Behringer graphic equalizers are known for providing cost-effective solutions without compromising on functionality. Some key features and aspects of Behringer graphic equalizers include:

  1. Versatility: Behringer offers a variety of graphic equalizers with different numbers of bands, ranging from simpler models with a few bands to more complex units with multiple bands for finer control.

  2. Build Quality: Behringer equipment is generally built to be durable and reliable. Their graphic equalizers often feature sturdy construction suitable for use in both live performance and studio settings.

  3. Affordability: Behringer is known for providing budget-friendly alternatives to more expensive audio equipment. Their graphic equalizers offer a cost-effective option for musicians, sound engineers, and home studio enthusiasts.

  4. User-Friendly Interface: Behringer graphic equalizers typically have user-friendly interfaces with easy-to-understand controls. This makes them suitable for users with varying levels of experience in audio processing.

  5. Feedback Controllers: Some Behringer graphic equalizers may include features such as feedback detection and suppression. This is especially useful in live sound situations where preventing feedback is crucial.

  6. Effects Processing: In addition to equalization, Behringer graphic equalizers may offer additional effects processing capabilities, allowing users to further shape and enhance their audio.

  7. Signal Processors: Behringer graphic equalizers are often part of a broader category of signal processors.They may include other functions such as compressors, limiters, and noise gates to provide comprehensive control over the audio signal.

  8. Studio Recording Equipment: Behringer's graphic equalizers can be integrated into studio setups for recording and mixing purposes. They contribute to achieving a balanced and professional sound in the recording process.

It's important to note that specific models and features may vary, so it's advisable to refer to the product documentation or specifications for detailed information on a particular Behringer graphic equalizer model.

Below you can find our editor's choice of the best behringer graphic equalizers on the market
  

Behringer EQ700 Ultimate 7-Band Graphic Equalizer,Lt Yellow

Based on 599 reviews Check latest price

Product description

Finding it hard to get the perfect sound from your guitar? Maybe your guitar gets lost in the mix? Do you have major feedback issues with your acoustic? The problem's not your guitar-you need an equalizer! You can instantly improve the sound of your guitar with a little help from the EQ700.Most performers don't have a clue about what good equalization can do for their sound. Maybe you've heard the old maxim, "Make a sine-wave to get really good sound," or "Make a smiley-face, that always works." Sadly, this qualifies as advice from the uninformed. Just as every room is unique, so is every musical instrument. Even guitars made by the same manufacturer, using the same materials, on the same day can vary a great deal.People provide a good example of this principal-although we are all similar, we don't all wear the same size shoes, or even have the same color eyes. There is no one "perfect" equalization curve that fits every scenario; equalization is dynamic.Most acoustic and electric guitar energy lies between 100 Hz and 6.4 kHz. Even slight changes in this range can cause a tremendous variation in overall energy and impact, as the human ear is especially sensitive to this range.Boosting frequencies around 200 Hz - 400 Hz often provides warmth and body, while boosting frequencies in the 3.2 kHz - 6.4 kHz range adds clarity to clean guitar signals. Depending on the amount of distortion, this same range can ruin the sound of an overdriven electric guitar by adding harsh harmonics.One of the most common mistakes is adding too much bass to acoustic guitars. If the low frequencies are boosted excessively, acoustics can easily get lost in the overall mix. Most acoustic guitars are also prone to feedback in the 200 Hz - 400 Hz range.A general rule of thumb-the best results are often achieved by finding and reducing the frequency bands that are offending, and then turning up the overall volume, rather than boosting on

  • Shape your sound and eliminate feedback with 7 bands of equalization
  • This BEHRINGER product has been designed to compete head to head with leading products on the market
  • Wide frequency range from 100 Hz to 6.4 kHz with a powerful 15 dB boost/cut per band
  • Status LED for effect on/off and battery check
  • Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)

