13 best sony a7 lenses
The Sony Alpha a7 series is a popular line of mirrorless cameras known for their full-frame sensors and compact form factor. These cameras are known for their high-quality imaging capabilities, making them a favorite among both amateur and professional photographers.
Sony's a7 series cameras use an E-mount system, which means they are compatible with a wide range of lenses designed specifically for this system. Here are some key points about Sony a7 lenses:
E-Mount System: The E-mount is a versatile lens mount designed by Sony specifically for their mirrorless cameras. It allows for a shorter flange distance, which in turn enables more flexibility in designing lenses.
Full-Frame Compatibility: The a7 series cameras have full-frame sensors. This means that they are designed to work best with lenses that cover the full 35mm frame. However, they can also use APS-C lenses with a crop factor.
Native Sony Lenses: Sony produces a range of lenses that are designed specifically for their E-mount system. These include prime lenses, zoom lenses, and specialty lenses for various purposes like portrait, landscape, macro, and more.
Third-Party Lenses: Many other manufacturers, such as Zeiss, Sigma, Tamron, and Rokinon, also produce lenses for the Sony E-mount system. These can offer additional options for photographers looking for specific features or focal lengths.
Adaptability: With the use of adapters, it's possible to mount lenses from other systems onto Sony a7 cameras. This can open up a wide range of possibilities for photographers who have existing collections of lenses from other manufacturers.
Autofocus Compatibility: When using non-Sony lenses, especially older models or those designed for DSLRs, it's important to check if autofocus functions properly. Some lenses may require manual focusing.
Image Stabilization: Some Sony a7 cameras have in-body image stabilization (IBIS), which can be particularly useful when using lenses that don't have optical stabilization.
Lens Quality and Pricing: Sony offers a range of lenses at different price points and quality levels. Generally, higher-end lenses with features like fast apertures, premium glass, and advanced coatings tend to be more expensive.
Lens Categories:
Prime Lenses: These have a fixed focal length, which means they don't zoom in or out. They are known for their sharpness and wide apertures, making them excellent for low-light conditions and achieving a shallow depth of field.
Zoom Lenses: These have a variable focal length, allowing you to zoom in and out. They offer versatility and are suitable for a wide range of situations, from wide-angle shots to telephoto.
Specialty Lenses: These include macro lenses for close-up photography, tilt-shift lenses for specialized effects, and fish-eye lenses for ultra-wide-angle perspectives.
Remember that choosing a lens depends on your specific needs and preferences as a photographer. Factors like the type of photography you're interested in, your budget, and your desired level of portability will all influence your choice of lenses for your Sony a7 camera.
Below you can find our editor's choice of the best sony a7 lenses on the market
Sony a7 III (ILCE7M3K/B) Full-frame Mirrorless Interchangeable-Lens Camera with 28-70mm Lens with 3-Inch LCD, Black
Sony
Product description
Advanced 24.2MP Full-frame Image Sensor w/ 1.8X readout speed Advanced 24.2MP Back-Illuminated 35mm Full-frame Image Sensor. Improved AF and tracking plus up to 10fps continuous shooting capture decisive moments. Reliable operability ensures confident shooting. A light, compact body enhances mobility. 4K HDR3 4 movie recording capability.
