14 best nady condenser microphones

Product description

Sterling acoustics and a retro vibe. The Nady PCM-100 Classic Condenser Mic is perfect for broadcasting and stage vocal use. It is versatile in the studio, too. The Nady PCM-100 mic features a high-quality electret condenser element, cardioid polar pattern, and a smooth frequency response tailored for vivid vocal reproduction with a perfectly positioned presence peak. Switchable low-cut filter. Integral mic holder mount. Comes with foam-padded plastic carrying case. Requires phantom power.

• Classic retro-styled condenser microphone for multi-purpose studio or live performance uses
• Cardioid polar pattern
• Smooth tailored fequency response
• Phantom power LED
• Vivid vocal reproduction with a characteristic presence peak and a switchable low cut filter

User questions & answers

Question:	what kind of mic stand fits the thread of this microphone
Answer:	standard mic stand. Think of the sm58 mic and the clip that it uses. It has the same threading as the Nady 200.
Question:	I really like the style but could I record a drum set with it
Answer:	I use the condenser version of this to mic guitar amps all the time, either would probably be alright on toms and snare, though they are bulky, heavy, and hard to keep out of the way. The drummer would probably hate it. It won't likley have the SPL handling or the frequency response to sound good on the kick drum, either. You would be better to spend the Vocals or guitar amps, definitely, though.
Question:	what about proximity low gain effect
Answer:	It isn't as bad as I have observed on most dynamic mics I have used but it isn't non-existent either. The best distance for this mic is about 25-30 cm. At that distance, I get lots of compliments on the quality of sound. Most musician notice how much better it sounds than any dynamic from Shure.
Question:	Does it have that old syle radio talk show sound
Answer:	Not exactly. The sound you are looking for is better replicated with a ribbon style microphone, like the Nady RSM 5, more so than a dynamic microphone. Keep in mind that there are several stages of the signal chain to consider after the microphone that contribute critical sound quality changes in reproducing a retro radio talk show sound, such as pre-amplifiers, compressors, and equalizers.

Product description

A versatile studio grade condenser microphone for high quality recordings

The SCM-800 Studio Condenser Microphone from Nady is designed for project studio recording, podcasts, broadcast applications, and similar applications. The cardioid polar pattern helps minimizing noise and feedback. Additionally, the transformerless FET output electronics and internal shockmount element provide ultra-quiet operation, resulting in clear audio reproduction.

Perfect for recording vocals, acoustic instruments, orchestras and choral groups, room ambience, and many live sound applications, the SCM-800 is sure to become one of you go-to microphones whatever your application is.

Specifications:

Type: True condenser pressure-gradient microphone with 25mm cartridge and FET preamplifier.

Polar pattern: Cardioid Sensitivity: -40dB (±2dB)

Frequency range: 30Hz to 20kHz

Impedance: < 250Ω

Recommended load impedance: ≥1kΩ

Max. SPL (1% THD @1kHz): 128dB

Equivalent noise level to IEC 268-4(A weighted): 20dBA

S/N ratio re 1Pa: 70dB

Power requirement: +48VDC phantom power

Current consumption: <5mA

Connector: 3-pin XLR (gold plated)

Product Details

Size: Diameter: 2.0" (50.5mm), Length: 5.94" (151mm) Net weight: 11.8oz

• A truly professional microphone and fantastic value. Provides the accurate, no-compromise sound reproduction of a high end studio microphone at a fraction of the cost
• Outstanding performance, great pro look, and incredible versatility. Well suited for a wide variety of sources
• The large diaphragm true condenser design with cardioid polar pattern pickup and high SPL capacity is perfect for all broadcast and recording applications
• Internal FET pre-amplification / Transformerless low-noise and high-dynamic range FET Output
• Compact and durable, with precision-turned brass housing for years of reliability. Rugged internal shock mounts reduce handling noise

User questions & answers

Question:	Does an XLR female or male plug into the mic itself
Answer:	Female
Question:	Is a basemount mic holder included
Answer:	No it is not. I picked up a generic one from china for $10:50 US and another style with a pop screen for $14:50 for a different type of mic. All had shipping included.
Question:	Will this work plugged directly into a PC running Audacity
Answer:	Sam is correct, this microphone has a condenser capsule that will work on as little as 5V phantom power, which nearly every smart device supplies, and most definitely PC's and laptops.
Question:	How well does it record acoustic drums. I don't have an electric drum set. I have only an acoustic set
Answer:	Large diaphragm mix wouldn't be good for close positioning record of drums. It could be set farther out and be effective though. .

