12 best bass drum mics

• Frequency response shaped specifically for kick drums and bass instruments
• Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum.
• Studio quality performance, even a high sound pressure levels
• Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise.
• Low sensitivity to varying load impedance.

User questions & answers

Question:	Would this mic be good for recording heavy foot steps (not music of any sort)? Fyi... I do not have a lot of experience with mics
Answer:	No. It's a dynamic mic, which means it will have a tighter and more focused pick up pattern...made for close up miking. Your best best for ambient/sound effects type recording would be a condenser mic...preferably one with an omni directional pattern. I use this one. https://www.amazon.com/Behringer-ECM8000-BEHRINGER/dp/B000HT4RSA It's not expensive. And it does a great job picking up sounds from all directions. It would capture the sound of the foot steps as well as the ambience of the room they are recorded in.
Question:	How close does this sound to Shure's 52A
Answer:	It comes very close. I did a side by side comparison and I was shocked. It sounds very good. Plus the price is a good selling point. I use it on a lot of my gigs.
Question:	Why are the Freq Specs not listed? Anyone know what they are
Answer:	Supposedly 50-15 but that’s based on the box which calls this a snare-Tom mic too. I don’t think they bothered measuring it exactly, they just used the spec for the smaller snare/Tom mic. Anyway it’s got deep enough bass to work with.
Question:	will this work for mic'ing a bass cabinet on bass guitar
Answer:	This will work for micing a bass guitar cabinet because it has a large diaphragm. However, keep in mind the eq parameters of this mic. It's designed for low end which would be great for rock/metal where a low end is desired but also requires subs that can produce those frequencies. If you're looking for something for a pop/funk sound then you'd have to eq it or do a low frequency roll off at the board.

Product description

The PGA52 is a professional quality kick drum microphone with highly durable design and construction that delivers excellent sound. Featuring a swivel joint with a quick release latch for fast and flexible positioning, the PGA52 is ideal for use in low frequency performance and recording applications.

• Tailored microphone cartridge design specifically for low frequency clarity
• Swivel joint with quick release latch with a design similar to bicycle component-locking technology for extremely quick and easy positioning
• Cardioid polar pattern picks up audio from the source while rejecting unwanted noise
• Updated industrial design with black metallic finish and grille for unobtrusive visual presence
• Two available options: with 15-foot XLR-XLR cable, or without cable
• Zipper pouch included for additional protection during storage or transport
• Legendary Shure quality design and construction for exceptional performance in rigorous environments

User questions & answers

Question:	Wich is the diference between this mic and the normal shure pg52? Thanks
Answer:	pga52 replaced the pg52, and we include an xlr mic cable with this. If you need a stand with it also comes with a stand:https://www.amazon.com/dp/B017RLER7G
Question:	Does it come with stand
Answer:	No, it does not come with a microphone stand. I use it for a live application. It’s an excellent and rugged microphone.
Question:	The pga52 sounds better than beta52a?? Thank you
Answer:	Hello, The PGA52 was made as a budget version of the Beta52. The Beta52 is made of higher quality components. But the sound of the microphone is only as good as the source it is recording. You can definitely get a decent sound with the PGA52 as long as your kick drum/other instruments sound good before putting a mic on it. If this was helpful, please consider purchasing from us (pixelproaudio on Amazon). We can help with support after the sale as well. We have it in stock and ready to ship. - Pixel Pro Audio

Product features

PGA52

Features

Microphone

Polar Pattern

Frequency Response

PG ALTA Microphones: A Tradition of True Sound

Shure Microphones have always delivered unmatched sound quality and durability, making them essential for stage performance and studio recording around the world. Tailored for performers of every level, Shure offers a complete family of wired microphones to meet any audio need. With the PG ALTA Microphone family, Shure continues its 90-year tradition of manufacturing audio products of the highest quality and construction. Featuring a sleek black metallic industrial design and cardioid polar patterns that reduce feedback and background noise, the PG ALTA family delivers rock-solid sound and reliability that sets the bar for accessible, professional-caliber gear for performance and recording.

Product description

The Shure BETA 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. The BETA 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the BETA 52A from the abuse and wear associated with touring.

