12 best criterion collections

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In honor of Ingmar Bergman’s 100th birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. One of the most revelatory voices to emerge from the postwar explosion of international art-house cinema, Bergman was a master storyteller who startled the world with his stark intensity and naked pursuit of the most profound metaphysical and spiritual questions. The struggles of faith and morality, the nature of dreams, and the agonies and ecstasies of human relationships—Bergman's films range from comedies whose lightness and complexity belie their brooding hearts to groundbreaking formal experiments and excruciatingly intimate explorations of family life.

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Thirty-nine films from the legendary Swedish filmmaker, including essential classics & astonishing rarities

In honor of Ingmar Bergman’s 100th birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. One of the most revelatory voices to emerge from the postwar explosion of international art-house cinema, Bergman was a master storyteller who startled the world with his stark intensity and naked pursuit of the most profound metaphysical and spiritual questions. The struggles of faith and morality, the nature of dreams, and the agonies and ecstasies of human relationships—Bergman's films range from comedies whose lightness and complexity belie their brooding hearts to groundbreaking formal experiments and excruciatingly intimate explorations of family life.

Arranged as a curated film festival with 'opening' and 'closing' nights bookending double features and 'centerpiece' programs, this selection spans six decades and thirty-nine films—including such celebrated>The Seventh Seal, Persona, and Fanny and Alexander alongside previously unavailable works like Dreams, The Rite, and Brink of Life.

Ingmar Bergman’s Cinema traces themes and images across Bergman’s career, blazing trails through the master’s unequaled body of work for longtime fans and newcomers alike.

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This masterly adaptation of George Orwell’s chilling parable about totalitarian oppression gives harrowing cinematic expression to the book’s bleak prophetic vision. In a rubble strewn surveillance state where an endless overseas war props up the repressive regime of the all seeing Big Brother, and all dissent is promptly squashed, a profoundly alienated citizen, Winston Smith (thrillingly played by John Hurt), risks everything for an illicit affair with the rebellious Julia (Suzanna Hamilton) in a defiant assertion of humanity in the face of soul crushing conformity. Through vividly grim production design and expressionistically desaturated cinematography by Roger Deakins, Michael Radford’s 1984 conjures a dystopian vision of postwar Britain as fascistic nightmare—a world all too recognizable as our own. DIRECTOR APPROVED BLU RAY SPECIAL EDITION FEATURES • New 4K digital restoration, supervised by cinematographer Roger Deakins, with uncompressed monaural soundtrack • New interviews with director Michael Radford and cinematographer Roger Deakins • New interview with David Ryan, author of George Orwell on Screen • Behind the scenes footage • Trailer • PLUS: An essay by writer and performer A. L. Kennedy

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The definitive film adaptation of George Orwell’s prophetic literary classic, starring John Hurt and Richard Burton

This masterly adaptation of George Orwell’s chilling parable about totalitarian oppression gives harrowing cinematic expression to the book’s prophetic dystopia. In a rubble-strewn surveillance state where an endless overseas war props up the repressive regime of the all-seeing Big Brother, and all dissent is promptly squashed, a profoundly alienated citizen, Winston Smith (thrillingly played by John Hurt), risks everything for an illicit affair with the rebellious Julia (Suzanna Hamilton), defiantly asserting his humanity in the face of soul-crushing conformity.

Through vividly grim production design and expressionistically desaturated cinematography by Roger Deakins, Michael Radford’s 1984 conjures a bleak vision of postwar Britain as fascistic nightmare—a world all too recognizable as our own.

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One of the most thrilling movie epics of all time, SEVEN SAMURAI (Shichinin no samurai) tells the story of a sixteenth century village whose desperate inhabitants hire the eponymous warriors to protect them from invading bandits. This three hour ride from Akira Kurosawa (Rashomon, Yojimbo, Ran)—featuring legendary actors Toshiro Mifune (Stray Dog, Yojimbo) and Takashi Shimura (Ikiru, The Hidden Fortress)—seamlessly weaves philosophy and entertainment, delicate human emotions and relentless action, into a rich, evocative, and unforgettable tale of courage and hope.

Unanimously hailed as one of the greatest masterpieces in the history of the motion picture, Seven Samurai has inspired countless films modeled after its basic premise. But Akira Kurosawa's classic 1954 action drama has never been surpassed in terms of sheer power of emotion, kinetic energy, and dynamic character development. The story is set in the 1600s, when the residents of a small Japanese village are seeking protection against repeated attacks by a band of marauding thieves. Offering mere handfuls of rice as payment, they hire seven unemployed "ronin" (masterless samurai), including a boastful swordsman (Toshiro Mifune) who is actually a farmer's son desperately seeking glory and acceptance. The samurai get acquainted with but remain distant from the villagers, knowing that their assignment may prove to be fatal. The climactic battle with the raiding thieves remains one of the most breathtaking sequences ever filmed. It's poetry in hyperactive motion and one of Kurosawa's crowning cinematic achievements. This is not a film that can be well served by any synopsis; it must be seen to be appreciated (accept nothing less than its complete 203-minute version) and belongs on the short list of any definitive home-video library. --Jeff Shannon