- Advanced 24.2MP BSI Full-frame Image Sensor w/ 1.8X readout speed Advanced 24.2MP Back-Illuminated 35mm Full-frame Image Sensor
- 15-stop dynamic range, 14-bit uncompressed RAW, ISO 50 to 204,800
- Up to 10fps Silent or Mechanical Shutter with AE/AF tracking
- 693 phase-detection / 425 contrast AF points w/ 93% image coverage
- In the box: SEL2870 lens, Lens hood, Lens cap, Lens rear cap, Rechargeable Battery (NP-FZ100), AC Adapter (AC-UUD12), Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, Micro USB cable
User questions & answers
| Question: | What is the difference between a fe mount and e mount? so, would my lenses from the a6300 work with the a7iii |
| Answer: | FE indicates that it is a Full Frame Lens. The a6300 is not a full frame camera it is APS-C. The a7iii is a full frame camera. Both the a6300 and the a7iii are E-mount bodies and can use the same lenses, where they will differ will depend on the selected lens and if they are FE or APS-C. |
| Question: | Is it worth getting this kit lens |
| Answer: | I have the 24 - 105 mm G lens. It replaced the 28 - 70 mm kit lens on the A7ii. If you can afford the up grade do it. If not the 28-70 kit lens is not a bad lens, its just nothing special. |
| Question: | k 60fps |
| Answer: | This camera only shoots 4k at 24p and 30p. |
| Question: | Could you please define the difference between a7 iii and a7r iii |
| Answer: | A7 III has 24.2 megapixels while the A7R III has 42.4 megapixels. The A7 III focus system has 693 points that covers 93% of the sensor area while the A7R III has only 399 points that cover 68% of the sensor area. The A7R III has a more sophisticated sensor stabilization system. The 7R III has Pixel Shift Multi Shoot. The A7R III has a far higher resolution EVF. There are other differences but keep in mind the A7R III body only is about a third more money. |
Product features
Perfection for all. Everything you need.
As well as new capability of recording stunning 4K movies3 through 2.4-times22 higher oversampling, the camera features a new HLG (Hybrid Log-Gamma)4 picture profile, supporting instant HDR workflow.
Shoot continuously in absolute silence
This camera allows silent shooting18 at up to 10fps with AF/AE tracking2. Silence is critical for various scenes, when even slight noise can mean missing a chance at an ideal shot.
Eye AF revolutionizes portraiture
Eye AF can now be used with AF-C mode, for fast, effective eye detection/tracking performance when shooting stills. Easy maintenance of optimum focus on moving subjects totally transforms portraiture.
Rendering scenes in realistic detail
Newly developed back-illuminated image sensor & evolved image processing system fulfill various shooting needs with high-quality imaging capabilities that you might expect only of a full-frame camera.
Reducing noise in high-resolution images
Standard ISO range is extended to ISO 100-51200 (expandable to ISO 50-2048007 for stills) while Detail Reproduction and Area-specific Noise Reduction technologies maintain image details and cut noise.
Steadier shots with 5-axis stabilization
High-precision stabilization unit, gyro sensors and algorithms achieve a 5.0-step9 shutter speed advantage in a system that compensates 5 types of camera shake with a wide range of lenses.
New sensor, evolved processor
New version of 24.2-MP5 Exmor R CMOS sensor, features a back-illuminated structure, plus the latest BIONZ X image processing engine and front-end LSI.
Continuous shooting
Capture 10fps (8fps live-view shooting) w AF/AE tracking2. Up to 177 JPEG, 89 compressed RAW or 40 uncompressed RAW images in one continuous burst19.
4DFOCUS Stunning wide coverage
Features 693 phase-detection AF points12 covering appr 93% of image area, plus 425 densely positioned contrast-detection AF points13 to improve focus.