Designed specifically for kick drums and other bass instruments, the Shure Beta 52A high-output dynamic microphone provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. A successor to the popular Beta 52, the 52A features a redesigned knob and tightening mechanism for more durability and a wider mounting base that can accommodate a larger range of mic stands.

The Shure Beta 52A microphone.

The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.

Key Features

• Frequency response shaped specifically for kick drums and bass instruments
• Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
• Studio quality performance, even at extremely high sound pressure levels
• Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
• Hardened steel mesh grille that resists wear and abuse
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Neodymium magnet for high signal-to-noise ratio output
• Low sensitivity to varying load impedance
• Legendary Shure quality and reliability

Specifications

• Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis
• Output Level (at 1,000 Hz): Open Circuit Voltage: -64 dBV/Pa* (0.6 mV)*1 Pa = 94 dB SPL
• Impedance: Rated impedance is 150 ohms (45 ohms actual) for connection to microphone inputs rated low Z
• Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
• Maximum SPL: 174 dB at 1000 Hz (calculated)
• Connector: Three-pin professional audio connector (male XLR type)
• Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steel grille
• Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees, with standard 5/8"-27 thread
• Weight: 21.6 ounces

Frequency response.

Polar pattern.

• Frequency response shaped specifically for kick drums and bass instruments
• Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
• Studio quality performance, even a high sound pressure levels
• Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
• Hardened steel mesh grille that resists wear and abuse
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Neodymium magnet for high signal–to–noise ratio output

User questions & answers

Question:	How well would it work with a zoom H6 recorder
Answer:	Not so good. This is a large xlr microphone used for mic-ing bass drums.
Question:	How well does it work when set up inside drum thru the port
Answer:	It works extremely well! It's given me the best bass drum sound I've had in years. Just make sure the gain is up on the microphone to really get a good sound.
Question:	Is this consender microphone
Answer:	No. The BETA 52A is a dynamic mic. It does not use phantom power. You connect the XLR cable from this microphone straight into your mixer.
Question:	How well would it work to mic a bass guitar amp
Answer:	Your pick up is going to be warm and low. However, you are better off taking a line out from your bass amp to the mixer board for a cleaner sound, than sticking a mic in front of another speaker. It's just less cleaner in your final mix, not to mention additional variables for feedback.

Product features

Shure 52A

Drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio.

Side

Microphone Dimensions

Box

Live

Polar Pattern (Example 1)

Polar Pattern (Example 2)

Frequency Response

Product description

This seven-microphone wired drum kit from Pyle Pro is everything you need to record your drums discretely for a full, powerful sound. Hear the ring of the cymbals, the punch of the snares, and the boom of the kick drum, all with independent mics. This kit includes a high-performance microphone specially tuned to capture low-end punch as well as sensitive, flat response mics ideal for overhead and cymbal reproduction. It comes with a set of drum mounts that can be used on most standard drum rims. Uses standard XLR connectors. Includes windscreens and carrying case.

Features:

• S/N Ratio: 70dB
• Connector: Standard XLR
• Power Supply: Phantom 24-48V
• Polar Pattern: Uni-Directional
• Max Input SPL: NA/NA/130dB(@1kHz<1%T.H.D.)
• Output Impedance: 400Ω± 30%/500Ω± 30%/200Ω± 30%
• Sensitivity: -58dB(+/-)3dB/-53dB(+/-)3dB/-45dB(+/-)3dB
• Frequency Response: 50Hz-15kHz/50Hz-14kHz/50Hz-18kHz
• Compact Drum Microphones for Close & Precise Recording
• Universal Drum Mounts (Can be used on most standard drum rims)
• Element: Moving Coil Dynamic//Back Electret Condenser
• High-Performance Microphones Tuned to Capture Everything From Low-End Punch to Sensitive/Flat Sound
• Accessories: Windscreens, Carry Case, Mounting Brackets, Mic Holders
• Dimensions: 17.5' x 12' x 3.7'
• Weight: 6.6 Lbs.