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Criterion's best-selling edition of Akira Kurosawa's masterpiece

One of the most thrilling movie epics of all time, Seven Samurai (Shichinin no samurai) tells the story of a sixteenth-century village whose desperate inhabitants hire the eponymous warriors to protect them from invading bandits. This three-hour ride from Akira Kurosawa—featuring legendary actors Toshiro Mifune and Takashi Shimura—seamlessly weaves philosophy and entertainment, delicate human emotions and relentless action, into a rich, evocative, and unforgettable tale of courage and hope.

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One hundred years after his birth, Federico Fellini still stands apart as a giant of the cinema. The Italian maestro is defined by his dualities: the sacred and the profane, the masculine and the feminine, the provincial and the urbane. He began his career working in the slice-of-life poetry of neorealism, and though he soon spun off on his own freewheeling creative axis, he never lost that grounding, evoking his dreams, memories, and obsessions on increasingly grand scales in increasingly grand productions teeming with carnivalesque imagery and flights of phantasmagoric surrealism while maintaining an earthy, embodied connection to humanity. Bringing together fourteen of the director’s greatest spectacles, all beautifully restored, this centenary box set is a monument to an artist who conjured a cinematic universe all his own: a vision of the world as a three-ring circus in which his innermost infatuations, fears, and fantasies take center stage. Fifteen-Blu-Ray special edition collector's set features. • New 4K restorations of 11 theatrical features, with uncompressed monaural soundtracks for all films • New digital restorations of the short film Toby Dammit (1968) and the television film Fellini: A Director’s Notebook (1969), with uncompressed monaural soundtracks • Feature documentaries Fellini: I’m a Born Liar (2002) and Marcello Mastroianni: I Remember (1997), the latter presented in its 193-minute version • Two-hour, four-part 1960 interview with director Federico Fellini by filmmaker Andre Delvaux for Belgian television • Four behind-the-scenes documentaries: Reporter’s Diary: “Zoom on Fellini” (1965), Ciao, Federico (1969), The Secret Diary of “Amarcord” (1974), and Fellini racconta: On the Set of “And the Ship Sails On” (1983) • Fellini racconta: Passegiatte nella memoria, a 2000 documentary featuring interviews with a late-in-life Fellini • Giulietta Masina: The Power of a Smile, a 2004 documentary about Fellini’s wife and frequent collaborator • Once Upon a Time: “La dolce vita,” a French television documentary about the film • Audio commentaries on six of the films • Program from 2003 on Fellini's 1980s television advertising work • Archival interviews with Fellini stars and collaborators, including Mastroianni, Sandra Milo, Anouk Aimee, and Magali Noël • Archival audio interviews by film critic Gideon Bachmann with Fellini, Mastroianni, and Fellini's friends and family • Video essays, trailers, and more • PLUS: Deluxe packaging, including two lavishly illustrated books with hundreds of pages of content: notes on the films by scholar David Forgacs, essays by filmmakers Michael Almereyda, Kogonada, and Carol Morley; film critics Bilge Ebiri and Stephanie Zacharek; and novelist Colm Tóibín, and dozens of images spotlighting Don Young’s renowned collection of Fellini memorabilia.

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14 films from the maestro of Italian cinema together for the first time

One hundred years after his birth, Federico Fellini still stands apart as a giant of the cinema. The Italian maestro is defined by his dualities: the sacred and the profane, the masculine and the feminine, the provincial and the urbane.

He began his career working in the slice-of-life poetry of neorealism, and though he soon spun off on his own freewheeling creative axis, he never lost that grounding, evoking his dreams, memories, and obsessions in increasingly grand productions teeming with carnivalesque imagery and flights of phantasmagoric surrealism while maintaining an earthy, embodied connection to humanity.

Bringing together fourteen of the director’s greatest spectacles, all beautifully restored, this centenary box set is a monument to an artist who conjured a cinematic universe all his own: a vision of the world as a three-ring circus in which his innermost infatuations, fears, and fantasies take center stage.

“It’s not enough to call Fellini a filmmaker—he was a maestro . . . He was cinema. Fellini’s work is like a treasure chest; you open it up and there’s a world of wonders—sparkling visions of beauty, terror, absurdity—where the ancient and the modern become one, where all the barriers between reality and fantasy just shatter before your eyes."

