14 best landscape lens

• LENS ATTACHMENT: Easily screws on to the front of your lens, and instantly expands the field of view for breathtaking wide-angle photography. Features a detachable macro lens for extremely high-resolution close-ups of small objects.
• LENS COMPATIBILITIES: Popular 58MM Lens models including Canon EF-S 18-55mm f/4-5.6 IS STM, Canon EF-S 55-250mm f/4-5.6 IS STM, Canon EF 75-300mm f/4-5.6 III USM, Canon EF-S 18-55mm f/3.5-5.6 IS STM, Canon EF 85mm f/1.8 USM, Canon EF 50mm f/1.4 USM, Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR, Nikon AF-S NIKKOR 50mm f/1.8G, Nikon AF-S NIKKOR 50mm f/1.4G, Olympus M.Zuiko Digital ED 40-150mm f/4-5.6 R, Panasonic Lumix G X Vario 12-35mm f/2.8 II, Fujifilm XC 16-50mm f/3.5-5.6 OIS II
• CAMERA MODELS: Canon EOS Rebel T7 T7i T6i T6 T6s T5i T5 T4i T3i T100 SL3 SL2 SL1 90D 80D 77D 70D 1100D 700D 650D 600D 550D 7D Mark II 6D Mark II 5DS 5D Mark II 1D Mark II M3 M5 M6 M10 M50 M100 M200 R RP
• NOTE: PLEASE VERIFY YOUR CAMERA'S LENS THREAD SIZE BEFORE ORDERING. This Wide-Angle is compatible with 58MM lenses only. Lens sizes vary regardless of camera brand or model. Your camera's lens thread size will be marked somewhere on the lens barrel or printed underneath your lens cap. This number is always preceded by a ''Ø'' (diameter) symbol. For example: Ø58 = 58mm lens thread size.
• PREMIUM CUSTOMER SERVICE: Backed with DIGITAL GOJA 90-Day 100% Satisfaction Guarantee

User questions & answers

Question:	This product fits to my nikon D3300. My question is wide angle / macro len always go together attached to my 52mm len
Answer:	Marinco also sells a 4" SS Day.Night Solar Vent which should be available on Amazon.
Question:	What is the difference between this lens and the Nikkor expensive ones
Answer:	Easily. After removing the three mounting screws, you pry up the photocell and can access the C cell battery.
Question:	Does this product blurs the sides of the frame when you zoom out
Answer:	The piston appears too long when you first put it together. Manually open the opener and the length increases. You should be able to get it in for there.
Question:	stupid question but...you add this on to an existing lens, correct? I am a newbie
Answer:	You can purchase cylinders and replacement parts directly from us. Agriculture Solutions LLC www.agriculturesolutions.com

• Constructed of 12 glass elements in 10 groups with aperture range of f2.8 - f22
• Minimum focusing distance of only 3.94 inches
• Built for Mirror less cameras; takes a 72mm filter size
• Lens Not Attached : MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera
• Includes removable lens hood,lens pouch

User questions & answers

Question:	I installed this lens on my sony nex 5t camera body and got an error message saying the lens is not properly connected. any suggestions
Answer:	Why yes it does
Question:	Will this lens work with my Sony selp1650 16-50mm camera? I am looking for a lens with a wider angle that's compatible
Answer:	It's not heavy at all
Question:	work with a7rii as aps-c
Answer:	Yes
Question:	What is sweet spot for interior f stop to keep everything in focus? I set focus to infinity but when zoomed in, it’s not crisp
Answer:	It takes 3 or 4 days to ship

Product features

Meike 12mm F/2.8 Ultra Wide Angle Manual Foucs Prime Lens for Sony E Mount APS-C Mirrorless Cameras

Smaples

• Multi-layer Coating
• 9 diaphragm blades provide a circular aperture

Smaple Images

With a wide aperture of f/2.8, the lens can deliver a beautiful bokeh, and the subject remains sharp.

Product description

The EF-S 10-18mm f 4.5-5.6 IS STM lens combines optical excellence with cutting-edge performance, providing an ultra-wide angle of view in a compact, portable package, perfect for EOS cameras with an APS-C sensor. It has a 4 group optical zoom system and includes a large-diameter element, an aspherical lens element, a UD lens element and enhanced lens coatings for high-contrast, high-resolution images with minimal glare and aberration. A circular, 7-blade aperture helps ensure fine background blur and the Canon Optical Image Stabilizer system provides up to four equivalent stops of shake correction. The lens has a stepping motor STM and a refined focus mechanism for smooth and continuous AF during video recording. It also has a rear focusing system, plus a high speed CPU and improved AF algorithm for high-speed AF and offers full-time manual focus for quick adjustments. The EF-S 10-18mm f 4.5-5.6 IS STM delivers reliable, speedy and quiet wide-angle performance, making it an ideal lens for everyday photography, travel, stills and video recording.

From the Manufacturer

• EF S ultra wide zoom lens. Drive System Lead screw and rack system driven by stepping motor
• Focal Length and Maximum Aperture: 10 18 millimeter,1:4.5 5.6
• Closest Focusing Distance: 0.72 feet. / 0.22 meter
• Stepping motor for noise free video shooting
• Optical image stabilizer