Product description

The CM-88 Condenser Microphone is a back electret microphone designed for cymbals of all types, reeds, acoustic guitars, piano, vocals (with optional windscreen), and overhead applications. With an extremely uniform and tight cardioid pattern the CM-88 Microphone has extended frequency response for smooth and crisp transparent reproduction and the aluminum housing and goldplated XLR contacts make for a durable design . 48V phantom powered.

• Back electret microphone designed for cymbals of all types, also ideal for acoustic guitars, pianos, vocals and overhead applications
• Tight cardioid pattern pickupfor extended frequency response and smooth, crisp audio reproduction
• Aluminum housing and goldplated XLR contacts for durability
• Requires 48V phantom power
• Nady Systems is dedicated to providing the best user experience possible. Since 1976 Nady has been a US based brand, with a US based customer service center, and with US valid product warranties

Product description

The CBM-40X Condenser Boundary Microphone is Ideal for a variety of sound reinforcement/recording applications: Choirs, orchestras, theatrical performances, interviews, courtroom proceedings, meetings & conferences. Cardioid pickup pattern and full frequency response of 30Hz~20kHz produce clear audio with excellent feedback rejection. Rugged die-cast alloy housing on rubber padding minimizes mechanical coupling of surface vibrations to the microphone. The condenser element requires external phantom power. 16’ mini-XLR to XLR cable included.

• Ideal for a variety of applications such as recording choirs, orchestras, theatrical performances, interviews, courtroom proceedings, meetings & conferences
• Condenser boundary microphone with a cardioid pickup pattern and full frequency response 30Hz-20kHz for clear audio and increased feedback rejection
• Built with rugged a die-cast housing on rubber padding to minimize mechanical coupling and surface vibrations
• 16-foot mini-XLR to XLR cable included
• Requires 48V phantom power

User questions & answers

Question:	Can this be used like a Shure SM91 boundary mic, in a kick drum
Answer:	I'm not a music expert, but I don't see why not. I think it would need to be very close to the drum, to avoid having it pick up other sounds.
Question:	How well would these work on the floor for, say, a high school musical
Answer:	That is one of the uses this mic was designed for. Should work just fine, so long as the phantom supply voltage is up where it needs to be at 48V.

Product description

The SCM-700 Condenser Microphone Recording Kit is the perfect package for any recording application. Podcasting, voice-over, online videos, and the production of high-quality recordings with smartphones and tablets. This 8-piece package includes: Professional SCM-700 Studio Condenser Microphone, XLR to 1/8” TRS cable (for use with a smartphone, tablet or computer), heavy-duty XLR to XLR cable to connect to an audio interface or a mixer, 1/8” TRRS adaptor with microphone input and headphones output for use with smartphones/tablets, microphone shock mount, windscreen, desktop tripod, and durable carrying bag for easy transport. Requires 48V phantom power.

• 7 piece package includes the versatile SCM-700 professional recording cardioid condenser polar pattern microphone useful in multiple recording scenarios. The SCM-700 has a 16mm capsule with freq resp of 20Hz-20kHz and is ideal for a number of studio applications, performing seamlessly with portable smart devices and mixers
• Large-diaphragm condenser element, transformerless low-noise circuitry, high SPL capacity and rugged internal shock mounts. FET output electronics further minimize noise for a clear, focused and realistic audio reproduction
• Includes microphone, XLR to 1/8" TRS/TRRS cable, XLR to XLR cable, 3.5mm smartphone adapter with headphone input, microphone shock mount, microphone windscreen & carrying bag
• Accepts phantom power from 5V-48V for use in any recording environment

User questions & answers

Question:	Can this be used with a MacBook Pro
Answer:	Yes! This microphone will work with almost any laptop or smartphone since it only requires a low voltage of 5V to operate, which most devices easily produce.

Product description

A studio grade compact condenser microphone with great performance and value

The Nady CM 90 Cardioid Condenser Microphone is a versatile small-diaphragm condenser microphone, well suited for recording and stage reinforcement of acoustic guitar, drum overheads, hi-hats, snares, piano, and horns. The capsule is hand tooled from brass and features a 3-micron gold-evaporated-on-Mylar diaphragm for maximum sensitivity, long life, detail and tone. The rugged enclosure is made of brass, and is built to withstand the rigors of sound reinforcement and studio recording applications.

The CM-90 comes with a microphone clip, a foam windscreen (to block plosives from vocals and noise produced by wind), and a sturdy vinyl zipper pouch to protect your microphone while storing and transporting. Whether on stage or in the studio, the Nady CM-90 is an affordable and reliable solution for capturing detailed and realistic audio.