—Martin Scorsese

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With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema. Joined by such key collaborators as cinematographer Christopher Doyle; editor and production and costume designer William Chang Suk Ping; and actors Tony Leung Chiu Wai and Maggie Cheung Man Yuk, Wong (or WKW, as he is often known) has written and directed films that have enraptured audiences and critics worldwide and inspired countless other filmmakers with their poetic moods and music, narrative and stylistic daring, and potent themes of alienation and memory. Whether they’re tragically romantic, soaked in blood, or quirkily comedic, the seven films collected here are an invitation into the unique and wistful world of a deeply influential artist. Seven-Blu-ray Special Edition Collector’s Set Features • New 4K digital restorations of Chungking Express, Fallen Angels, Happy Together, In the Mood for Love and 2046, approved by director Wong Kar Wai, with 5.1 surround DTS-HD Master Audio soundtracks • New 4K digital restorations of As Tears Go By and Days of Being Wild, with uncompressed monaural soundtracks • New program in which Wong answers questions submitted, at the invitation of the director, by authors Andre Aciman and Jonathan Lethem; filmmakers Sofia Coppola, Rian Johnson, Lisa Joy, and Chloe Zhao; cinematographers Philippe Le Sourd and Bradford Young; and filmmakers and founders/creative directors of Rodarte Kate and Laura Mulleavy • Alternate version of Days of Being Wild featuring different edits of the film’s prologue and final scenes, on home video for the first time • Hua yang de nian hua, a 2000 short film by Wong • Extended version of The Hand, a 2004 short film by Wong, available in the U.S. for the first time • Interview and “cinema lesson” with Wong from the 2001 Cannes Film Festival • Three making-of documentaries, featuring interviews with Wong; actors Maggie Cheung Man Yuk, Tony Leung Chiu Wai, Chang Chen, Faye Wong, and Ziyi Zhang; and others • Episode of the television series Moving Pictures from 1996 featuring Wong and cinematographer Christopher Doyle • Interviews from 2002 and 2005 with Doyle • Excerpts from a 1994 British Film Institute audio interview with Cheung on her work in Days of Being Wild • Program from 2012 on In the Mood for Love’s soundtrack • Press conference for In the Mood for Love from the 2000 Toronto International Film Festival • Deleted scenes, alternate endings, behind-the-scenes footage, a promo reel, music videos, and trailers • Plus: Deluxe packaging, including a perfect-bound, French-fold book featuring lavish photography, an essay by critic John Powers, a director’s note, and six collectible art prints as tears go by Wong Kar Wai’s scintillating debut feature is a kinetic, hypercool crime thriller graced with flashes of the impressionistic, daydream visual style for which he would become renowned. Set amid Hong Kong’s ruthless, neon-lit gangland underworld, this operatic saga of ambition, honor, and revenge stars Andy Lau Tak Wah as a small-time mob enforcer who finds himself torn between a burgeoning romance with his ailing cousin (Maggie Cheung Man Yuk, in the first of her iconic collaborations with the director) and his loyalty to his loose-cannon partner in crime (Jacky Cheung Hok Yau), whose reckless attempts to make a name for himself unleash a spiral of violence. Marrying the pulp pleasures of the gritty Hong Kong action drama with hints of the head-rush romanticism Wong would push to intoxicating heights throughout the 1990s, As Tears Go By was a box-office smash that heralded the arrival of one of contemporary cinema’s most electrifying talents. Days of being wild the breakthrough sophomore feature by Wong Kar Wai represents the first full flowering of his swooning signature style. The initial entry in a loosely connected, ongoing cycle that includes In the Mood for Love and 2046, this ravishing existential reverie is a dreamlike drift through the Hong Kong of the 1960s in which a band of wayward twenty somethings—including a disaffected playboy (Leslie Cheung Kwok Wing) searching for his birth mother, a lovelorn woman (Maggie Cheung Man Yuk) hopelessly enamored with him, and a policeman (Andy Lau Tak Wah) caught in the middle of their turbulent relationship—pull together and push apart in a dance of frustrated desire. The director’s inaugural collaboration with both cinematographer Christopher Doyle, who lends the film its gorgeously gauzy, hallucinatory texture, and actor Tony Leung Chiu Wai, who appears briefly in a tantalizing teaser for a never-realized sequel, Days of Being Wild is an exhilarating first expression of Wong’s trademark themes of time, longing, dislocation, and the restless search for human connection. Chungking Express the whiplash, double-pronged Chungking Express is one of the defining works of 1990s cinema and the film that made Wong Kar Wai an instant icon. Two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung Chiu Wai), both jilted by ex-lovers, cross paths at the Midnight Express take out food stand, where the ethereal pixie waitress Faye (Faye Wong) works. Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas & the Papas’ “California Dreamin’” into tokens of romantic longing. Fallen Angels Lost souls reach out for human connection amid a glimmering Hong Kong in Wong Kar Wai’s hallucinatory, neon-soaked nocturne. Originally conceived as a segment of Chungking Express only to spin off on its own woozy axis, Fallen Angels plays like the dark, moody flip side of its predecessor as it charts the subtly interlacing fates of a handful of urban loners, including a coolly detached hit man (Leon Lai Ming) looking to go straight; his business partner (Michelle Reis), who secretly yearns for him; and a mute delinquent (Takeshi Kaneshiro) who wreaks mischief by night. Swinging between hard-boiled noir and slapstick lunacy with giddy abandon, the film is both a dizzying, dazzling city symphony and a poignant meditation on love, loss, and longing in a metropolis that never sleeps. Happy together one of the most searing romances of the 1990s, Wong Kar Wai’s emotionally raw, lushly stylized portrait of a relationship in breakdown casts Hong Kong superstars Tony Leung Chiu Wai and Leslie Cheung Kwok Wing as a couple traveling through Argentina and locked in a turbulent cycle of infatuation and destructive jealousy as they break up, make up, and fall apart again and again. Setting out to depict the dynamics of a queer relationship with empathy and complexity on the cusp of the 1997 handover of Hong Kong—when the country’s LGBTQ community suddenly faced an uncertain future—Wong crafts a feverish look at the life cycle of a love affair that is by turns devastating and deliriously romantic. Shot by ace cinematographer Christopher Doyle in both luminous monochrome and luscious saturated color, Happy Together is an intoxicating exploration of displacement and desire that swoons with the ache and exhilaration of love at its heart-tearing extremes. In the mood for love Hong Kong, 1962: Chow Mo-Wan (Tony Leung Chiu Wai) and Su Li-Zhen (Maggie Cheung Man Yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar Wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping Bing, this film has been a major stylistic influence on the past two decades of cinema, and is a milestone in Wong’s redoubtable career. 2046 Wong Kar Wai’s loose sequel to In the Mood for Love combines that film’s languorous air of romantic longing with a dizzying time-hopping structure and avant-sci-fi twist. Tony Leung Chiu Wai reprises his role as writer Chow Mo-Wan, whose numerous failed relationships with women who drift in and out of his life (and the one who goes in and out of room 2046, down the hall from his apartment) inspire the delirious futuristic love story he pens. 2046’s dazzling fantasy sequences give Wong and two of his key collaborators—cinematographer Christopher Doyle and editor/costume designer/production designer William Chang Suk Ping—license, to let their imaginations run wild, propelling the sumptuous visuals and operatic emotions skyward toward the sublime.