User questions & answers

Question:	Is this a plastic housing and lens? Or is it metal / glass
Answer:	The lens elements are glass, and pretty good glass at that. The housing and even the mount are made from plastic. The mount is polycarbonate, a nearly indestructible plastic. The lens is so light I doubt it will ever make any difference; to break it you would have to do something that would also break your camera. If you would like to see a comparison between these two lenses, I have a review for the lens on my profile. It gives the pros and cons, offers advice for how to use the lens best, and also does the breakdown with the 10-22mm. Here is a link. https://www.amazon.com/gp/customer-reviews/R3PCTW2FIAWS7W?ref=pf_ov_at_pdctrvw_srp
Question:	what is the equivalent in 35mm
Answer:	This lens has a comparable focal length of 16 - 28.8mm in a 35mm equivalent. If you have any further questions or concerns, please don't hesitate to contact our sales department at 800-991-3350 EST. We thank you for your time and consideration!
Question:	Will this lens work on a Canon Rebel EOS t3i? Thank you
Answer:	This is an older question but I feel this info is important so I am posting an answer anyway...Yes, your camera can use all EF and EF-S lenses. Keep in mind that this is what is known as an Ultra-Wide angle lens (UWA). If you are not familiar with this type of lens, I suggest that you do some reading on the best ways to use one. Here are some general tips just in case…1. Distortion effect – UWA have a special way of bending light from a large element down to the sensor, which results in barrel distortion. The easiest way to describe this is that is has a funhouse mirror effect. Near objects will appear very large, far object will seem to shrink. If you understand how this works, you can use it to creative effect. Some of the negative reviews for the 10-18mm and the 10-22mm are from people that clearly did not understand this.2. Specific purpose – UWA lenses are made with a specific purpose in mind. They excel at taking in broad landscapes, buildings, large machinery, etc. They are not good at portraits or general photography. They are meant to compliment other lenses, not serve as a main lens (unless that stuff is all you shoot, which is not common). 3. Get up close – probably the worst thing you can do with a UWA is not get close enough to what you are shooting. I prefer to place something in the foreground whenever I can, something to take advantages of that barrel distortion, to give a sense of depth in the shot. If you don’t do this, then you end up with a picture where everything looks too small and really far away. It takes some practice to get good at composing with a UWA. For more info, I have a review of this lens that not only discusses its strengths and weaknesses; it also gives some reasons why it is almost always the best choice for a wide lens on APS-C cameras like yours. This includes a comparison to the 10-22mm that is also popular, but is also more than twice the price. You can find the review in my profile, if you are interested. The gist of it is that this is a really good lens for the money, and a lot fun to use if you understand its purpose. Have fun!
Question:	This one or the efs
Answer:	I know that this question was from a couple years ago, but since others see it on Amazon, and these two lenses are constantly compared to each other, I want to place an answer....1. Focus range - the 10-22mm has a slight advantage in length; 22mm versus 18mm. But you aren't buying an ultra-wide to zoom in on things; you are buying it to catch wide views. They both go out to 10mm, so in my opinion the range is mostly a wash, especially since they are both EF-S lenses, which means crop sensor only, which cuts down on your overall field of view. They both give a framing similar to a 16mm lens all the way wide, which is still pretty wide.2. Focus Motor - The 10-18mm is STM, the 10-22mm is USM. This comes down to how you intend to use it, and even what camera you own. If you want to use your lens for video capture, then the 10-18mm is the only way to go. This is because the STM motor is virtually silent in video mode, and offers a smoother focus for this type of photography. The 10-22mm USM is likely a faster focus, but because of the way it hunts for focus, it is not good for video capture, since every time you switch between subjects it will start to hunt for focus again, which is not attractive to the viewer of your video. It also is fairly noisy, and from what I hear that noise will be picked up by the mic. If you have a T3i or older, then STM is not supported in video mode, but all EOS cameras will support STM in still mode. If you are using for stills only, then the USM has an advantage if you are using the lens to capture action shots, as USM tends to be better at that, but STM is still pretty quick and also a good focusing method. I can't really see someone using an ultra-wide for action shots though, so this might also be a wash, unless you need the faster lens. (More on that in a second)3. Aperture - The 10-22mm has this category hands down. Both have variable apertures (meaning the more you zoom the less light gets to the sensor), but the 10-22mm goes from F3.5 to F4.5, while the 10-18mm starts at F4.5 and goes to F5.6. This means that with its USM motor, at F3.5 you will achieve faster shutter speeds than the 10-18mm. So as I was saying before, the 10-22mm is the faster of the two lenses, if that is what you need. As an added "advantage", it will also be better in low light (though still not great, more on that later). I think the real advantage here is if you are using it by hand, you will likely have fewer issues with handshake, but then, the 10-18mm has IS, and the 10-22mm doesn't.4. IS - So, let's talk about image stabilization. The 10-18mm has it and the 10-22mm doesn't, so the 10-18mm is the winner here, sort of. One common misconception about IS, is what it actually does. All it does is it counteracts shaky hands at slow shutter speeds. It does NOT affect your subject; that is dependent on your shutter speed. Once you are at 1/320 sec on anything but a long zoom (like the 55-250mm), then hand shake is less of an issue. If you are at 1/1000 sec then IS is useless to you. It might even be a disadvantage, since the motor takes a split second to activate, and can even give the appearance of shakiness since the shutter will catch the movement at that speed. If shooting action, you won't need IS. If shooting in low light, IS might not be enough to help you. And if you are using a tripod, you won't need IS. I use the 10-18mm, and I rarely use it off the tripod. So, this category is dependent on how you will use the lens. I can't recall using the IS on my 10-18mm even one time. I would bet it is useful for video capture (probably why it has it to begin with), so if that is your aim, then the 10-18mm is still the winner of this category. Another thing I want to point out here is that the IS can compensate 4 stops. So, theoretically, you can shoot at a slower speed and f-stop than the 10-22mm and still not get blur. Between these lenses, this is a very big advantage, since this is the more likely scenario you will use one of these lenses for. 5. Price - Without a doubt, the 10-18mm wins here, as it is half the price of the 10-22mm. And at less than 300 USD, it is also affordable by all but the most frugal of photographers. Is the 10-22mm worth the extra cash? Only if you need a slightly faster, zoomable, ultra-wide lens. There are faster prime lenses, but they are all EF lenses, and therefore much more expensive (the 14mm F2.8L is over 2K), and there aren't a lot of options at the ultra-wide when you factor in the 1.6x crop factor of APS-C cameras (many of them are 35mm, which is not very wide on crop sensors). The only zoomable ones that are faster are also EF mount, and have all the same issues. For APS-C, the 10-18mm and the 10-22mm are pretty much your only practical choices at the Ultra-wide range. Crops just aren't made for wide shots, but that being said, I've gotten some great shots with my T3i and 10-18mm, some of my favorites actually. With either of these lenses, you can get pretty wide on your Crop camera. 6. Sharpness - I don't have the 10-22mm to compare, so I can only say that the 10-18mm makes some pretty impressive images for an inexpensive lens. I've not had any issues getting what I want from it. I do try to use it in the situations it is best at, from a tripod, with the lowest ISO and shutter speed possible to give good exposure. If you go to the digital-picture website, they have a tool called "lens image quality", where they have a comparison between 2 different lenses. It's handy, and lets you compare across the zoom range, at different apertures, from different cameras. On these lenses, they are both pretty comparable at 10mm across the whole range of apertures. At 14mm and 18mm, the 10-22 is sharper at wide open (but still not very sharp), but at F8 and on they are pretty much the same at the center, and both get a little soft in the corners (common issue on wides). I feel they both will produce good quality pictures that are comparable to each other, with the 10-22mm being just a slight bit sharper at wide open across the whole zoom range. But since you will likely stop down for better sharpness and better depth of field, this is pretty much a wash. So, how does it all add up?In my opinion, the 10-18mm is the better choice for most people. The 10-22mm has advantages in specific situations, like low light and action shots, but then, in all those situations a crop sensor camera with a wide angle lens is not the best choice. Low light is done better with full frame cameras; action is better when you can zoom in more. And since neither of these lenses can mount on a full frame nor zoom in very far, then I feel it comes down to 2 things; sharpness and price. The 10-22mm has a slight edge in sharpness at its full aperture, but that is negligible. If you are using in good lighting, for landscapes or architecture, then you are shooting at a smaller apertures anyway, to increase sharpness. The 10-18mm is just as good in those applications. When you factor in that it cost half as much as the 10-22mm, then really, it is the better choice. If you are interested, I have a review of the 10-18mm in my profile that further discusses the pros and cons of the 10-18mm, and uses a lot of this same information to help people make a more informed decision over what lens to buy. And once again, if you plan to shoot video, the 10-18mm is the only real choice between these two, since the STM and IS are BIG advantages over the 10-22mm in video mode.