Specifications:



Type: True condenser pressure-gradient microphone with 0.79“ (20mm) diaphragm

Polar pattern: Cardioid

Open circuit sensitivity: 14mV/Pa=-37dBV (0dBV=1V/Pa)

Frequency range: 40Hz - 16kHz

Rated output impedance: Recommend load Impedance: ≥1000 Ohms

Max. SPL (1% THD @1000Hz): 131dB

Equivalent noise level to DIN 45405(CCIR 468-2) : 28dB

Power requirement: +48VDC phantom power

IEC 268-4 (A weighted): 19dB-A

S/N ratio: 75dB

Connector: 3-pin XLR (gold-plated)

• Professional quality small diaphragm condenser microphone with a tight cardioid polar pattern for studio and stage applications. Ultra-accurate sound reproduction of a multitude of sources, including acoustic stringed instruments (guitar, violin, piano), and percussions
• Powerful and versatile-meets the stringent requirements of even the most demanding digital recording and live sound applications
• High sensitivity, extended smooth, full frequency response and very high SPL capability. Transformerless design and internal FET preamplifier for minimal self-noise and increased dynamic range
• Rugged, turned-brass housing and internal sub-assembly shockmount for maximum reliability
• Includes Microphone clip, foam windscreen and zipper pouch for safe transport

User questions & answers

Question:	If i buy a usb adapter cable, can i plug this microphone into a computer and record directly on computer recording software
Answer:	No. You will need an audio interface with mic preamp, 48 volt phantom power, and usb output. You can buy usb mics that are ready to plug in and record for as little as $25. Search "USB mic" in Amazon.
Question:	How well does it record acoustic drums
Answer:	not entirely well. I would only ever use it for overhead mics on a drum kit, but it sounds kind of thin.
Question:	How far can I have the mic away from my face for it to hear me
Answer:	It really depends on a lot of factors. 2 main ones are how loud are you speaking/singing and what environment you’re in. The mic is sensitive. It can pickup your voice quite easily from several feet away. Really depends on what you’re trying to achieve. You can get close with a pop filter and do voice over or back up a foot or so and sing into it/play an instrument.
Question:	Is it phantom powered or needs a battery? thanks
Answer:	Phantom powered..

Product description

The CM-100 is perfect for use with real-time analyzers for precise, accurate room acoustic alignments.

It is especially suited for highly effective, detailed recording of acoustic guitars and vocals. It features a rugged construction, gold-plated XLR, and internal shockmount. Includes foam windscreen for outdoor applications and microphone stand clip (including 5/8” to 3/8” adapter). Requires 48V phantom power.

• Ultra linear classic diaphragm electret condenser microphone optimally designed for use with real-time analyzers for precise, accurate alignment applications such as room acoustics corrections
• True, symmetric omni-directional pattern provides high sensitivity, minimal self-noise, increased dynamic range and high SPL capability
• Ideal for highly detailed recording of acoustic guitars and vocals
• Rugged construction, gold-plated XLR, and internal shockmount for maximum reliability
• Includes foam windscreen for outdoor applications and mic stand clip (including 5/8″ to 3/8″ adapter). Requires 48V phantom power

Product description

The HM-10 HEADMIC Series Headworn Microphone is designed to provide hands-free microphone operation for singers, aerobics instructors, presenters, sermons, and more. The HM-10 features a lightweight form-fitting frame and omnidirectional capsule. The microphone’s adjustable gooseneck provides optimum positioning (choice of black or beige).

• Omni-directional electret condenser mic
• Durable thin-metal frame. Requires low-voltage phantom power as supplied by most wireless bodypack transmitters; 9~52V adapter supplied for wired applications
• Ergonomic design and comfortable fit
• Includes 3. 5mm phono plug for wired and wireless applications (fits most standard wireless bodypack transmitters)
• Nady Systems is dedicated to providing the best user experience possible. Since 1976 Nady has been a US based brand, with a US based customer service center, and with US valid product warranties

User questions & answers

Question:	can you use this with an Olympus W853 digital voice recorder
Answer:	Only if the jack fits.
Question:	Will the standard plug fit a Sennheiser belt pack
Answer:	Don't know but it will fit a nandy
Question:	Will this fit the nady uhf24 body pack
Answer:	Yes, this has the same 3.5mm locking plug and will work with that system. Thanks!
Question:	Di i need to purchase anything else on can i just plug it, as is, into my pa
Answer:	Hello, Thank you for your question! This depends on your PA system and whether or not it takes the mini XLR plug. If your PA system takes a regular size XLR you can use this mic with the Nady XM-10 XLR to Mini XLR Phantom Power Adapter. You can also find this XM-10 adapter sold with this head-mic in a bundle. Best Regards, SG4L

Product description

The Nady USB-1CX USB Condenser Microphone is perfect for recording studio vocals, acoustic instruments, podcasts, ambient instrument audio, or any audio source to your preferred DAW (Digital Audio Workstation). Just connect the mic to your computer's USB port with the supplied USB cable and launch your DAW. You are now ready to record! Powerful and versatile, the USB-1C microphone meets the stringent requirements of even the most demanding digital recording and live broadcasting applications.