User questions & answers

Question: I have a digitech rp360 (multi effects pedal). would i run the guitar into this eq in front of the multieffect pedal or
Answer: Try both. I would run it in front first and then try it after your RP360 with the settings you use. Let your ear tell you what you prefer. This pedal has more than one use so it's a hard question to answer correctly or incorrectly.
Question: has anyone ever used this little device to boost up bass/treble for voice
Answer: If the microphone that is being considered is the dynamic type, then it can be used in this experiment and it’ll boil down to the summed frequency boost & cut subjectively being what the individual is looking for. If the microphone being considered here is the Condenser type, it is best to pass as this kind requires a phantom power source that’s usually +48v and if the reader already knows how to make the condenser microphone work here, then it’s likely that the reader has a degree in electrical engineering and can just stop reading and proceed as they already know, or should know, what I’m going to explain, lol. Now, there is one major caveat that the user will have to deal with before pursuing the experiment. Both the signal level from the microphone, aka mic, and the impedance (unless the microphone being used is high impedance to begin with...high impedance mics use a cable that has a 1/4” male plug on the end that plugs into the mixer or an amplifier of some sort-unfortunately most mics are low impedance) will have to match the usual and customary level and impedance of what is fed into the pedal, e.g., a guitar. lol. The impedance match is the most important of the considerations and a direct box (or simply DI box) converts a hi-z or high impedance signal to lo-z or low impedance signal. Most will function in the reverse if one needs to convert lo-z to hi-z. As far as matching the level of the signal, that kind of depends on the microphone. Also, the graphic eq pedal that’s the heart of this matter has the ability to globally boost or cut the signal level. Most likely that’s only applied as the signal is outgoing. The signal has to have adequate but not excessive gain (the level I mentioned earlier) and in most cases, a dynamic mic signal won’t have adequate gain, so the outgoing signal, while boosted by the pedal, will be on the noisy side because of the lack of what is called headroom. If one has access to the kind of headphone amp common to both pro and quality home studios, plug the mic first into the output of the DI, then plug a cable running from the DI’s input side into the input of the headphone amp and the last cable into the eq pedal. The output of the eq pedal cab now be run to the mixer. Look for either a mixer channel identified as Hi-Z or a channel with a switch (usually a push button toggle but can be a slide or rocker) and plug the out from the pedal to this mixer Hi-Z input. Now follow Good Sound System Operation Practices (including making sure all the eq sliders are parked at the zero before powering by up the system) and see what you can cook up.
Question: will this work 4 and arch top since my fender ramparte dose not have a treble mid and bass control nobs
Answer: Sure. Set the equalizer like a wave. That is, the bass end nearest to the "Out" input should be above the 0-marking, then create a wave-type response, but my experience on the high end is only raise it one notch above zero. Then, you should be fine. This eq is excellent for acoustics and electrics, and your arch top will sound very nice. Dial the Rampart about half way up and enjoy. Should sound great! James
Question: Will this pedal help remove the muddiness of a cheap distortion pedal
Answer: Yes, it will remove the muddiness. Just notch out the midrange. This pedal does an EXCELLENT job with the traditional "smiley face" eq (boosted bass and treble). I removed the metal plate underneath it to lessen the weight, and use it in my pedal board. I've tried other eq's and this one is one of the best, especially considering the price.

Behringer BEQ700 Ultimate 7-Band Bass Graphic Equalizer

Behringer

Based on 236 reviews Check latest price

Product description

  • Shape your sound and eliminate feedback with 7 bands of equalization
  • This BEHRINGER product has been designed to compete head to head with leading products on the market
  • Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
  • Status LED for effect on/off and battery check
  • Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)

User questions & answers

Question: Ok 9v, but how many mha are requierd to power it
Answer: I’m not a fan of effects built-in to the amp (except maybe reverb). I have all of the 200 series pedals going into a clean amp. They sound amazing but, beware, the learning curve is steep.
Question: Are Eq settings effected by a low battery, or is it designed to go dead once the battery doesn't have enough juice to funtion properly
Answer: Any good quality power supply will do. (Zuma, voodoo etc.) I run a Zuma on my DD500, RV500 md 200 and es5 no issues
Question: How many come in one order
Answer: Pretty sure it’s designed for guitar, bass, even keyboards; BUT, assuming that you properly match up XLR/1/4” & mic/line level adjustments, I don’t see why not? I’d be willing to give it a try to see how it sounds. In fact, as an old user of the Boss GE-10 mono EQs - that I’ve tried on a mic before - I’d give it a go. I have 2 old GE-10’s that I use for different purposes in the studio; and now own 2 new EQ-200’s that I use for bass, guitar, and keyboards. You might like it differently, studio vs. live, but I’d say listen & see.
Question: If BEQ700 equalizer is on 120 volt power supply (not battery) and if there is power interruption, is the device on or off when power is restored
Answer: This one will provide more low end compared to the guitar one