Product description

Ultra slim and compact, the new EF-M 22mm f/2 STM is the EOS M Digital Camera’s moderate wide-angle lens that’s small and light enough to carry everywhere. Its bright f/2.0 lens aperture works well with the EOS M Digital Camera’s large sensor to provide exceptional low-light performance, as well as create beautiful background blur in portraits. An aspheric lens element delivers high resolution and high contrast. For moviemakers, the EF-M 22mm f/2 STM utilizes a built-in stepping motor to provide smooth and quiet continuous autofocus when shooting video with the Canon EOS M Digital Camera. A circular aperture (7 blades) delivers soft-focus backgrounds and a short minimum focusing distance of only 5.9 inches (0.15 meters) allows you to get closer to your subjects.

From the Manufacturer

Specifications EF-M 22mm f/2 STM

Focal Length & Maximum Aperture	22mm, 1:2
Lens Construction	7 elements in 6 groups
Diagonal Angle of View	63°30'
Focus Adjustment	Inner Focusing System
Closest Focusing Distance	0.49 ft. / 0.15m
Filter Size	43mm
Max. Diameter x Length, Weight	2.4 x 0.9 inch, 3.7 oz. / 60.9 x 23.7mm, 105g

• Moderate wide angle lens; equivalent to 35mm on a fullframe camera
• Builtin stepping motor provides smooth and quiet autofocus when shooting video
• Circular aperture (7 blades) delivers beautiful, soft backgrounds
• One aspheric element and bright f/2.0 lens for low light and soft backgrounds
• Minimum focusing distance of 5.9 inches/0.15 metres allows you to get close to your subjects
• Lens not Zoomable

User questions & answers

Question:	How much better is this 22mm lens compared to using a 22mm of the 18-55mm lens that comes in some kits for shooting studio video with black backdrop
Answer:	The 22mm lens is amazing! It feels and has better build quality than the plastic primes of Canon's. Image quality is just too good. 1. Its a prime lens 2. Its F2.0 hence way better than the kit lens.
Question:	Which one is better the Canon EF-M 22mm or the Canon EF 40mm f/2.8? I am on a budget and I want to make sure I invest wisely
Answer:	You'll need the ~$150 EOS-M mount adapter to use the EF 40mm on the EOS-M. Personally, I haven't found the 40mm f/2.8 to be anywhere near as satisfying as using the native-mount 22mm f/2. The 22mm is excellent as a general purpose lens (it achieves a moderately wide view good for museums, landscapes, people, etc.) and performs better in low-light than the 40mm.
Question:	Where does this lens "peak" for sharpness and contrast? ie, what is the optimal aperture to stop down to? f/2.8, f/4, f
Answer:	I've shot with this lens at f/8 several times with amazing sharpness and contrast. Although I should confess that 95% of the time I'm shooting with this lens at around f/2 - f/2.8 as I usually use it to shoot at parties/events at night with my M3 (I don't take my DSLR) and I get some pretty amazing results with it.
Question:	Does the lack of image stabilization impact use in any way
Answer:	FYI - When shooting with lenses that lack IS the rule of thumb is to set the shutter speed at or above the focal length. Since the effective focal length is 35mm on a crop sensor you would set the Tv at 1/35 seconds or faster.

Product features

Wide-angle Lens

The EF-M 22mm f/2 STM is the EOS M series digital camera’s moderate wide-angle lens that’s light enough to carry anywhere. It delivers high image quality with its bright, circular aperture and an aspheric lens element, while providing moviemakers with smooth and near-quiet continuous autofocus.

Lightweight & Compact

The EF-M 22mm f/2 STM is compact and lightweight, measuring only 0.9 in. long and 2.4 in. in diameter, and weighing approximately 3.7 oz. It's designed for easy portability, making it an ideal walk-around lens for everyday scenes, dramatic imagery and more.

7-blade Circular Aperture

The EF-M 22mm f/2 STM's 7-blade circular aperture can create gorgeous, soft backgrounds and bokeh.

Maximum Aperture of f/2

The EF-M 22mm f/2 STM provides excellent performance in low light and produces beautiful bokeh.

Great in Low Light

The EF-M 22mm f/2 STM's aperture is helpful when you need to shoot in difficult lighting situations.

Excellent for Video Recording

When it comes to recording video, you want to be sure you capture all the subtle sounds of what you're recording. Thanks to its lead screw-type stepping motor (STM), the EF-M 22mm f/2 STM focuses smoothly and near-silently.

• EXCEPTIONAL BUILD QUALITY: The Altura Photo 8MM metal lens construction with a hybrid aspherical element and multi-layer lens coating will unlock powerful viewing angles as well as sharply defined images.
• MANUAL FOCUS: Included removable hood allows for stunning 180° views.
• COMPATIBLE WITH: All Nikon APS-C cameras; including the D3200, D3300, D3400, D3500, D5200, D5300, D5500, D5600, D7100, D7200, D7500; D500. Is also compatible with FULL FRAME cameras but please keep in mind it will produce a more circular "360" image with black vignette borders.
• CUSTOM LENS CASE: A custom designed protective lens case is included for safe storage.
• PREMIUM CUSTOMER SERVICE: Backed with DIGITAL GOJA 90-Day 100% Satisfaction Guarantee