 

From the Manufacturer

• HIGH PERFORMANCE: Each Microphone piece is tuned to capture everything from low end punch to sensitive / flat sound. The big drum microphone is designed for bass drums & low frequency instruments, the small drum mic is for Tom & snare drums & the overhead condenser mics are for cymbals, pianos, & vocals.
• COMPACT & VERSATILE: This instrumental microphone kit by Pyle Pro is designed for just about any set of drums or other musical instruments & the Compact size of the microphones makes it ideal for close recording.
• COMPATIBILITY: Each instrument microphone is designed with the standard thread 3/8" or 5/8" to match all types of microphone stand. Drum mount is also universal & can be attached to most drum rims. All mics comes with standard XLR connectors to allow compatibility with most audio instruments.
• CONVENIENT CARRY CASE: A convenient & lightweight carry case protects your mini microphones & allow for quick setup & safe transport. Includes a set of keys & briefcase-style locks to add safety to your audio accessories.
• INCLUSIONS: One big drum mic, 4 small drum mics; 2 condenser mics with the holder; 4 thread clip & thread inserts, 4 clamps for snare/tom mics, & 2 wind screens for condenser mics.

User questions & answers

Question:	Does this pack include the 7 XLR cables for each mic or do you have to buy them separately? I can't seem to find any information about it
Answer:	Like the others said, cables are not included. I ended up buying a six pack of the colored GLS Audio XLR cables and then added one more single. These mics have been excellent so far.
Question:	Do I need to buy a stand for the bass mic
Answer:	Actually you would need 2 short boom stands, and 1 tall boom stand. It would not hurt to also get 4 sennhieser mzh604 drum clamp for e604. The clamps that come with these mics are poorly made . That's the only bad thing about these mics . Other than that these mics rock!
Question:	I bought this and cant fit the clips for the condenser mics onto a standard mic stand (either 5/8 or 3/8). What am I missing
Answer:	Well there is an adapter inside that makes it fit the smaller diameter stands and the larger ones when you take it out. Unless your stands are not the standard size or there was a defect in manufacturing then it should fit. Post some pics if the stand you are using along with the mic clips and everything. Put it on Dropbox.com if you can't post pics in comments here...
Question:	What kind of recording device to I need to hook the mics into? I have never really looked into recording drums
Answer:	You could use any mixer/interface with multiple XRL inputs. To record each input as a separate track (which you will want to do to get a better quality drum recording), you'll want a USB or firewire interface. For a cheap multitrack recording program, you can look into Reaper, and some interfaces even come with their own programs. I hope this helps! Best of luck.

Product features

seven-microphone wired drum kit from Pyle Pro

is everything you need to record your drums discretely for a full, powerful sound. Hear the ring of the cymbals, the punch of the snares, and the boom of the kick drum, all with independent mics. This kit includes a high-performance microphone specially tuned to capture low-end punch as well as sensitive, flat response mics ideal for overhead and cymbal reproduction

COMPATIBILITY

Each instrument microphone is designed with the standard thread 3/8" or 5/8" to match all types of microphone stand Drum mount is also universal & can be attached to most drum rims All mics comes with standard XLR connectors to allow compatibility with most audio instruments

INCLUSIONS

One big drum mic, 4 small drum mics; 2 condenser mics with the holder; 4 thread clip & thread inserts, 4 clamps for snare/tom mics, & 2 wind screens for condenser mics

HIGH PERFORMANCE

Each Microphone piece is tuned to capture everything from low end punch to sensitive / flat sound The big drum microphone is designed for bass drums & low frequency instruments, the small drum mic is for Tom & snare drums & the overhead condenser mics are for cymbals, pianos, & vocals

SET OF KEYS & BRIEF CASE STYLE

quick setup & safe transport Includes a set of keys & briefcase-style locks to add safety to your audio accessories

CONVENIENT CARRY CASE

A convenient & lightweight carry case protects your mini microphones & allow for quick setup & safe transport Includes a set of keys & briefcase-style locks to add safety to your audio accessories

DIMENSIONS

the briefcase Dimensions: 17.5" width x 12" Height x 3.7" thick

Weight: 6.6 Lbs.

Product description

Deigned especially for use with kick drums, bass guitar cabs, tubas, and other low frequency intruments. Light with ease to position on a boom stand for mic'ing a kick drum. Response curve not exaggerated for effect. Highly effective for sound reinforcement and recording applications.