Behringer Ultragraph Pro FBQ1502HD 15-Band Stereo Graphic EQ with FBQ Feedback Detection

Based on 136 reviews Check latest price

Product description

The Behringer Ultragraph Pro FBQ1502HD 15-band graphic equalizer is loaded with the professional features you need for dialing in great live sound An FBQ Feedback Detection system quickly locates problem frequencies while a Planet Earth switching power supply yields noise-free audio superior transient response and efficient power consumption Its 4580 dual op-amps exhibit low noise and excellent sound quality Remove floor rumble and other unwanted low-end frequencies with a highpass (low-cut) filter on each channel The Ultragraph Pro's 12-segment LED meter is extremely precise and its input gain controls make setting levels a piece of cake The Behringer Ultragraph Pro 15-band graphic equalizer is a great value for your studio or live sound rig Live and recorded sound enthusiasts here at GearNuts love the Behringer FBQ1502HD 15-band graphic equalizer and know you will too

  • 15-B Equalizer With Fbq Feedback Detection

User questions & answers

Question: If you search for graphic equalizers for this behringer you see. the fbq1502hd and the fbq1502 hd ultragraph pro both for $99.99, is there a differenc
Answer: not that i know of
Question: is it can work in 220 volts
Answer: No..works on standard US current
Question: Are the output knobs a volume control or a gain control
Answer: There’s no output knobs? There is a -15 to +15dB adjustment knob of the input signal.
Question: Will this EQ work on a receiver
Answer: It's not really designed for that, but yes you can. You may need to use an adapter to run from the RCA style connectors on the receiver to the 1/4" connectors on the EQ. Usually on a home receiver you run an EQ through the tape in/out. Tape out to EQ in - EQ out to tape in. Keep the tape monitor selector ON to run the signal through the EQ. If you turn the tape monitor off, you will bypass the EQ.

Behringer MiniFBQ FBQ800 Ultra-Compact 9-Band Graphic Equalizer with FBQ

Behringer

Based on 916 reviews Check latest price

Product description

Ultra-Compact 9-Band Graphic Equalizer with FBQ

If we all lived in a perfect world, there would be no need for audio equalization. Sound systems would be perfect and would reproduce perfect signals in all their glorious perfection. Also, everyone in that perfect world would like the same amount of bass, midrange and high frequency, and there would be no such thing as feedback. But the world isn't perfect, is it? Even the best sound system can benefit from the use of a good EQ--like the FBQ800.

Even the best sound system can benefit from the use of a good EQ. Click to enlarge.

1/4-inch and RCA inputs and outputs.

Nine steps of graphic EQ.

How Does it Work?

Imagine the frequency range of the sound you hear as a highway, a very wide one with nine lanes. Each of these "lanes" represents a single octave of the sonic spectrum. The first four lanes, labeled 63 - 500 (Hz) contain the really low frequency sound content, mainly bass, bass vocals, and the kick and tom drums. The three lanes labeled 1 k, 2 k and 4 k (Hz), make up the fundamental zone of most musical instruments and the male and female vocals. 8 k and 16 k cover the frequency range of cymbals, snare drums and higher pitched percussion instruments. The FBQ800 allows you to control the flow of audio traffic in each of these nine lanes. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization.

Feedback Elimination

When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs--that all-too-familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. That's why feedback typically gets louder and louder the longer it's allowed to occur. Needless to say, this kind of feedback is very undesirable.

This is where the FBQ800's Feedback Detection System really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need do is lower the illuminated slider until the LED blinks out--voilá, feedback problem solved! What once required a highly trained ear is now an activity that even a child can master.

Sonic Toolkit

That really is the best way to describe the FBQ800. With its nine frequency bands, you easily fine-tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12 dB (and that's a lot!).

Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as fl oor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.

To Boost or to Cut, That is the Question

Raising and lowering specific frequency bands can improve the frequency response of any room's acoustics. For instance, if the room you're in is "bass-heavy," lowering the 63 and 125 Hz faders can help eliminate an overall "boomy" or "muddy" sound. Likewise, gently boosting the 8 and 16 k sliders can add sparkle to a somewhat "dark" mix. Are the vocals getting lost in the mix? Raising the level of the 1 k slider can help bring them out.