User questions & answers

Question:	Will this take good quality, wide photos of the interior bedrooms and living rooms inside a house
Answer:	It 's a manual lens,there is no electric contact between camera and lens.Enable "M mode " or "Release without lens " in the settings and focus manually.
Question:	Does this work for the Nikon D
Answer:	You are actually describing a lens when you say SELP1650. If you make sure you order the Meike 12mm lens with an E Mount then it will work on the same camera that your SELP1650 lens works on. Note that the Meike 12mm is a fully manual lens, you have to focus on the subject yourself, manually, and also select the aperture you want, and have your camera set to one of its fully manual modes. The SELP1650 lens, on the other hand, works with Automatic Focus and its aperture is also controlled by the camera when you shoot in any of the Auto modes that your camera supports. This is a major difference that you need to be aware of before you order the Meike. The lens itself is a nice lens and will definitely give you a wider angle view than the SEL1650. If you have not used a super wide angle also note that landscapes are going to "look farther away" than they really are.
Question:	Is this a crop sensor lens like the canon ef-s or a full frame lens like the canon ef lens
Answer:	Yes, it works with all E mount camera.
Question:	does it interact with the camera metering system at all
Answer:	Put your camera on a tripod. Shoot wide open or very close to it: f/2.8 or maybe a half f/stop slower. Your camera should be set to aperture control, the "A" in "PASM" on the control dial. Depending on the ambient light, you might want to limit how high ISO the camera can set automatically. Too high an ISO in dim lighting can throw in enough noise and contrast loss to make the image look unsharp. Set this way, the camera will select an appropriate shutter speed. With ISO restricted (16,000, maybe), that speed setting could be slow. Understand that if your camera lacks in-body image stabilization, slight camera movement could've caused your unsharp images. So could a wrong focus setting. This lens' ultrawide view, especially in dim light, can make focusing accurately visually, on the LCD, difficult. Set your camera up as suggested above and make four exposures, one with the focus setting halfway between 2 and 3 feet, then one with the focus indicator line slightly left of 3 (a gap between the line and 3 about equal to the thickness of your thumbnail. Then an exposure with focus set on 3, then another set slightly right of 3, maybe a distance twice the thickness of your thumbnail. Review those images zoomed in and look for the one with best overall sharpness. Final note: Depth of field worked one way back in the analog camera and film days. Then, stopping down to as small a lens opening as f/22 increased depth of field in a way that doesn't work well today. Digital camera lenses often get their best sharpness and reasonably good depth of field wide open or within about four f/stops of wide open. Go smaller than f/8 or f/11, depending on the lens, and you start degrading sharpness because of diffraction. Ultrawide lenses inherently render plenty depth of field. I can shoot most subjects sharply and great depth of field with my Meike 12mm focus ring set slightly right of the 3-foot mark, sharp from where I'm standing to near-infinity distance. Good luck.

Product description

SIGMA 10-20MM LENS NIKON F/3.5 SUPER WIDE ANGLE LENS

• Super-Wide: 10-20 with maximum aperture of F3.5 throughout entire zoom range
• Includes: Petal-type Hood supplied
• Filter Size: 82mm

User questions & answers

Question:	Why does this lens create a fuzzy black vignette when I zoom in??? should I be using a different wide angle for my nikon
Answer:	Yes it will. Some post-production with software like Lightroom or the standard Photos-Program that comes with a Mac will help you to accentuate the contrasts and colours to optimize your wideandle indoor shots. Have fun
Question:	Will this lens for the canon 6D
Answer:	Since it is made for DX and your camera is FX, the lens will work, but the image will be in a full circle, if that makes any sense.
Question:	Would some one please translate the acronyms/abbreviations in this lens's name
Answer:	This is made for Cropped sensor dslr's
Question:	Is this lens rectilinear
Answer:	It's completely manual. I usually set the focus on infinity, which is 6 feet+ anyway. fStop is set on the lens barrel, then adjust shutter speed manually on camera for best exposure. It's old school but I like it. Takes great pictures.

Product features

10-20mm F3.5 EX DC HSM

This Ultra wide-angle zoom lens has a maximum aperture of F3.5 throughout the entire zoom range, making it suitable for low-light and indoor photography. It's wide-angle of view from 102.4*degrees produces striking images with exaggerated perspective, enabling photographers to emphasize the subject. ELD (Extraordinary Low Dispersion) glass, SLD (Special Low Dispersion) glass and aspherical lenses provide excellent correction of all types of aberrations. The super multi-layer lens coating reduces flare and ghosting and creates high image quality throughout the entire zoom range. The HSM (Hyper Sonic Motor) ensures fast and quiet autofocus, while allowing full-time manual focus override.

*The angle of view changes depending on which camera model the lens is attached to.

Ultra wide-angle zoom from 102.4* degrees

The 10-20mm F3.5 EX DC HSM lens offers photographers greater freedom of expression by rotating the zoom ring. It is a very powerful tool for architectural, indoor and landscape photography.

*The angle of view changes depending on which camera model the lens is attached to.

Exaggerated perspective

This ultra wide-angle lens allows photographers to create an exaggerated perspective between the subject and the background to emphasise, for example, expanses of a landscape.

Large F3.5 aperture through the entire zoom range

The large, constant aperture of F3.5 provides a bright image in the viewfinder, which helps photographers easily check focusing and composition.

Superior image quality

Two ELD (Extraordinary Low Dispersion) and one SLD(Special Low Dispersion)glass elements are employed for effective compensation of color aberratiuon. The use of two glass mould and two hybrid aspherical lenses offer excellent correction for distortion and astigmatism and assure superior image quality. The super multi-layer coating reduces flare and ghosting and provides high contrast images throughout the entire zoom range.

Quiet and fast AF

This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed auto focus as well as full-time manual focus override by rotation of the focus ring.*

*AF will not function with Pentax ist* series and K100D DSLR cameras that do not support HSM.

Petal-type Hood

An inner focusing system eliminates front lens rotation, making the lens particularly suitable for using the included petal-type lens hood which blocks out extraneous light.

Minimum focusing distance of 24cm (9.4") at all focal lengths

This lens has a minimum focusing distance of 24cm (9.4 inches) throughout the entire zoom range. This close focusing distance on such a wide-angle lens emphasizes perspective and allows the photographer to capture high quality images, not only of the foreground subject but also the surrounding scenery.

*Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.

Product description

A versatile standard zoom for Canon APS-C-format DSLRs, the EF-S 18-55mm f/4-5.6 IS STM Lens is a sleek and flexible option for everyday shooting. Spanning a 28.8-88mm equivalent focal length range, this lens covers wide-angle to portrait-length perspectives, and features an Optical Image Stabilizer to minimize the appearance of camera shake by up to four stops for sharper handheld shooting. One aspherical element is featured in the optical design to improve sharpness and resolution by minimizing spherical aberrations and distortion, and a Super Spectra coating has also been applied to suppress flare and ghosting. Additionally, an STM stepping AF motor is used to realize quick and near-silent autofocus performance along with full-time manual focus override. Standard 18-55mm zoom lens is designed for APS-C-format Canon DSLRs and provides a 28.8-88mm equivalent focal length range. One aspherical element is used to reduce distortion and spherical aberrations throughout the zoom range in order to maintain sharpness and accurate rendering. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four shutter speed stops to better enable working in low-light conditions and with slower shutter speeds. An STM stepping AF motor realizes smooth, near-silent autofocus that is complemented by advanced AF algorithms and a high-speed CPU for fast AF performance. Additionally, full-time manual focus override is also available. Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

• Compact-size, standard zoom Lens with high image quality.
• Image stabilization at up to 4* Stops of shake Correction. Lead screw-type STM.
• Kit Includes: 1) Canon EF-S 18-55mm f/4-5.6 is STM Lens (White Box), 1) Ultraviolet (UV) Filter Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. Multi-purpose fine-weather filter for color as well as black and white photos. Serves as a permanent lens protector.
• 1) Circular Polarizer (CPL) Filter Removes unwanted reflections from non-metallic surfaces such as water, glass etc. Enables colors to become more saturated and appear clearer, with better contrast. Increases the contrast and saturation in blue skies and white clouds.
• 1) Fluorescent (FL-D) Filter Corrects the green cast created when using daylight under fluorescent lamps with daylight tubes. It restores the natural colors of your shooting objects.