The evolution 600 series adds a fresh dimension to Sennheiser’s legendary value-for-money promise. This new generation wired range puts Sennheiser’s renowned sound quality within reach of everyone who’s got something to say (or sing about). These microphones were designed to cover almost all applications and requirements. They were developed for the demanding needs of bands, singers, soloists, and presenters of all shapes and sizes. No matter whether you’re doing a big gig, or addressing the village horticultural society in the church hall, we’ve got a selection of tailormade products for you. You can rest easy and focus on the performance, knowing you’ve done your very best to guarantee perfect sound. Thousands of Sennheiser’s satisfied customers share only one thing – the same passion for professionalquality audio. With Sennheiser, they know they can have it, without any compromises. The e 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.

Feature List

• Rugged, lightweight aluminium body for stable positioning on long microphone boom arms
• Lightweight high-performance voice coil construction
• Fast transient response
• Low frequency extension
• Ideal for direct use on the most problematic bass signal
• Frequency-independent directivity provides isolation from other on-stage signals
• Humbucking coil
• Integral stand mount

• Large diaphragm capsule enhances bass response
• Capable of greater than 155 dB SPL
• Integrated stand mount stabilizes high mass housing
• 10 year warranty

User questions & answers

Question:	Is there a serial number on these for warranty
Answer:	Yes. Each microphone has a unique serial number.
Question:	What is the thread size of the sennheiser e602 ii evolution series dynamic bass-drum microphone
Answer:	Remove the insert and it's the same thread size of any microphone stand.
Question:	Does it sound as good as an audix d6 or shure beta
Answer:	Not sure about the Audix but more headroom than beta 52
Question:	Can I use this microphone for an instrumental bass (in our case, the mexican instrument guitarron
Answer:	Yes you could use this for an acoustic bass. In a live application you still will be limited by gain before feedback.

Product features

Evolution 600/800 Series

Sennheiser’s uncompromising, rugged evolution e600 (instrument) and e800 (vocals) series includes a wide-range of dynamic and condenser microphones, each tailored to capture clear and detailed sound with low handling noise and high feedback rejection.

In live sound, there are no second chances 600/800 series delivers consistent, reliable results with microphones renowned for their clarity, projection and uniform on-axis / off-axis response.

Industry leading 10 year warranty!

Product description

The AKG D112 has been revamped in the new D112 MKII version. This professional dynamic bass drum microphone features a brand new integrated flexible mount, while still retaining all of the sonic strengths that have made its predecesor the industry standrd, The D112 has earned a famed reputation as one of the best bass drum microphones ever made due to its high SPL capability, punchy EQ and bulletproof construction. The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones. Tech Specs Audio Frequency bandwidth: 20 to 17000 Hz Sensitivity: 1.8 mV/Pa Electrical Impedance: 210 Ohms Recommended Load Impedance: 2000 Ohms Polar Pattern: Cardioid Audio Output: Type: Balanced XLR Gender: Male Contacts: 3-pin Dimensions / Weight: Length 115 mm Height 126 mm Diameter: 70 mm Net Weight: mic only 300 g

• Integrated flexible mount makes it even more versatile
• Bass resonance volume chamber for unique, punchy sound
• Large diaphragm dynamic microphone delivers accurate low frequencies
• Integrated hum-compensation coil keeps noise to an absolute minimum
• Industry benchmark for bass drum microphone used on stages worldwide for over 30 years

User questions & answers

Question:	I've seen the akg d112 recommended for basso profundo vocals. would the mkii be good? what about baritone vocals? frequency response curve
Answer:	Mainly I use it for kick drum floor Tom and bass have not used it for vocals but it’s frequency range is from 20hz- 17khz so technically it should be ok
Question:	Will this microphone accommodate a SHU internal mounting system
Answer:	Mounts to any mic stand so yes with the adapter
Question:	How would this sound If I was trying to record a bass guitar with this? I would run the guitar through an amp and record the amp sound through this
Answer:	It would sound pretty good. it would def give you a good bass response and could handle the high sound pressure levels (if you crank it up). Check out the AKG website for the frequency response: http://www.akg.com/pro/p/d112mkii Of course, it also depends on the style of music and perfomance that you're trying to capture.
Question:	Is this mic actually the MKII? The MKII has the new integrated pivot mount. That is not what is pictured on this add
Answer:	The name says MkII but the picture is not of the MkII mic. It leaves the customers confused and less confident.