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Wong Kar Wai’s most beloved works, together for the first time, including three films new to Blu-ray!

With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema. Joined by such key collaborators as cinematographer Christopher Doyle; editor and production and costume designer William Chang Suk Ping; and actors Tony Leung Chiu Wai and Maggie Cheung Man Yuk, Wong (or WKW, as he is often known) has written and directed films that have enraptured audiences and critics worldwide and inspired countless other filmmakers with their poetic moods and music, narrative and stylistic daring, and potent themes of alienation and memory. Whether they’re tragically romantic, soaked in blood, or quirkily comedic, the seven films collected here are an invitation into the unique and wistful world of a deeply influential artist.

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With this twisted love story, Alfred Hitchcock summoned darker shades of suspense and passion by casting two of Hollywood’s most beloved stars starkly against type. Ingrid Bergman plays Alicia, an alluring woman with a checkered past recruited by Devlin (Cary Grant), a suave, mysterious intelligence agent, to spy for the U.S. Only after she has fallen for Devlin does she learn that her mission is to seduce a Nazi industrialist (Claude Rains) hiding out in South America. Coupling inventive cinematography with brilliantly subtle turns from his mesmerizing leads, Hitchcock orchestrates an anguished romance shot through with deception and moral ambiguity. A thriller of rare perfection, Notorious represents a pinnacle of both its director’s legendary career and classic Hollywood cinema.

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Notorious The Criterion Collection

With this twisted love story, Alfred Hitchcock summoned darker shades of suspense and passion by casting two of Hollywood’s most beloved stars starkly against type. Ingrid Bergman plays Alicia, an alluring woman with a checkered past recruited by Devlin (Cary Grant), a suave, mysterious intelligence agent, to spy for the U.S. Only after she has fallen for Devlin does she learn that her mission is to seduce a Nazi industrialist (Claude Rains) hiding out in South America. Coupling inventive cinematography with brilliantly subtle turns from his mesmerizing leads, Hitchcock orchestrates an anguished romance shot through with deception and moral ambiguity. A thriller of rare perfection, Notorious represents a pinnacle of both its director’s legendary career and classic Hollywood cinema.