• Perfect for high-quality recordings of vocals, acoustic instruments, and ambient instrumentation as well as pod-casting and online communication
• Connects directly to any computer with a USB 2.0 (or higher) input port for easy plug-and-play operation
• Features large pressure-gradient condenser gold-sputtered diaphragm and FET preamplifiers for warm, natural reproduction of the most subtle to the most powerful audio sources
• Full frequency response with rich warmth and crisp, transparent audio
• Minimal self-noise, increased dynamic range, and maximum SPL capacity

Product description

Helps dial in your live sound quickly and accurately. The Nady CM100 Reference Measurement Condenser Microphone boasts a true symmetric omnidirectional pattern. CM100 Mics have high sensitivity; minimal self-noise; increased dynamic range; high SPL capability; and extreme smoothness. You can take advantage of the linear 15Hz to 20kHz frequency response to provide ultimate precise measurements and transparent recordings with your Nady CM100.

• Perfect for use with realtime analyzers for precise, accurate room acoustics alignments Especially suited for highly effective, detailed recording of acoustic guitars and vocals Rugged construction, gold-plated XLR, and internal shockmount Includes foam windscreen for outdoor applications and mic stand clip (including 5/8" to 3/8" adapter)
• The Nady CM100 Reference Measurement Condenser Microphone boasts a true symmetric omnidirectional pattern
• CM100 Mics have high sensitivity; minimal self-noise; increased dynamic range; high SPL capability; and extreme smoothness
• You can take advantage of the linear 15Hz to 20kHz frequency response to provide ultimate precise measurements and transparent recordings with your Nady CM100
• The Nady CM100 Reference Measurement Condenser Microphone boasts a true symmetric omnidirectional pattern

Product description

The NADY HM-10 ultra small condenser headset microphone is optimally designed for singing and speech applications. The HM-10’s small size and light weight make it ideal for all hands-free use with minimum visibility. Perfect for singers/musicians (drummers, keyboardists), vocal/dance performers, DJ’s, television announcers, public speakers, and aerobics instructors. Wide bandwidth, omni-directional electret condenser mic ensures clean transparent audio and enhanced vocal pickup with improved gain before feedback. Durable, thin metal frame can be easily molded to any user, plus an ergonomic design and comfortable fit with or without glasses, hats, or headphones (also no hairstyle hindrance). Tiny capsule with diameter of 5.0 mm for lightest weight and hours of comfortable use, plus three sizes of foam windscreen included to reduce wind and popping noise. The microphone boom is extendable and fully adjustable 100 degrees for optimum mic capsule placement. Available with Mini-XLR or 3.5mm phono plug for wired and wireless applications (fits most standard wireless bodypack transmitters.) A low voltage Phantom Power required for use. Simply connect the Mini-XLR or 3.5mm phono plug of the microphone cable to the input jack of the bodypack transmitter or power supply adaptor. Box contents include: HM-10 headmic with small foam windscreen, additional medium and large foam windscreens, extra boom assembly, user guide and warranty card. Optional Accessories: XM-10 — Mini-XLR to XLR phantom power adaptor (converts 48V phantom power to 5V-10V DC) and HM-CC1 — Plastic headmic carrying case.

• Omni-directional electret condenser mic
• Durable thin-metal frame
• Ergonomic design and comfortable fit
• Includes 3.5mm phono plug for wired and wireless applications (fits most standard wireless bodypack transmitters) and mini-XLR connectivity also available, sold seperately
• Require low voltage phantom power as supplied by most wireless bodypack transmitters
• 9~52V adapter supplied for wired applications

User questions & answers

Question:	Im a drummer and i need to start singing backup, will this mic work with the loudness of my drums
Answer:	I would not recommend this mic. It is an omni and will pick up a LOT of sound bleeding into the mic from the drums. I am also a drummer and use the ATM-73a which is a cardioid mic. This does a much better job of focusing on my vocals