Product description

The DM-90 Dynamic Kick Drum Microphone was specially designed for the most accurate reproduction of extended low frequency instruments and amplifiers. It features a dynamic large diaphragm element for capturing the attack, punch, and high SPL of bass drums, a supercardioid pattern for ultimate feedback rejection, and a rugged die-cast body with internal shockmount and hardened steel grille.

• Specially designed for the accurate reproduction of extended low frequency instruments and amplifiers
• Dynamic large diaphragm element for capturing the attack, punch and high SPL of bass drums
• Supercardioid pattern for superior feedback rejection
• Rugged die-cast body with internal shockmount and hardened steel grill for durability
• Nady Systems is dedicated to providing the best user experience possible. Since 1976 Nady has been a US based brand, with a US based customer service center, and with US valid product warranties

User questions & answers

Question:	What is the frequency response
Answer:	This microphone is capable of reproducing 20Hz to 10KHz with a sensitivity of 58dB,±3dB and has an exceptionally high SPL, making it ideal for use on Kick drums.
Question:	I have been aske dto gig in the near future on djembe, and cajon. Any recomendations? Also, w drum mics, would mic specify if Phantom Power is needed
Answer:	I love this mic, it does just what I need it to. I do not need phantom power for it to work.

• KIT INCLUDES: Big bass drum mic with holder, Small tabour mic with holder, Condenser mic with holder, Drum clamp with 5/8" screw, Condenser mic foam windscreen, Aluminum carrying box
• WIDE APPLICATION: NW-7 professional drum set microphone is designed especially for percussive drum, jazzy drum and other instruments. Bass drum mic is designed specially for kick drums and low frequency musical instruments; Tabour mic is ideal for tom-tomsand snaredrums; Condenser mic is excellent in reproducing the sounds of cymbals, pianos, etc.
• WELL PERFORMANCE: Dynamic mics adopt high output dynamic element. Equipped with a linear frequency response for superior reproduction and clear sound. Condenser mics adopt the completely new audio circuit. Feature cardioid pick-up pattern to isolates the main sound source and minimizes background noise
• COMPATIBLE CLAMPS: Come with seven compatible mic holders, equipped with 3/8" to 5/8" screw to match with all kinds of microphone stands. And four drum clamps to fix the mic on stand, drum or other instrument
• NOTE: Features standard XLR female jack with every microphone for most audio cables. Better choice to connect with your amp or other device. The cable is not included. A convenient and lightweight carry case protects your mini microphones and allow for quick setup and safe transport.

User questions & answers

Question:	Do these mics take batteries
Answer:	These mics do not take batteries. This is a set of 5 dinamic mics and 2 condencer mics witch are used for the symbals. The 2 condencer mics will need phantom power so you will need a mixer or a sound board that probides phantom power
Question:	Gift for my son... he has Bass, tom-tom, snare, floor tom ... a ride cymbal, 2 crash, hi-hat, splash & china. Would this be enough mics to start with
Answer:	Yes, perfect kit
Question:	I'm an amateur, sorry for possible obvious questions. desc says drum kit not included. what's the drum kit? is it the actual drums
Answer:	They sell the way you see the case on the pictures with all microphone and brackets and works very good.

Product description

The KBM412 is a large diameter, Neodymium dynamic microphone, specifically designed for bass drum and other low frequency sources. Packaged in a rugged die-cast body with a hardened external screen providing additional protection from incidental striking. The KBM412 was designed to provide extended low-end frequency response, along with high SPL handling capability The KBM412 delivers exceptional performance as a kick and large tom microphone and will deliver excellent performance when used to mic bass and large diameter percussive instruments and other similar applications. Shock Isolating swivel mount included.