Special Features

• New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
• Audio commentaries from 1990 and 2001 featuring film historian Rudy Behlmer and Alfred Hitchcock scholar Marian Keane
• New interview with Hitchcock biographer Donald Spoto
• New program about the film’s visual style with cinematographer John Bailey
• New scene analysis by film scholar David Bordwell

• New program about Hitchcock’s storyboarding and previsualization process by filmmaker Daniel Raim
• Newsreel footage from 1948 of actor Ingrid Bergman and Hitchcock
• Lux Radio Theatre adaptation of Notorious from 1948, starring Bergman and Joseph Cotten
• Trailers and teasers
• Plus: An essay by critic Angelica Jade Bastien

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Set on one block of Brooklyn’s Bed-Stuy Do or Die neighborhood, at the height of summer, this 1989 masterpiece by Spike Lee confirmed him as a writer and filmmaker of peerless vision and passionate social engagement. Over the course of a single day, the easygoing interactions of a cast of unforgettable characters—Da Mayor, Mother Sister, Mister Señor Love Daddy, Tina, Sweet Dick Willie, Buggin Out, Radio Raheem, Sal, Pino, Vito, and Lee’s Mookie among them—give way to heated confrontations as tensions rise along racial fault lines, ultimately exploding into violence. Punctuated by the anthemic refrain of Public Enemy’s “Fight the Power,” Do the Right Thing is a landmark in American cinema, as politically and emotionally charged and as relevant now as when it first hit the big screen. Director-approved two-blu-ray special edition features • New 4K digital restoration, approved by cinematographer Ernest Dickerson, with 5.1 surround DTS-HD Master Audio soundtrack • Audio commentary from 1995 featuring director Spike Lee, Dickerson, production designer Wynn Thomas, and actor Joie Lee • Introductions by Lee • Making “Do the Right Thing,” a documentary from 1988 by St. Clair Bourne • New interviews with costume designer Ruth E. Carter, camera assistant Darnell Martin, New York City Council Member Robert Cornegy Jr., and writer Nelson George • Interview with editor Barry Alexander Brown from 2000 • Programs from 2000 and 2009 featuring Lee and members of the cast and crew • Music video for Public Enemy’s “Fight the Power,” directed by Lee, with remarks from rapper Chuck D • Behind-the-scenes footage • Cannes Film Festival press conference from 1989 • Deleted and extended scenes • Original storyboards, trailer, and TV spots • PLUS: An essay by critic Vinson Cunningham, and extensive excerpts from the journal Lee kept during the preparation for and production of the film.

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Spike Lee’s radical, culture-defining American masterpiece, still as fiercely political and urgently humane as it was 30 years ago

Set on one block of Brooklyn’s Bed-Stuy Do or Die neighborhood, at the height of summer, this 1989 masterpiece by Spike Lee confirmed him as a writer and filmmaker of peerless vision and passionate social engagement. Over the course of a single day, the easygoing interactions of a cast of unforgettable characters—Da Mayor, Mother Sister, Mister Señor Love Daddy, Tina, Buggin Out, Radio Raheem, Sal, Pino, Vito, and Lee’s Mookie among them—give way to heated confrontations as tensions rise along racial fault lines, ultimately exploding into violence.

Punctuated by the anthemic refrain of Public Enemy’s “Fight the Power,” Do the Right Thing is a landmark in American cinema, as politically and emotionally charged and as relevant now as when it first hit the big screen.

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In 1954, an enormous beast clawed its way out of the sea, destroying everything in its path—and changing movies forever. The arresting original Godzilla soon gave rise to an entire monster movie genre (kaiju eiga), but the King of the Monsters continued to reign supreme: in fourteen fiercely entertaining sequels over the next two decades, Godzilla defended its throne against a host of other formidable creatures, transforming from a terrifying symbol of nuclear annihilation into a benevolent (if still belligerent) Earth protector. Collected here for the first time are all fifteen Godzilla films of Japan’s Showa era, in a landmark set showcasing the technical wizardry, fantastical storytelling, and indomitable international appeal that established the most iconic giant monster the cinema has ever seen. EIGHT BLU RAY SPECIAL EDITION COLLECTOR’S SET FEATURES • High definition digital transfers of all fifteen Godzilla films made between 1954 and 1975, released together for the first time, with uncompressed monaural soundtracks • High definition digital transfers of Godzilla, King of the Monsters, the 1956 U.S. release version of Godzilla; and the 1962 Japanese release version of King Kong vs. Godzilla • Audio commentaries from 2011 on Godzilla and Godzilla, King of the Monsters featuring film historian David Kalat • International English language dub tracks for Invasion of Astro Monster, Son of Godzilla, Destroy All Monsters, Godzilla vs. Megalon, Godzilla vs. Mechagodzilla, and Terror of Mechagodzilla • Directors Guild of Japan interview with director Ishiro Honda, conducted by director Yoshimitsu Banno in 1990 • Programs detailing the creation of Godzilla’s special effects and unused effects sequences from Toho releases including Destroy All Monsters • New interview with filmmaker Alex Cox about his admiration for the Showa era Godzilla films • New and archival interviews with cast and crew members, including actors Bin Furuya, Tsugutoshi Komada, Haruo Nakajima, and Akira Takarada; composer Akira Ifukube; and effects technicians Yoshio Irie and Eizo Kaimai • Interview with critic Tadao Sato from 2011 • Illustrated audio essay from 2011 about the real life tragedy that inspired Godzilla • New English subtitle translations • Trailers • PLUS: A lavishly illustrated deluxe hardcover book featuring an essay by cinema historian Steve Ryfle, notes on the films by cinema historian Ed Godziszewski, and new illustrations by Arthur Adams, Sophie Campbell, Becky Cloonan, Jorge Coelho, Geof Darrow, Simon Gane, Robert Goodin, Benjamin Marra, Monarobot, Takashi Okazaki, Angela Rizza, Yuko Shimizu, Bill Sienkiewicz, Katsuya Terada, Ronald Wimberly, and Chris Wisnia.