It's important to note that raising a single fader level is not always the best solution; it's often better to lower the bands surrounding the frequency you want to bring out, and then boost the overall volume level to achieve better headroom.

Built for Accuracy and Reliability

Speaking of headroom, FBQ800's 6-digit LED Input/Output meters and level control are provided for precise level maintenance. Longterm reliability is ensured, thanks to high-quality illuminated faders and switches, and our ultra low-noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components may be stacked to create an ultracompact signal processing solution.

What's in the Box

Behringer FBQ800 Ultra-Compact 9-Band Graphic Equalizer, Power Supply, User's Manual

  • Ultra-compact 9.5" graphic equalizer for studio and stage applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as Audio Analyzer
  • Additional Low-cut filter removes unwanted frequencies, e. g. floor rumble
  • Accurate 6-segment LED input/output meters and Level control for precise level indication
  • High-quality illuminated faders, potentiometers and illuminated switches for long-term reliability

User questions & answers

Question: What type of cables are required to hook this up between an amplifier and yamaha receiver? Much appreciated
Answer: Both
Question: Can you adjust each channel (left/right) separately
Answer: Nope, the only things lit are the little indicator lights for power +/- 12dbs and something else.
Question: I see many mention that they use this for helping hearing loss by using this unit with headphones. My question is how do you use this with headphones
Answer: They are very clean sounding eqs.
Question: does it connect to amplifier
Answer: First, this is not a player. This is a tone control with instead of just the normal bass, treble and high, divides it into 31 (from 20HZ to 20KHZ). Also, this model is mono (1 channel). You can get 2 of these or get the stereo model. You still need an amplifier and a player. You hook this up between a like a CD player and your amp.

Behringer FBQ800 MINIFBQ 9 Band Graphic Equalizer

Based on 9 reviews Check latest price

Product description

Ultra low-noise audio operational amplifiers offer outstanding sound performance * All Mini Series models can be stacked on top of each other to create an ultra-compact signal processor solution * High-quality components and exceptionally rugged construction ensure long life

  • Ultra-compact 9.5" graphic equalizer for studio and stage applications
  • Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies and can also be used as Audio Analyzer
  • Additional Low Cut filter removes unwanted frequencies, e. g. floor rumble
  • Accurate 6-digit LED Input/Output meters and Level control for precise level indication
  • High-quality illuminated faders, potentiometer and illuminated switches for long-term reliability

Behringer FBQ3102HD - 31-band Stereo Graphic EQ

Based on 70 reviews Check latest price

Product description

Professional 31-band stereo graphic equalizer for live and studio applications Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer Ultra-low noise 4580 operational amplifiers for highest signal integrity Dedicated mono subwoofer output with adjustable crossover frequency Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e g floor rumble hiss etc

  • Professional 31-Band Stereo Graphic Equalizer For Live And Studio Applications
  • Revolutionary Fbq Feedback Detection System Instantly Reveals Critical Frequencies And Can Also Be Used As Audio Analyzer
  • Ultra-Low Noise 4580 Operational Amplifiers For Highest Signal Integrity
  • Dedicated Mono Subwoofer Output With Adjustable Crossover Frequency
  • Additional Sweepable High And Low-Cut Filters For Each Channel Remove Unwanted Frequencies E G Floor Rumble Hiss Etc

Behringer ULTRAGRAPH PRO FBQ3102HD HD Dual Channel 31-Band Stereo Graphic Equalizer - with 2x 15' 8mm XLR Microphone Cable

Behringer

Based on 13 reviews Check latest price

Product description

Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalizers have been around for a long time, they have changed very little... until now! The ULTRAGRAPH PRO FBQ3102HD takes the graphic equalizer into the realm of high-definition audio, providing robust features and Behringer proprietary FBQ Feedback Detection System - at a price that makes them a must-have for anyone who records or operates a live sound system. Professional 31-band stereo graphic equalizer for live and studio applications Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer Ultra-low noise 4580 operational amplifiers for highest signal integrity Dedicated mono subwoofer output with adjustable crossover frequency Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc. Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay) Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors Planet Earth switching power supply for maximum flexibility (100 - 240 V approx.), noise-free audio, superior transient response plus low power consumption for energy savingLess Than

User questions & answers

Question: Can you use this product for home audio
Answer: For home audio you will need to buy XLR to RCA adapters.