Product description

The NADY HM-10 ultra small condenser headset microphone is optimally designed for singing and speech applications. The HM-10’s small size and light weight make it ideal for all hands-free use with minimum visibility. Perfect for singers/musicians (drummers, keyboardists), vocal/dance performers, DJ’s, television announcers, public speakers, and aerobics instructors. Wide bandwidth, omni-directional electret condenser mic ensures clean transparent audio and enhanced vocal pickup with improved gain before feedback. Durable, thin metal frame can be easily molded to any user, plus an ergonomic design and comfortable fit with or without glasses, hats, or headphones (also no hairstyle hindrance). Tiny capsule with diameter of 5. 0 mm for lightest weight and hours of comfortable use, plus three sizes of foam windscreen included to reduce wind and popping noise. The microphone boom is extendable and fully adjustable 100 degrees for optimum mic capsule placement. This version of the HM-10 includes the Mini-XLR plug (fits most standard wireless bodypack transmitters. ) A low voltage Phantom Power required for use. Simply connect the Mini-XLR plug of the microphone cable to the input jack of the bodypack transmitter or power supply adaptor. Box contents include: HM-10 headmic with small foam windscreen, additional medium and large foam windscreens, extra boom assembly, user guide and card. Optional Accessories: XM-10 - Mini-XLR to XLR phantom power adaptor (converts 48V phantom power to 5V-10V DC) and HM-CC1 - Plastic headmic carrying case.

• Perfect for singer-musicians (drummers, keyboardists), vocal/dance performers, DJs, public speakers, and aerobics instructors
• Lightweight, comfortable design and visually unobtrusive. Maximum stability during use, even when moving, dancing, etc. Mini-XLR plug (fits most standard wireless bodypack transmitters), or with standard XLR adapter for all wired and wireless applications
• Unidirectional condenser element for superior, warm audio response and maximum feedback rejection
• Firm, adjustable gooseneck boom that can be easily repositioned to any angle during performance
• Nady Systems is dedicated to providing the best user experience possible. Since 1976 Nady has been a US based brand, with a US based customer service center, and with US valid product warranties

Product description

The TCM-1100 Vacuum Tube Condenser Microphone is a versatile large-diaphragm microphone for general recording applications. Its tube output stage features a 12AX7 vacuum tube, for vintage warmth, color, and analog saturation. Cardioid pattern pickup and faithful sound reproduction - suitable for the most critical studio recording and broadcasting applications. Supplied with a sturdy portable plastic carrying case, 6-foot-long 7-pin XLR cable and TMPS-1 power supply(with switchable 115/230V operation and balanced output).

• Versatile large diaphram microphonewith a 12AX7 vacuum tube for vintage warmth, color and analog saturation with a cardioid pattern pickup suitable for the most critical studio recording and broadcast applications
• 3-micron gold-sputtered mylar diaphragm (1.1"), a unique gold-plated center element that extends the top octaves and enhances transient response
• Cardioid pattern pickup suitable for the most critical studio recording and broadcast applications
• Vacuum tube specially selected for low distortion, superior signal-to-noise ratio and low sensitivity to mechanical vibrations
• Comes with a 16' cable, a TMPS-1 power supply, and a rugged plastic case

Product description

The DMK-7 Drum Microphone Kit is a complete 7-piece drum microphone kit with four Nady DM-70 instrument microphones, two CM-88 condenser microphones, one DM-80 kick drum microphone with mounting clips, all in a foam-lined storage case. The 7-piece set is intended for a variety of drum microphone placement, percussion arrays, amplifier cabinets, and general instrument capturing in live sound and recording applications. The CM-88 small diaphragm condenser microphones are ideal for stereo overhead cymbals.

• The DMK-7 Drum Microphone Kit is a complete 7-piece drum microphone kit with four Nady DM-70 tom/snare microphones, two Nady CM-88 cymbal/percussion microphones, one Nady DM-80 kick drum microphone with mounting clips, all in a foam-lined storage case
• Four DM-70 microphones optimal for the accurate sonic reproduction of all types of drums and percussion instruments, as well as brass and woodwind instruments. Cardioid pattern and Neodymium elements allow use with limited bleed-through
• Two CM-88 microphones with small diaphragm condenser elements allow for smooth, crisp, transparent sound reproduction. Perfect for capturing drum overheads as well as other instruments such as pianos, horns and acoustic guitars.
• One DM-80 microphone ideal for accurately capturing the low frequency response of kick drums and bass cabinets. Cardioid polar pattern to minimize leakage and 140dB SPL handling for distortion free reproduction of even the loudest applications
• Comes with 7 microphone clips and a heavy duty padded storage case for safe and secure transport and storage