• Cardioid Polar Pattern
• Frequency response – 30Hz – 12KHz
• Mic Clip included

User questions & answers

Question:	Is this USB or Jack
Answer:	Neither USB nor jack. It has an XLR out (the usual plug for professional microphone).
Question:	Would this be a good alternative to the Audix d6 or Shure Beta 52 for recording metal
Answer:	In a nutshell, because of the price, "yes". I have had great results recording with this mic on the kick drum. If you want that "click" from the "metal style" kick drum, you might consider pointing the mic to where the rim meets the shell of the kick drum (if there is a sound hole, have the diaphram just inside the hole, pointed to the "drummers left side of the rim"), and you may need a second mic (the ones you mentioned are fantastic mics BTW) or a sub-kick to really get the metal "click" you might be looking for. If you have a sub-kick mic, perhaps point the mic at the opposite side of the rim. If you do have a sub-kick, that mic placement should get you the click. See what happens. :) Note: These are EXCELLENT for miking the floor tom too, and I am eventually (based solely on budget and priority lists in my studio) going to move this mic to the floor tom, and probably get one of the mics you mentioned above, because the Audix and the EV are simply fantastic, and, the EV especially, even though you pay an arm and a leg to get 'em, will pick up that bass drum really nicely. This CAD mic does a great job for the money, and I don't end up having to do much post EQ (a little) to get it pulled into the mix. The EV will be "EQ-less". (oops! that whole time I thought you had mentioned the EV 320, which is IMO the best kick mic I have ever heard. I have worked with the Shure 52, and they are also fantastic. The audix too (excellent no-EQ mics)! Gosh there are so many good mics and types. At my friends studio, it ended up being the EV 320, and there is a condenser further back picking up secondary ambiance from the kick as well. I have several CAD mics, and they are all fantastic, not just for the money - they really make good mics. Hope this helps.
Question:	Has anyone used this to mic a cajon? How do the highs/lows sound? (I use a cajon port as well
Answer:	I have not used it to mic a cajon, but I use it as the only mic on our full kit... I was a little weirded out and pleasantly surprised to find that it actually pics up not only the toms, but the snare and cymbals as well. If I were trying to only get the kick, this would be a problem... I think with that said, it shouldn't have a problem picking up the full range of the cajon.
Question:	Does anyone know if this mic is able to plug into a regular guitar amp so i can practice/record vocal audio without a preamp
Answer:	No preamp needed as long as you have a standard mic level XLR input on your amp

Product features

CAD Audio

2016. ..our 85th year of excellence!

CAD Audio continues to build on over 85 years of innovation and success in the audio industry by delivering innovative and highly useful solutions for performers, engineers and a wide range of audio professionals. CAD Audio has emerged as a multifaceted company with a variety of the sub brands that extend to market segments such as Recording, Broadcast, Live Performance and Production, Commercial and Consumer Electronics.

CAD Professional Microphones (1988), initially formed in 1931 as the Pro Audio division of Astatic, now designs and manufactures microphones for the recording and live sound markets. CAD Audio is a leader in innovative and cost-effective high performance studio and live microphones.

CAD Audio KBM412 Dynamic Microphone

The KBM412 is a large diameter, Neodymium dynamic microphone, specifically designed for bass drum and other low frequency sources. Packaged in a rugged die-cast body with a hardened external screen providing additional protection from incidental striking. The KBM412 was designed to provide extended low-end frequency response, along with high SPL handling capability The KBM412 delivers exceptional performance as a kick and large tom microphone and will deliver excellent performance when used to mic bass and large diameter percussive instruments and other similar applications. Shock Isolating swivel mount included.

KBM412 Ideal for percussive instruments!

Specifically designed for bass drum and other low-frequency sources.

Large diaphragm delivers response down to 25Hz.

High SPL handling.

Rugged die-cast body.

Hardened external screen retainer.

Shockmount saddle provides isolation and excellent protection from mechanical noise.

Ideal for large-diameter percussive instruments and bass and guitar amps.