Behringer Ultragraph Pro Fbq6200 Ultra-Musical 31-Band Stereo Graphic Equalizer With Fbq Feedback Detection System, Dedicated Limiters Per Channel And Pink Noise Generator

Based on 48 reviews Check latest price

Product description

The flagship of the entire FBQ series, the ULTRAGRAPH PRO FBQ6200 is an ultra-musical 31-band stereo graphic equalizer that goes the distance to offer a maximum in performance and flexibility in both live and studio applications. Start with the forward-looking, patent-pending FBQ Feedback Detection System that instantly reveals feedback frequencies and also can be used as an audio analyzer. A whole battery of superb features makes the FBQ6200 score high on the ease-of-use scale: dedicated limiters with gain reduction meters for each channel protect your sound system from overload and distortion, and a pink noise generator provides test signals for equalizing your sound system to any room acoustics. A mono subwoofer output with dedicated level control and adjustable crossover frequency gives your music some extra verve.

The flagship of the entire FBQ series. Click to enlarge.

Sweepable high and low cut filters, highly accurate 8-digit LED input/output metering and input gain control.

Built-in limiters and noise generator.

Additional sweepable high and low cut filters for each channel remove unwanted frequencies such as floor rumble and tape hiss. Level setting is no sweat thanks to the highly accurate 8-digit LED input/output metering and input gain control. Top-drawer components such as the ultra low-noise audio operational amplifiers, servo balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors and the relay-controlled hard-bypass with an auto-bypass function offer outstanding audio performance.

Expect reliability in the long run with the high-quality illuminated 45-mm faders, detent potentiometers and illuminated switches. Any way you look at it, the FBQ6200 has all the right stuff to become a welcome addition to your touring rack.

FBQ Feedback Detection System

The FBQ Feedback Detection System is one of the most outstanding characteristcs of Behringer's graphic equalizers. This ingenious circuitry lets you immediately recognize and eliminate feedback frequencies. The FBQ Feedback Detection System uses the LEDs in the frequency band faders to indicate the critical frequencies. This way, what once used to be a labor-intensive search for feedback frequencies is now an activity that even a child could master.

In normal operation, the fader LEDs indicate frequency ranges with the highest energy levels, therefore replacing a separate audio analyzer. If you keep an eye on the LEDs while you play back your music (or during the sound check before a show), you can easily identify those frequency ranges showing the highest energy levels. Similarly, increased signal levels on individual frequency bands indicate a higher likelihood that feedback may occur.

Relay-Controlled Hard Bypass

The so-called hard bypass relays were integrated into the development concept of the FBQ6200 and the FBQ3102. These relays assure that your equalizer is automatically switched into bypass mode in the event of loss of power or faulty power delivery. These fail-safe relays also produce a slight delay during powering up in order to avoid dangerous switch-on thumps.

Balanced Inputs and Outputs

The BEHRINGER ULTRAGRAPH PRO models feature electronic servo-balanced inputs and outputs. The servo function performs automatically, recognizing when unbalanced signals are connected and internally converts the nominal signal level so that no signal level difference between input and output signals occurs (6 dB correction).

Future-Oriented Behringer Technology

To assure the highest possible degree of usability, all Behringer's equipment is manufactured adhering to the highest quality standards in the audio industry, under ISO9000 certified management system.

What's in the Box

Behringer FBQ6200 31-Band Stereo Graphic Equalizer, Power Cable, User's Manual

  • Professional 31-band stereo Graphic Equalizer for both live and studio applications
  • Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies and can also be used as Audio Analyzer
  • Dedicated limiters with gain reduction meters for each channel protect your sound system from overload and distortion
  • Pink noise generator provides test signals for equalizing your sound system to any room acoustics
  • Highly accurate 8-digit LED input/output metering and input gain control for easy level setting