AF supports A-mount lenses
693-point focal-plane phase-detection AF responds instantly w the benefits of high tracking performance even with an A-mount lens w/ adaptor LA-EA3.16
Sony - FE 50mm F1.8 Standard Lens (SEL50F18F/2)
Sony
Product description
This 50mm Full-frame E-mount Fast Prime Lens offers a focal length that is perfect for portraiture and a range of other subjects. A bright F1. 8 maximum aperture, 7-blade circular aperture and aspherical element deliver impressive image quality with beautifully defocused background bokeh, all in a surprisingly compact and lightweight package.Minimum focus distance: 0.45 m (1.48 ft)
- Large F1. 8 maximum aperture enables beautiful defocusing effects
- 7-blade circular aperture creates beautiful defocused bokeh
- Compact, lightweight design Ideal for full-frame e-mount cameras
- Aspherical element controls spherical aberration and coma
- Double-gauss configuration suppresses field curvature & distortion
User questions & answers
| Question: | Does anyone have that weird grinding noise when using to auto focus and manual focus? Is that normal |
| Answer: | Yes. |
| Question: | I know this is designed for full-frame, but will it work with a Sony a |
| Answer: | Access manual focus either in the menu or the Fn button. Then the ring that now zooms becomes the focus ring. The only way to zoom in that mode is to use the zoom slider on the side of the lens. |
| Question: | Has anyone compared this to the sonnar 55mm 1.8? i purchased this, i like the iq but it focus hunts often and af-c is no good with this lens |
| Answer: | 40.5mm. But this lens actually has no way of mounting a hood to it. There are no grooves or rings. A threaded ring may work where the lens cap attaches. |
| Question: | What is the difference between this lens and the sony e 50mm f1.8 oss |
| Answer: | Please order in silver color. |
Product features
Sony - FE 50mm F1.8 Standard Lens
- Compact, lightweight, easy to carry
- F1.8 maximum aperture for low-light shots
- 7-blade circular aperture for beautiful defocus effects
- 75 mm (35 mm equivalent) focal length with APS-C sensor
Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount Retractable Zoom Lens (Bulk Packaging)
Sony
Product description
Compact and lightweight design for excellent portability thanks to retract-ability down to a mere 29.9 mm
- POWER ZOOM for smooth zooming with superb operability and quietness
- ED glass and Aspherical lens elements for excellent performance with reduced aberrations
- Built-in image stabilization
- This lens is designed for Sony ? camera system E-mount cameras. You cannot use it on A-mount cameras
User questions & answers
| Question: | Does work with Sony A |
| Answer: | It comes with a usb cord. Not a charger. |
| Question: | How do you adjust the manual focus? The ring seems to only adjust the zoom |
| Answer: | It’s very quiet and should work for you |
| Question: | What size lens hood do I need to buy |
| Answer: | No But the best little fan ever owned. |
| Question: | Could I get silver |
| Answer: | Not 6 ft, more like 3 ft |
Sony 55-300mm DT f/4.5-5.6 SAM Telephoto Zoom A-Mount Lens
Sony
Product description
This compact, lightweight and affordable Sony α (Alpha) 55-300mm f4.5-5.6 Telephoto Zoom Lens beautifully captures both family events and mid-range or distant subjects -- with minimum focusing to 4-1/2 feet (1.4m), ED Glass to eliminate color distortion, and sharpness that benefits from the Super SteadyShot® image stabilization built into every Sony (Alpha) system DSLR.
From the Manufacturer
- Ideal for use on APS-C size DSLR cameras
- 4.5 (1.4 m) minimum focus;Aperture blades : 7
- Zoom range: 55-300 (82.5-450 35mm equivalent)
- ED Glass for sharp imaging. Dimensions (W x H x D)-83 x 80.5mm (3-3/8 x 3-1/4in.)
- Compact, lightweight design. Maximise coverage with a standard zoom.Angle of View (APS-C):29°-5°20'.Maximum Magnification ratio (x):0.27x
User questions & answers
| Question: | Is this lens fully compatible with the A7 without vignetting |
| Answer: | The Rowenta VU5670 has storage for the remote. There's a slot in the carrying handle behind the fan, on top of the motor. |
| Question: | Will this fit a sony a |
| Answer: | I (carelessly) bought the VU551 in July 2018; it does not have a timer. There is a newer model -- same price -- and it does appear to have a timer. |
| Question: | I'm completely confused about Sony lenses. Will this 55-300 lens work with the Sony A3000 camera |