User questions & answers

Question:	Is this compatible with the eos rebel t2i
Answer:	Yes. It'll fit any APS-C Canon DSLR, which includes the T2i.
Question:	compatible with canon eos 60d
Answer:	The 60d is compatible with both EF and EF-S lenses.
Question:	Does this have a Canon warranty
Answer:	No, since it was removed from a Canon kit. Its an original brand new Canon lens.
Question:	Will this lens work with a canon 50d
Answer:	Yes, the 50d can use EF and EF-S lenses.

Product description

The Canon EF-M 11– 22 F/4– 5.6 is stm  wide angle zoom lens is an excellent companion for your EOS M series digital camera. Offering a wide angle of view, it's an excellent lens for taking group photos in tight spaces and landscapes. Built-in image stabilization helps enhance performance, even in low-light situations, and is especially effective when capturing HD movies thanks to the lens's dynamic is. Specialized Canon optics help ensure high-resolution, sharp photos and movies. A refined, quiet autofocus system helps maintain focus with extraordinary speed, helping to ensure sharp photographs and HD movies.&Nbsp; features: 18 - 35 mm comparable focal length on a   APS-C format camera.Wide-angle zoom lens for EOS M series digital cameras with optical image Stabilizer for up to three equivalent stops of shake correction.Lens retraction mechanism shortens the length of the lens and a compact, lightweight design allows easy portability.Rear focus system and built-in stepping motor (STM) help provide smooth and quiet continuous autofocus when shooting video with an EOS M series digital camera.Dynamic is (movie shooting mode only) helps deliver a wide image stabilization correction range, making it ideal for shooting while walking.Two aspheric lens elements and one UD lens element deliver superb image quality from the center to the periphery.Circular aperture (7 blades) helps deliver beautiful, soft backgrounds.Full-time manual focus allows manual focus adjustment after auto focusing.Minimum focusing distance: 5.9 in/0.15M.Maximum magnification of 0.30x at the telephoto end.

From the Manufacturer

• Focal Length & Maximum Aperture: 11–22mm f/4–5.6
• Lens Construction: 12 elements in 9 groups
• Diagonal Angle of View: 102°10'–63°30'
• Focus Adjustment: AF with full-time manual
• Closest Focusing Distance: 0.49 ft./0.15m.Circular aperture (7 blades) helps deliver beautiful, soft backgrounds..Maximum magnification of 0.30x at the telephoto end
• Filter Size: 2.2 in./55mm diameter
• Max. Diameter x Length, Weight: Approx. 2.4 x 2.3 in., approx. 7.8 oz. / 60.9 x 58.2mm, approx. 220g

User questions & answers

Question:	How does this compared to using the efs 10-18mm with m adapter? is it worth the $100 difference
Answer:	I do not own the 10-18 but I do own EF-S 10-22. I feel that the EF-M 11-22 is every bit as sharp and maybe just a tad sharper than the 10-22. But, the real reason to have the EF-M lens is that it is so much smaller. I have the 11-22 and 18-150 in a very small camera bag and it covers a huge range. But, if size doesn't matter then by all mean use the 10-18 with the adapter.
Question:	Does this work with the Canon T3i
Answer:	Dear CatherineC It would not work with Canon EOS Rebel T3i (EOS 600D)C because this lens only works on EOS-M cameras (EF-M mount) and not compatible with T3i which has an EF-S mount.For T3i, you may consider Canon EF-S 10-18mm f/4.5-5.6 IS STM.Best,Steve
Question:	I'm shooting real estate interiors. Any recommendations for cheaper alternative to this that can mount with the $40 adapter? (the kit only cost
Answer:	I recommend 10-18 Canon lens
Question:	Does this lens has an IS? Thanks a lot
Answer:	Yes, this model has IS. Not sure why it's not listed in the product name on Amazon like it is on most other sites.

• Easily screws on to the front of your lens, and instantly expands the field of view for breathtaking wide-angle photography. Features a detachable macro lens for extremely high-resolution close-ups of small objects.
• Lens Compatibility: Popular 58MM Lens model includes EF-S 18-55mm f/3.5-5.6 IS II, EF-S 55-250mm f/4-5.6 IS II, EF 50mm f/1.4 USM, EF 75-300mm f/4-5.6 III USM.
• Camera Models: CANON Rebel (77D T7i T6i T6 T6s T5i T5 T4i T3i T2i T1i XT XTi XSi), CANON EOS (750D 760D 650D 600D 550D 500D 450D 400D 350D 300D 7D 60D) and more.
• NOTE: PLEASE VERIFY YOUR CAMERA'S LENS THREAD SIZE BEFORE ORDERING. This Wide-Angle is compatible with 58MM lenses only. Lens sizes vary regardless of camera brand or model. Your camera's lens thread size will be marked somewhere on the lens barrel or printed underneath your lens cap. This number is always preceded by a ""Ø"" (diameter) symbol. For example: Ø58 = 58mm lens thread size.

User questions & answers

Question:	Will this work for a sony alpha a6000? it says sony alpha on the title but i did not see a6000 specifically in the description
Answer:	IT SHOULD THE BIG THING IS THE THREAD SIZE........IF ITS 58MM....IT SHOULD WORK
Question:	will this item work on a canon rebel t2i
Answer:	I purchased this lens for a canon rebel t7i and according to the description, it is compatible but I have not used it yet. I will update when I use it this weekend.
Question:	Is there a cap out there that I can put on just the macro portion? I’ve tried two filter caps. One was too big and one was too small
Answer:	Mine came with a rubberized cap ... Try contacting the company/ seller they might be able to help you
Question:	I am so confused; why does it say " Lens not included." in the description, when it listed as a lens that helps take wide angle pictures
Answer:	The product is more of an extension piece to place on the lens your camera already has, which helps you take wider angled pictures.