CAD Audio - The Brand Used by Professionals

Product description

Meet Your New Kick Drum Mic

• Cardioid Dynamic Kick Drum Mic with Shockmount Custom-molded Padded Carrying Case

User questions & answers

Question:	what is the SPL of the Mondo
Answer:	Hello, The maximum SPL is 145dB. If this was helpful, please consider purchasing from us (pixelproaudio on Amazon). We can help with support after the sale as well. We have it in stock and ready to ship. - Pixel Pro Audio

Product description

The D6 is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 is equipped with a vlm diaphragm for Natural, accurate sound reproduction. The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz - 15 kHz and the ability to handle SPLs in excess of 144 dB, The D6 is an excellent choice for making instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6 is manufactured with a precision machined aluminum body, Black anodized finish, laser etched model and serial number, steel mesh grill, switch craft XLR connector and includes a tension-fit heavy-duty nylon microphone clip. Transformer less design, low impedance and balanced output allow for interference-free performance; even with long cable runs. Transducer type: Dynamic frequency response: 30 Hz - 15 kHz polar pattern: Cardioid output Impedance: 200 ohms sensitivity: . 8 mV/Pascal @ 1K off axis rejection: 20 db maximum SPL: 144 db.

• Provides huge kick drum sound. Ground shaking low end combined with exceptional clarity and attack.
• Type: Dynamic
• Polar Pattern: Cardioid
• Frequency Response: 40Hz - 18kHz, Impedance: 280 ohms ohms , Sensitivity: 1.4 mV/Pa at 1k

User questions & answers

Question:	What else do i need to have a complete working mic? i have a jbl eon speaker/mixer with phantom power. i need the mic for a cello
Answer:	Just XLR cable to connect the mic to the mixer.
Question:	Does it come with cable? XLR
Answer:	Depends on which seller you purchase from. Some sellers include a cable, while the box from Audix does not include an XLR cable.
Question:	i ususally use a bass drum with a FULL front head... some sound guys really have a problem with this.. will this be effective with that
Answer:	Well your bass drum will have More attack, and greater definition from the bass drum beater (especially when only the resonant head has a microphone like the D6 which sounds AMAZING). Without a port hole, the resonant mic can't capture much beater definition. ... A slightly brighter sound (the port hole removes some of the warmth from your bass drum sound). But overall having a hole cut in the front will make your bass drum sound 1,000 time better! (From my son drummer and audio engineer.)
Question:	Can the d6 be placed both outside or inside the bass drum. Which is best sueded for the mic
Answer:	Either inside or outside. If inside you'll need a mic stand that can extend into the access hole if your kick has one. I get the best response by aligning the D6 with the area where the striker (mallet) meets the head, even if you're placing the mic on the outside, obviously opposite the head. Try it and see.

Product description

The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it's predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction. The D112 MKII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MKII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MKII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MKII is an excellent choice for miking electric bass cabinets and trombones.

• Integrated flexible mount, makes it even more versatile
• Bass resounance volume chamber for unique, punchy sound
• Large diaphragm dynamic microphone, delivers accurate low frequencies
• Integrated hum-compensation coil, keeps noise to an absolute minimum
• Industry benchmark for bass drum microphone, used on stages worldwide for over 30 years

User questions & answers

Question:	Are these microphones good on bass guitar amps
Answer:	Yeah, it works well on bass.
Question:	what is the origin of the microphone
Answer:	Austria I believe.
Question:	Will this mic pick up higher range sounds well, like with a djembe hand drum
Answer:	This mic is really designed for low end instruments. Kick drum, Floor Toms or Bass cabinet. Don't think it's the right mic for a djembe.
Question:	Does this mic come with a stand to actually mount it outside of the bass drum
Answer:	The D112 does not come with a mic stand but it does come with the special mic clip to mount on to a stand

Product features

The D112 Reimagined

The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it's predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction.

Delivers Accurate Low Frequencies

The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum.

In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

Industry Benchmark for Bass Drum Microphone

Used on stages worldwide for over 30 years.

Bass Resonance Volume Chamber

For unique, punchy sound.

Integrated Hum-Compensation Coil

Keeps noise to an absolute minimum.

Integrated Flexible Mount

Makes it even more versatile.

The AKG Legacy - Inspiring Greatness for Decades

For more than 65 years, AKG has helped create the iconic sounds of some of the world’s most well known recording artists, engineers and producers. Our designers and engineers have made it their life’s passion to find new ways to deliver breakthrough experiences for artists of all levels. Whether in the studio or on stage, when you use AKG, you’re seconds away from creating history.