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GODZILLA: THE SHOWA-ERA FILMS, 1954–1975

IN 1954, AN ENORMOUS BEAST CLAWED ITS WAY OUT OF THE SEA, destroying everything in its path—and changing movies forever. The arresting original Godzilla soon gave rise to an entire monstermovie genre (kaiju eiga), but the King of the Monsters continued to reign supreme: in fourteen fiercely entertaining sequels over the next two decades, Godzilla defended its throne against a host of other formidable creatures, transforming from a terrifying symbol of nuclear annihilation into a benevolent (if still belligerent) Earth protector. Collected here for the first time are all fifteen Godzilla films of Japan’s Showa era, in a landmark set showcasing the technical wizardry, fantastical storytelling, and indomitable international appeal that established the most iconic giant monster the cinema has ever seen.

Deluxe Packaging

A lavishly illustrated deluxe hardcover book featuring an essay by cinema historian Steve Ryfle, notes on the films by cinema historian Ed Godziszewski, and new illustrations by Arthur Adams, Sophie Campbell, Becky Cloonan, Jorge Coelho, Geof Darrow, Simon Gane, Robert Goodin, Benjamin Marra, Monarobot, Takashi Okazaki, Angela Rizza, Yuko Shimizu, Bill Sienkiewicz, Katsuya Terada, Ronald Wimberly, and Chris Wisnia.

A closer look at 4 influential films in the collection...

Toho Studios followed the enormous success of the original Godzilla with this sequel, efficiently directed by Motoyoshi Oda as a straight-ahead monsters-on-the-loose drama. An underrated standout among the Showa Godzilla films, Godzilla Raids Again introduces the monster-versus-monster format that would dominate the remainder of the series, pitting Godzilla against the ferocious, spiny Anguirus as the kaiju wreak havoc in the streets of Osaka in a series of elaborate set pieces that succeed in upping the ante for destruction.

A closer look at 4 influential films in the collection...

After his first two cinematic rampages, Godzilla was revived as an adversary for the Hollywood import King Kong. When Kong is discovered on a remote island by a publicity-hungry pharmaceutical company, the giant ape is set on a collision course with Godzilla, and Japan braces for a double dose of devastation. Both the Japanese-release version and the U.S.-release cut were rousing hits, cementing Godzilla’s status as a series-worthy star.

A closer look at 4 influential films in the collection...

Intended to address the crisis levels of pollution in postwar Japan, Godzilla vs. Hedorah finds the King of the Monsters fighting an alien life form that arrives on Earth and steadily grows by feeding on industrial waste. Director Yoshimitsu Banno infuses the film with equal parts ecological horror, humorous monster antics, and sixties psychedelia straight out of San Francisco, making for a truly unique—and divisive—entry in the series.

A closer look at 4 influential films in the collection...

Godzilla’s evil twin Mechagodzilla first reared its head in this Jun Fukuda–directed film. A robot designed by aliens to conquer Earth, the enduringly popular villain has since been resurrected by Toho Studios several times. With the help of earnest direction, spectacular pyrotechnics, and guest appearances by veteran genre actors, this film recaptures the feel of the sixties Godzilla movies.