Product features

Neewer 58MM 0.43x Professional HD Wide Angle Lens (Macro Portion) for Canon DSLRs

PLEASE NOTE:

1. The wide angle lens and macro lens are attached together upon arrival. When you use the wide angle lens, please DO not detach the wide angle lens from the macro lens. When you use the macro lens, please detach the wide angle lens from the macro lens.

2. This conversion lens is compatible with 58MM lenses only. Please verify your camera's lens thread size before ordering. Your camera's lens thread size is marked with a "Φ" (diameter) symbol. For example: Φ58 = 58MM lens thread size.

3. Camera lens is not included.

Product description

Incorporating Canon's Optical Image Stabilizer technology, this Canon 55-250mm telephoto zoom lens captures long distance, low-light shots far better than many comparable lenses, helping you photograph the far-off action of athletes or zoom in for an intimate portrait with a blurred background. The high-zoom-ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses). More significantly, the image stabilizer effect creates an equivalent shutter speed of roughly four stops faster than the same size lens without an image stabilizer. In other words, if the slowest shutter speed you can hold a 250mm lens steadily is normally 1/250th of a second, this Canon lens will let you hand-hold shutter speeds as slow as 1/15th of a second. The lens also boasts a UD-glass lens element to correct chromatic aberration to create excellent image quality throughout the zoom range. Delivering an excellent performance at an affordable price for all photographers, the 55-250mm lens carries a one-year warranty.

Specifications

• Focal length: 55-250mm
• Maximum aperture: f/4 to f/5.6
• Lens construction: 12 elements in 10 groups, including one UD-glass element
• Diagonal angle of view: 27 degrees (at 50 feet) to 6 degrees (at 15 feet), with APS-C image sensors
• Focus adjustment: DC motor, gear-driven (front focusing design)
• Closest focusing distance: 3.6 feet (0.31x maximum close-up magnification)
• Filter size: 58mm
• Dimensions: 2.8 inches in diameter and 4.3 inches long
• Weight: 13.8 ounces
• Warranty: 1 year

This telephoto zoom lens is designed with Canon's Optical Image Stabilizer technology while retaining compactness and lightness, in response to demands of photographers. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses), and the image stabilizer effect equivalent to a shutter speed about 4 stops faster than the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon's 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range. This new EF-S telephoto lens with great features delivers excellent performance at an affordable price for all photographers.

• Maximum aperture: f/4.0-f/5.6
• Optics: 12 elements in 10 groups, UD glass element
• Canon EF-S Mount (not compatible with full sensor DSLRs)

User questions & answers

Question:	Will this fit on the 70d
Answer:	If you like to use it as a wide angle converter, you have to use both together. If you want to use it as a macro concerter, you separete the two parts and use only the macro part.
Question:	Will this work on the 80d
Answer:	A lot of money! Seriously, tho, I am a very amateur photographer and no judge of these things. I bought it on a whim because it was so cheap. I've been very happy with the pictures I took with the lens, but have not compared its pictures with the better lenses. It does not replace the Canon's basic lens as the more expensive one probably would, but goes OVER it.
Question:	Any advice on what lens to buy to take shots across soccer field
Answer:	Yes it does, Depends on the Lens you use and how you use it.on the 18-55mm when you zoom out under 24mm, youll get some vignetting and optical blur.On the 50mm its not bad.
Question:	Is this a "macro" lens? I needed a lens for microscopic detail
Answer:	Yes, just make sure it's the right size.. It screws on to the front of existing lens. I love this lens.

• Support Auto focus (AF) and manual focus (MF) mode, full line of the products are glass lenses.
• The aperture blades up to 7 pieces, which allows you able to shoot the near-circular diffuse plaques, appropriately narrow the apertures can shoot the 14 astral effect.
• Adopts chrome high precision metal bayonet, which effectively Improve the goodness to fit the camera body and the bayonet strength, wear and corrosion resistance for durable use.
• Supports full-frame and APS-C Format cameras, supports M/AV/TV/P and other camera shooting modes, and can be displayed the aperture data in the exit information.
• Multi-coated lenses, effectively Improve the transmittance and suppress the ghosting and flare when in backlight shooting, adopts Gold plating for the metal contacts, effectively Improve the signal Conductivity and corrosion resistance.

User questions & answers

Question:	Is the f stop on this 1.2 or 2 ? I cannot figure out from the product name here
Answer:	Yes it will. Some post-production with software like Lightroom or the standard Photos-Program that comes with a Mac will help you to accentuate the contrasts and colours to optimize your wideandle indoor shots. Have fun
Question:	I have a nikon d3100 and a 50mm dx. with the crop factor, will this allow me to get in closer than the 50mm i already have
Answer:	Since it is made for DX and your camera is FX, the lens will work, but the image will be in a full circle, if that makes any sense.
Question:	Is this lens compatible with the D
Answer:	This is made for Cropped sensor dslr's
Question:	Is this lens compatible with the D
Answer:	It's completely manual. I usually set the focus on infinity, which is 6 feet+ anyway. fStop is set on the lens barrel, then adjust shutter speed manually on camera for best exposure. It's old school but I like it. Takes great pictures.

Product features

Yongnuo EF 35mm F2N 1:2 AF / MF Wide-angle Prime lens for Nikon DSLR Camera

Glass Lenses, Multi-coated

The whole series products are formed by glass lenses,which with multi-coated and effectively improve light transmittance and the inhibit the ghost shadow and glare in photographing.

Gold Plating Technology

Adopts gold plating metal contacts,effectively improve the signal conductivity and corrosion resistance

Sample Photo

Sample Photo

Sample Photo

Product description

Fast and silent lens functions. Improved image stabilization. 55-250Mm focal length. Aperture: 1: 4-5.6. Warranty: one year. 6.7 in. L x 4.6 in. W x 4.3 in. H (1.2 lbs.).