User questions & answers

Question: These equalizer i use in home o in the car
Answer: Best application is semi-pro or home use. It can be used in a vehicle but you MUST provide a proper power source. In the U.S., that would be 120 Volts AC, 60 Hertz. Inverters are available that could be used for this application. It is also possible to redesign the internal power supply if this is a permanent vehicle installation. This degree of modification is called re-engineering and you have to have quite a bit of expertise in electronics to do it. Also keep in mind this EQ was not designed for the harsh environment of a vehicle..... hot, cold, humidity, vibration, etc.
Question: Can i use this equalizer with my audio sound system
Answer: Also it is not ballanced which means if there are multi amps you have to make sure they are all at equal volume
Question: can you connect a 4 channel power amp to this eq
Answer: Hi Richard,I use the Behringer FBQ6200 for both studio and live applications. this EQ is designed for 3 outputs (right, left and sub). However, there are many ways to accomplish what you want. The answer is yes. What I have done is use channels 1 and 2 for mains (R and L) and used a Y splitter on the sub-out and connect them channels 3 and 4 (mono subs) but the over all sound of the kik and bass guitar is amazing.I have included a link to the EQ's manual. Have fun. http://www.behringer.com/assets/FBQ6200_FBQ3102_FBQ1502_M_EN.pdfSir Julio - SirReale Productions - Santa Rosa, CA
Question: Is this made in USA
Answer: This is made in germany.

BEHRINGER (FBQ3102HD)

Based on 68 reviews Check latest price

Product description

BEHRINGER Ultra Graph Pro FBQ3102HD.

  • Professional 31-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.

User questions & answers

Question: I was thinking about using this for electric guitar. Is that feasible? I know this would be a tad overkill, but the feedback detection is nice
Answer: LOL! Yes, total overkill. Like an Arnold Schwarzenegger movie. But why not? You could really shape the tone of your guitar. You could save a few bucks by getting a single unit vs the duplex unit. It's a good Eq and has some very useful extra features in it. My band uses a duplex unit for our monitors. Works great.
Question: Are the rack mount brackets removable
Answer: Yes I think. Are you sure you want to do that?
Question: does it work with 220v
Answer: Yes, it's auto 100 ~ 240V. You can read this on the back side below the power swith.
Question: Can I rout this from mixer mains to eq then out to powered speakers or run it thru the board
Answer: I route it after the board to the powered main speakers or to a power amp. you would have to use an effect loop any other way.I works well sliders are small so they are touchy on the fly but if you are sitting doing sound no issue.

dbx 231s Dual Channel 15-Band Equalizer

dbx

Based on 245 reviews Check latest price

Product description

When the pros need an EQ, they turn to db. With a proven track record that spans four decades, dB EQs are the industry standard for touring, studios, and audio installations. With the dB heritage of revered Pro EQs, the 215s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dB 215s includes two 15-band channels of 2/3-octave equalization, 12 dB input gain, switchable 6 dB or 12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, The 215s offers exceptional sound and rugged reliability that s you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, The dB 215s is destined to take its rightful place in the lineage of great dB signal processors that are the professional's choice in signal processing. With such affordable quality, There's no longer any excuse for compromising your sound.

  • Dual 15-band, 1/3-octave constant Q frequency bands
  • Switchable boost/cut ranges of 6 or 12 dB
  • Front panel bypass switch
  • 12 dB input gain range
  • 4-Segment LED ladders for monitoring output levels
  • Inputs: ¼” TRS and female XLR (pin 2 Hot)
  • Outputs: ¼” TRS and male XLR (pin 2 Hot)

User questions & answers

Question: Can the rack "ears" be cut off ? I have a very strict width limit
Answer: Any ears can be cut off, but I would be very careful. If you damage the corners, the integrity of the cabinet is gone.
Question: If using xlr to rca connector will it make noise
Answer: rca connectors are typically noisy on any application.
Question: Does this amp have low frequency’s for body shaking bass
Answer: It is not an amp. You will need an amp between this and your speakers. This adjusts the bass thru treble in 31 frequency bands from 10-20K HZ. I'd suggest Googling graphic equalizer if you are not sure!
Question: Can it be used in a car
Answer: At 19" wide and several inches deep, requiring a/c power, I can't envision a situation where it would be practical to use this product in a car. Also, electrical noise from car electronics would be a factor.

Product features

dbx 215s Graphic EQ

When the pros need an EQ, they turn to dbx. The dbx 215s includes two 15-band channels of 2/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended frequency response and dynamic range, to the quality componentry and meticulous attention to detail, the 215s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

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