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In the early 1970s, a kung-fu dynamo named Bruce Lee side-kicked his way onto the screen and straight into pop-culture immortality. With his magnetic screen presence, tightly coiled intensity, and superhuman martial-arts prowess, Lee was an icon who conquered both Hong Kong and Hollywood cinema, and transformed the art of the action film in the process. This collection brings together the five films that define the Lee legend: furiously exciting fist-fliers propelled by his innovative choreography, unique martial-arts philosophy, and whirlwind fighting style. Though he completed only a handful of films while at the peak of his stardom before his untimely death at age thirty-two, Lee left behind a monumental legacy as both a consummate entertainer and a supremely disciplined artist who made Hong Kong action cinema a sensation the world over. SEVEN-BLU-RAY SPECIAL EDITION FEATURES • 4K digital restorations of The Big Boss, Fist of Fury, Game of Death, and The Way of the Dragon, with uncompressed original monaural soundtracks • New 2K digital restoration of the rarely-seen 99-minute 1973 theatrical version of Enter the Dragon, with uncompressed original monaural soundtrack • 2K digital restoration of the 102-minute “special-edition” version of Enter the Dragon • Alternate audio soundtracks for the films, including original English-dubbed tracks and a 5.1 surround soundtrack for the special-edition version of Enter the Dragon • Six audio commentaries: on The Big Boss by Bruce Lee expert Brandon Bentley; on The Big Boss, Fist of Fury, Game of Death, and The Way of the Dragon by Hong Kong–film expert Mike Leeder; and on the special-edition version of Enter the Dragon by producer Paul Heller • High-definition presentation of Game of Death II, the 1981 sequel to Game of Death • Game of Death Redux, a new presentation of Lee’s original Game of Death footage, produced by Alan Canvan • New interviews on all five films with Lee biographer Matthew Polly • New interview with producer Andre Morgan about Golden Harvest, the company behind Hong Kong’s top martial-arts stars, including Lee • New program about English-language dubbing with voice performers Michael Kaye (the English-speaking voice of Lee’s Chen Zhen in Fist of Fury) and Vaughan Savidge • New interview with author Grady Hendrix about the “Bruceploitation” subgenre that followed Lee’s death, and a selection of Bruceploitation trailers • Blood and Steel, a 2004 documentary about the making of Enter the Dragon • Multiple programs and documentaries about Lee’s life and philosophies, including Bruce Lee: The Man and the Legend (1973) and Bruce Lee: In His Own Words (1998) • Interviews with Linda Lee Cadwell, Lee’s widow, and many of Lee’s collaborators and admirers, including actors Jon T. Benn, Riki Hashimoto, Nora Miao, Robert Wall, Yuen Wah, and Simon Yam and directors Clarence Fok, Sammo Hung, and Wong Jing • Promotional materials • New English subtitle translations and subtitles for the deaf and hard of hearing • PLUS: An essay by critic Jeff Chang THE BIG BOSS Enter a legend. Bruce Lee’s return to the Hong Kong film industry after a decade in America proved to be his big breakthrough, launching him to superstardom and setting a new standard for kung-fu heroics. In The Big Boss, he commands the screen with his gravitas and explosive physicality in the role of a Chinese immigrant working at a Thai ice factory and sworn to an oath of nonviolence. When he discovers that the factory’s ruthless higher-ups are running a secret heroin ring and offing their own workers, his commitment to pacifism is put to the test. With his undeniable charisma and fluid, lightning-fast martial-arts style, Lee is a revelation, blazing across the screen with a speed and power the likes of which had never been seen before. FIST OF FURY Bruce Lee is at his most awe-inspiringly ferocious in this blistering follow-up to his star-making turn in The Big Boss, which turned out to be an even greater success than its predecessor. Set in 1910s Shanghai, Fist of Fury casts Lee as a martial-arts student who, after his revered master is murdered by a rival dojo of Japanese imperialists, sets out to defend the honor of both his school and the Chinese people, with his fatal fists as his weapon of choice. Elevating Lee to a hero of near folkloric proportions, this historical revenge fantasy blends its stunning action set pieces with a strong anticolonialist statement and a potent dose of the fierce cultural pride that the actor embodied. THE WAY OF THE DRAGON After the back-to-back triumphs of The Big Boss and Fist of Fury, Bruce Lee was given the chance to write, produce, and direct his third outing as a martial-arts superstar. He used the opportunity to add a touch of goofily entertaining comedy to the typically action-driven proceedings in The Way of the Dragon, which finds him playing a rigorously trained martial artist who travels from Hong Kong to Rome to help his cousin, whose restaurant is being threatened by a gang of thugs. Reaching new heights of physical virtuosity, Lee unleashes an astonishing display of nunchuck-swinging, fly-kicking mayhem, all culminating in one of his most breathtaking fights: an epic gladiatorial death match with Chuck Norris in the Roman Colosseum. ENTER THE DRAGON At the height of his stardom in Hong Kong, Bruce Lee was called to Hollywood to make the film that, perhaps more than any other, defines his legacy. His electrifying fighting style and the deeply personal philosophy that guided it received their fullest expression yet in this thrilling tale of a Shaolin fighter who goes undercover to infiltrate a treacherous island presided over by a renegade monk turned diabolical criminal mastermind. Released just days after Lee’s tragic death, Enter the Dragon went on to become his greatest international success and one of the most influential action movies ever made, with its famed hall-of-mirrors finale bringing together the physical and intellectual dimensions of his artistry in one dazzling set piece. GAME OF DEATH Released five years after Bruce Lee’s death, this eccentrically entertaining kung-fu curio combines footage from an unfinished project directed by and starring Lee with original material shot by Enter the Dragon director Robert Clouse to create an entirely new work that testifies to the actor’s enduring place in the pop-culture imagination. Using stand-ins, doubles, and archival footage to compensate for Lee’s absence, Game of Death follows a martial-arts movie star who, when he is threatened by a cutthroat crime syndicate intent on controlling his career, must take his skills from the soundstage to the streets. It all builds to an exhilarating climax that is pure Lee: a tour de force of martial-arts mastery in which the legend himself, clad in an iconic yellow jumpsuit, fights his way up a multilevel pagoda, with the towering Kareem Abdul-Jabbar among his formidable opponents.