From the Manufacturer

• High magnification, compact and lightweight EF-S telephoto zoom lens with Image Stabilization for up to 3.5 equivalent stops of shake correction. Based on CIPA (Camera & Imaging Products Association) standards. Testing performed using EOS 7D at focal length of 250mm (400mm in 35mm equivalence).
• One UD lens element reduces chromatic aberration throughout the zoom range, for excellent image quality with high resolution and contrast.
• New six-group zoom system provides a compact design while achieving a maximum magnification of 0.29x at the telephoto end.
• Minimum focusing distance: 2.79 ft./0.85 m (full zoom range).
• Kit Inlcudes lens, lens cap E-58II, lens dust cap E, instruction book, warranty card

User questions & answers

Question:	I'd like to know if the Canon warranty wil be honored by the company if I buy the lens "refurbished
Answer:	Greetings,Yes, we are a Canon Authorized Dealer and Therefore any item you buy from us will automatically come with USA and Canada 1 year limited warranty. Please note, we only sell new items not refurbished. Since you ask us about refurbished policy for this item I think it will be a wise idea to Call Canon. If you buy a refurbished Item directly from Canon you will still have the one year warranty with the company. However, we are not sure about other sellers.Attached we include a Canon Phone Number: 1-800-385-2155. Please do not hesitate in contacting us if you have further questions.Best,H and B Digital Team
Question:	Will this lens be good for soccer and football when on the sidelines
Answer:	This is a subjective question. For the most part, it's not a sports lens. The AF system is not really built to be snappy fast for sports. However, if you are photographing young children, I think it can work, since they are not likely to be as fast as high school aged kids. Also, the limits of the aperture make it hard to use fast shutter speeds without a high ISO, so you will get some noise in the images. If this doesn't bother you then it's not a big deal. If in good light (daylight), then it will be fine so long as you know how to track your subject. For football at night, it's going to be tough. I would look for the bright spots on the field, like where the lights shine the brightest, and try to get photos in those places. Here is how I would set the camera. 1. Tv mode. This lets you control the shutter. Set to 1/500 sec. 2. ISO and aperture are controlled by camera. Make sure ISO is in auto. 3. Set focus to "servo" mode. This makes it so the camera tracks as you hold in the focus. 4. Select a small focus. Depending on your camera, you might have to use just one point. Some will let you choose a small grid. 5. Get focus on your subject and hold the focus to track them as they move around. This will give the STM motor time to find the focus. Shoot when you have the best shot. This is how I shot youth soccer with a SL2/200D and the 55-250mm IS STM. Got plenty of good shots. I'd post them in my review but it is now against Amazon policy to do so. Not sure what happened there, they are just youth league kids playing soccer. If you would like more info about the 55-250mm STM lens, you should check out the review I have on my profile. It covers the pros and cons, offers advice for how to use the lens, and also has suggestions for other lenses that might work for you as well. There are also sample images taken with the lens. Here is a link to the review. https://www.amazon.com/gp/customer-reviews/RBPNM432KPBLO?ref=pf_ov_at_pdctrvw_srp
Question:	Would this newer STM lens work well with my EOS T2i I am using the older EF-S 55-250 now that's about 5 years old and looking for faster focus and sharper images....wondering if maybe the 55-250 IS 2 would work just as well as the STM for me...Thanks
Answer:	Great question. Some answers for you... It is a better lens than the older IS II model in the following ways: Better optics for better IQ and contrast. Rear focusing so the front element doesn't rotate. Better IS. STM is better than the DC micro motor; it's faster, more accurate, and nearly silent. The focus isn't as fast as say, USM lenses, but you will notice an improvement. If speed of focus is more important in your case, then you should look into the EF 70-300mm F4-5.6 IS II USM instead. Optically, they have very similar IQ, but the 70-300mm has much snappier focus for stills, and is still silent for video like the STM lens. As to how much a difference you will see on your camera? The T2i is a pretty old camera, and IQ wise think you won't see much of a difference. Either of the suggested lenses will look good on your camera, but you might not see a large difference in overall IQ due to the age of the sensor. I think the advantages are that you will see better contrast, have better focus (which leads to more in focus shots), and if you ever move to a newer camera then you will see a difference in IQ with a newer sensor. If you would like more info about either of the lenses I have suggested, you should check out the reviews I have on my profile. Both reviews cover the pros and cons, offer advice for how to use the lens, and has suggestions/comparisons to other lenses you might have considered. There are also sample images. Here are some links. For the 55-250mm - https://www.amazon.com/gp/customer-reviews/RBPNM432KPBLO?ref=pf_ov_at_pdctrvw_srp For the 7i0-300mm - https://www.amazon.com/gp/customer-reviews/RUZO5QNFASTCS?ref=pf_ov_at_pdctrvw_srp For my profile just click my name!
Question:	Hi
Answer:	The short answer is yes to both questions. The little bit longer answer... 1. It has image stabilization, and for Canon you can tell what lenses do as they will list "IS" in the description of the lens. On this lens, you have 3.5 stops of IS, which is really great since it has such a long reach. Keep in mind though that IS does nothing to help with a moving subject, only a fast shutter speed can help with that. 2. Your camera can use this lens, as well as all other EF and EF-S lenses. This is one of the 4 lenses I suggest to anyone that is learning photography and wants to expand their kit beyond the lens that came with their camera. If you would like more information about the 55-250mm lens, you should check out the review I have on my profile. It covers the pros and cons, offers advice for how to use the lens, and has suggestions/comparisons to other lenses you may have seen. There are also sample images taken with the lens. Here is a link to the review. https://www.amazon.com/gp/customer-reviews/RBPNM432KPBLO?ref=pf_ov_at_pdctrvw_srp

Product description

Compatible with Sony E mount cameras perfect for nature & event photography large f/1.4 aperture for superb lowlight performance compact size makes it very portable fully accommodates fast Hybrid AF stepping motor for smooth AF during video shooting dust- and splash-proof design 16 elements in 13 groups 9.8-Inch minimum focusing distance.Bright prime functionality to experience photography at its best

• Compatible with Sony E mount cameras
• Perfect for nature & event photography
• Large f/1.4 aperture for superb lowlight performance
• Compact size makes it very portable
• Fully accommodates Fast Hybrid AF

User questions & answers

Question:	How does it perform on nonstabilized a6000 or a
Answer:	On its own, no. This lens uses a Canon EF mount, but I use mine on my A7R with a Sigma MC-11 adapter and it works fine with that.
Question:	Can i use this lens with Sony A
Answer:	You would have to purchase for a Canon as the mount to camera is different than Nikon. They make both
Question:	Is this for asp-c only? ie not for the a7 series
Answer:	I recently purchased Canon Rebel T7i. This lens works with it. Canon uses standard lens mounts across all cameras, so this lens will mount on any Canon camera, but it will work correctly only with cameras which use reduced size (APS-C) image sensor, which usually means low to mid range.
Question:	Would it work on a dslr
Answer:	Nataraj, try looking up the ASIN number. That might help you out. I bought a kit from Goja right before christmas. I had pretty much the same question on a Sigma 18-250 kit. It was the latest lens, and thourally enjoyed it. Enjoying it.

Product features

A new solution for mirrorless camera users. Combining F1.4 brightness in a compact body Introducing a high-performance, large-diameter wide-angle lens

The new SIGMA 16mm F1.4 DC DN | Contemporary is the world’s first interchangeable lens for mirrorless Sony E-mount and Canon EOS M* cameras in the APS-C format to offer a 24mm focal length (35mm equivalent) and F1.4 brightness. The lens for Micro Four Thirds offers a 32mm focal length (35mm equivalent) with the same f-number of 1.4. This is the large-diameter wide-angle lens for which mirrorless camera users have been waiting.