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Five action-packed kung-fu landmarks from international martial-arts legend Bruce Lee

n the early 1970s, a kung-fu dynamo named Bruce Lee side-kicked his way onto the screen and straight into pop-culture immortality. With his magnetic screen presence, tightly coiled intensity, and superhuman martial-arts prowess, Lee was an icon who conquered both Hong Kong and Hollywood cinema, and transformed the art of the action film in the process.

This collection brings together the five films that define the Lee legend: furiously exciting fist-fliers propelled by his innovative choreography, unique martial-arts philosophy, and whirlwind fighting style.

Though he completed only a handful of films while at the peak of his stardom before his untimely death at age thirty-two, Lee left behind a monumental legacy as both a consummate entertainer and a supremely disciplined artist who made Hong Kong action cinema a sensation the world over.

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Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their mark, NIGHT OF THE LIVING DEAD, directed by horror master George A. Romero, is a great story of independent cinema: a midnight hit turned box office smash that became one of the most influential films of all time. A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of recently dead, flesh eating ghouls, Romero's claustrophobic vision of a late 1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role. Stark, haunting, and more relevant than ever, NIGHT OF THE LIVING DEAD is back.



BLU RAY SPECIAL EDITION FEATURES

New 4K digital restoration, supervised by director George A. Romero, coscreenwriter John A. Russo, sound engineer Gary R. Streiner, and producer Russell W. Streiner

New restoration of the monaural soundtrack, supervised by Romero and Gary Streiner and presented uncompressed

NIGHT OF ANUBIS, a never before presented work print edit of the film

New program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez

Never before seen 16 mm dailies reel

New program featuring Russo on the commercial and industrial film production company where key NIGHT OF THE LIVING DEAD filmmakers got their start

Two audio commentaries from 1994 featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and others

Archival interviews with Romero and actors Duane Jones and Judith Ridley

New programs about the film's style and score

New interview program about the direction of ghouls, featuring members of the cast and crew

New interviews with Gary Streiner and Russell Streiner

Newsreels from 1967

Trailer, radio spots, and TV spots

PLUS: An essay by critic Stuart Klawans.

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Horror Master George A. Romero’s Classic That Invented The Zombie Genre

A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of flesh-eating ghouls, Romero's claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role.

Shot outside Pittsburgh on a shoestring budget, Night Of The Living Dead is a midnight hit turned box-office smash that became one of the most influential films of all time.

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The jaw-dropping set pieces fly fast and furious in Jackie Chan’s breathtakingly inventive action comedies, two smash hits that made him a worldwide icon of daredevil spectacle. The director/star/one-man stunt machine plays Ka-kui, a Hong Kong police inspector whose methods are, ahem, unorthodox; the phenomenal Maggie Cheung, in a star-making role, plays his much-put-upon girlfriend, May. Packed wall-to-wall with astoundingly acrobatic fight choreography, epic explosions, charmingly goofball slapstick, and awesomely 1980s electro soundtracks, Police Story and Police Story 2 set a new standard for rock-’em, sock-’em mayhem that established Chan as a performer of unparalleled grace and daring and would influence a generation of filmmakers, from Hong Kong to Hollywood.

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Police Story/Police Story 2 The Criterion Collection

The jaw-dropping set pieces fly fast and furious in Jackie Chan’s breathtakingly inventive action comedies, two smash hits that made him a worldwide icon of daredevil spectacle. The director/star/one-man stunt machine plays Ka-kui, a Hong Kong police inspector whose methods are, ahem, unorthodox; the phenomenal Maggie Cheung, in a star-making role, plays his much-put-upon girlfriend, May. Packed wall-to-wall with astoundingly acrobatic fight choreography, epic explosions, charmingly goofball slapstick, and awesomely 1980s electro soundtracks, Police Story and Police Story 2 set a new standard for rock-’em, sock-’em mayhem that established Chan as a performer of unparalleled grace and daring and would influence a generation of filmmakers, from Hong Kong to Hollywood.

Police Story 2

Jackie Chan followed up the massive success of Police Story with an even bigger box-office hit. Having been demoted to a lowly traffic cop for his, ahem, unorthodox policing methods, Chan’s go-it-alone officer Ka-Kui quits the force in protest. But it isn’t long before he’s back in action, racing the clock to stop a band of serial bombers and win back his much-put-upon girlfriend May.

Boasting epic explosions, an awesomely 1980s electro soundtrack, and a showstopping finale—which turns an abandoned warehouse into a life-size pinball machine of cascading oil drums, collapsing scaffolds, and shooting fireworks—Police Story 2 confirmed Chan’s status as a performer of unparalleled grace and daring.