Developed to feature a lightweight, compact package for everyday use, SIGMA DN lenses for mirrorless cameras deliver superior performance covering the key focal lengths. The new lens builds on the success of the 30mm F1.4 DC DN | Contemporary, which SIGMA released in 2016 as the first in a new series of prime lenses for mirrorless cameras. The 16mm F1.4 DC DN | Contemporary also combines F1.4 brightness with top-level optical performance.

* aprox 25.6mm for Canon EF-M fit

Diffraction MTF

There are two types of MTF chart. One considers the diffraction quality of light, which is called “Diffraction MTF”, and the other, “Geometrical MTF” does not.

The quality of light appears in the diffracted light, and becomes more distinct as the F value gets bigger, resulting in lower image quality. Also, diffracted light exists at every aperture, which is why SIGMA has been releasing Diffraction MTF data from the beginning since it is very close to the actual image data.

The readings at 10 lines per millimeter measure the lens’s contrast ability (red lines), repeating fine parallel lines spaced at 30 lines per millimeter measure the lens’s sharpness ability (green lines), when the aperture is wide open.

Geometrical MTF

The advantage of using “Geometric MTF” data is that it is easy to measure and calculate since it does not consider the diffraction quality of light, yet it tends to show higher values in the graph than actual images.

The readings at 10 lines per millimeter measure the lens’s contrast ability (red lines), repeating fine parallel lines spaced at 30 lines per millimeter measure the lens’s sharpness ability (green lines), when the aperture is wide open.

Supplied Accessories

PETAL TYPE LENS HOOD LH716-01*

FRONT CAP LCF Ⅲ 67mm

REAR CAP LCR Ⅱ

*The lens hood cuts harmful rays that can negatively affect photographs while also minimizing reflectivity within the hood itself. The hood also features a rubber construction and a non-slip groove to make it easy to hold in a variety of shooting situations.

SIGMA WR CERAMIC PROTECTOR 67mm (Optional)

With many applications in aerospace and other industries, glass ceramic is an extremely tough type of crystallized glass that serves as the foundation for Clear Glass Ceramic. While featuring the high transmittance required of optical devices, this advanced new material combines greater hardness than chemically strengthened glass and greater flexibility than sapphire crystal glass. These qualities make Clear Glass Ceramic the ideal material for protective lens filters.

Bright prime functionality to experience photography at its best

A bright prime lens is the ideal way to experience the essence of the art of photography. Simply select a focal length that matches the image and enjoy complete control of the depth of field. The 16mm F1.4 DC DN | Contemporary is the world’s first interchangeable lens for mirrorless Sony E-mount and Canon EOS M cameras in the APS-C format to offer a 24mm focal length (35mm equivalent) and F1.4 brightness. The lens for Micro Four Thirds offers a 32mm focal length (35mm equivalent) with the same bright F1.4 aperture. This is the large-diameter wide-angle lens for which mirrorless camera users have been waiting.

Designed to minimize flare and ghosting with a rounded diaphragm creates an attractive blur.

The 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.

From an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. SIGMA’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions. The included lens hood can be attached to block out extraneous light, which can have a negative effect on rendering performance.

Outstanding optical performance and build quality

The SIGMA 16mm F1.4 DC DN | Contemporary features SIGMA’s inner focus technologies, while lighter lens elements in the focus lens group make possible a more compact actuator. Moreover, this lens offers outstanding stability whether the photographer is shooting handheld or has the camera placed on a surface. Structurally, the lens features materials and parts that contribute to its compact, lightweight structure. In summary, this is an unprecedented lens that combines outstanding optical performance with exceptional portability and usability.

The mount features a special sealing to make the lens an excellent choice in a wide variety of conditions.

＊Except for Canon EF-M mount

High-precision, rugged brass bayonet mount

The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.

Product description

The Canon EF 24mm f/2.8 IS USM wide-angle lens is the ideal entry focal length into the world of ultra wide-angle photography. A compact, fixed focal length 24mm lens equipped with Canon's Optical Image Stabilizer technology that offers up to 4 stops of shake correction along with a ring-type USM and advanced CPU with optimized AF algorithms for fast auto focusing. Full-time manual focus feature is available for manual focusing even while in AF mode while a minimum focusing distance of 0.66 ft. (0.20m) offers dramatic wide-angle images. A spherical lens elements help improve image quality on the periphery while a 7-blade circular aperture diaphragm delivers beautiful, soft backgrounds. Lens coatings are also used to help minimize ghosting and flares. Offering spectacular image quality, silent and smooth operation in a compact body, it's the ideal lens for capturing both stills and video. Filter size: 58 mm, Closest Focusing Distance: 0.66 feet.

From the Manufacturer

• Focal length and maximum aperture: 24mm 1:2.8
• Lens construction: 11 elements in 9 groups
• Diagonal angle of view: 84 Degree
• Rear focusing system with USM focus adjustment
• Closest focusing distance: 0.25m/0.82 ft.
• Lens not zoomable

User questions & answers

Question:	Is this a good lens for a documentary? Using a 70d, Will be filming mainly the inside and outside of buildings and also people (+interviews
Answer:	It’s an F2 NOT a 1.2. A 1.2 lens is very expensive to make. If it’s any consolation, a 1.2 isn’t that sharp when shot wide open (at 1.2) or even at 1.4. It doesn’t really get great sharpness until 1.8 so this F2 should be great for sharpness.
Question:	Will this fit my 5D Mark I
Answer:	No this lens will not get you closer than a 50mm. This is the equivalent of Nikon 35mm DX 1.8 d/g lens. A 50mm on a apsc camera like the 3100 will give you 75mm crop. This will give you a 52mm crop on your 3100.
Question:	How does this lens compare to the canon ef-s 24mm f/2.8 stm lens aside from one being for crop sensor only? huge price difference
Answer:	Yes. I used it on my D750. In fact, it has been on it since I have it. I am very happy with the lens and cannot believe it was less than $100... blew my mind. Autofocus is a little slow but no problematically so. I detect some vignetting also, probably more than the more expensive lenses. For me, it satisfied my desire for a wider prime than the 50 mm that I had historically always used. I did have to fine-tune the AF and the amount it needed was near the limits of the camera AF fine tuning settings... beyond that, it is fantastic!
Question:	What's the difference between this lens and the 24mm f/2.8 stm lens? and which one would be a better lens to take group shots for weddings? thanks
Answer:	Yes it is. It will fit right on without any adapters