| Answer: | I say NO, and that is why I am even looking at this page. I bought mine in Aug, 2016. It does have the screw at the bottom, which allows you to slide down a clip. The problem lies in the plastic trim ring that goes around the whole edge of grille. It essentially locks in and seals the front and back grilles together. It does not give much leeway. I just spent 20 minutes trying to separate it- pop one grille out or just slide the trim ring off to either side. I tried it with two screwdrivers. Didn't work and I was afraid of busting the rim. Perhaps some of these other people who had it "easy" had a slightly different model/year. If you put this fan in any room with any humidity (maybe that's WHY you bought it in the first place??) then you ARE gonna have a rusted grille. Have fun getting metal dust in the air when you take that brush to clean the grille. |
| Question: | How does this compare to the kit lenses that Sony typically bundles? Better? The same |
| Answer: | the front comes off and you unscrew the plastic nut on fan to remove the plastic blade , but the back cannot be removed but you don't need to remove to clean, it's very easy to clean, had mine for three years now just as good as the day i bought it. |
Sony 50mm f/1.8 SAM DT Lens for Sony Alpha Digital SLR Cameras - Fixed
Sony
Product description
- Lens not zoomable
- Filter diameter (mm): 49 mm
- Small size, light weight portrait lens
- 35mm focal length equivelant on APS-C; 75mm
- Smooth and silent AF operation with built-in motor (SAM)
- Closest focus distance: 1.1ft (0.34m); Maximum magnification: 0.2x. The angle of view is 32 degree
- Please note: DT lenses are not recommended for use with the DSLR-A900
- Mount : Sony A-mount
User questions & answers
| Question: | will this work with a Sony DSLR A |
| Answer: | Yes this lens will work well on the A300. Something to consider though is what you are going to use it for. The 35MM 1.8 seems to be a bit sharper and is better for portraits. We have both and find ourselves reaching for the 35MM much more often than the 50MM because of the extra width it offers. The 35MM is a few dollars more but offers more versatility :D |
| Question: | Will this lens work with my Sony A |
| Answer: | Yes, surely it will works, this lens works in any sony a-mount camera like a200. |
| Question: | will it fit onto my Sony alpha 7 rii |
| Answer: | Hi there! Yes, it will fit with a mount adaptor. Please check out this link for more details about compatible mount adaptors and restrictions. http://support.d-imaging.sony.co.jp/www/cscs/accessories/compatibility.php?area=gb&lang=en&mdl=SAL50F18&cat=3 -Jerome |
| Question: | sony a |
| Answer: | If the question is compatability with the Sony a230, the answer is yes. :). |
Sony 28-70mm F3.5-5.6 FE OSS Interchangeable Standard Zoom Lens
Sony
Product description
This affordable high-performance zoom lens is not only compact and lightweight, but it has been specifically designed to bring out the best in the a7-series full-frame E-mount bodies as well. The zoom range extends from 28mm through 70mm, providing easy access to the most frequently used angles of view, and thanks to an advanced optical design the change in overall lens length during zooming is minimal
From the Manufacturer
- Outstanding performance in an affordable full-frame zoom that is lightweight and compact
- Maximum magnification ratio (x): 0.19x.Three a spherical elements and one ED glass element contribute to beautiful rendering with minimum aberration
- Built-in Optical Steady Shot image stabilization ensures clearer, sharper handheld shots;Aperture Blades : 7
User questions & answers
| Question: | has anyone used this lens on a a5100? reacently saw someone selling on CL for 180 bucks. is it worth it |
| Answer: | I used this lens on an A6000 camera. It is a small, light weight lens and physically works well on the A5000-A6000 series. If you mostly care about sharpness at the center of the image, this lens is fine; however the edges of the image are soft at all apertures. I ended up selling the FE 28-70mm lens and buying the E 18-105mm lens, which is bigger and heavier but also optically better. |
| Question: | Does this lens fit Sony a |
| Answer: | yes it will fit the 6100 and any cameras that use Sony "E" mount lenses, including all Sony Nex series, a6000 series and a7 and a9 series (i.e. many different aps-c and full frame cameras) |
| Question: | What is the difference, (other than $165), between this lens and the exact same thing listed just below it |
| Answer: | I can't see what you're looking at so I can only guess. One is if it new or used I would go with used just like I did with this lens. It works great and lenses tend to last forever if their treated right. Not like a camera that has a click count with sensors that could go bad. The other thing I could guess you mean is the difference between the Zeiss 24-70 and this Sony 28-70.the Zeiss a better lens with better coating, a constant aperture, and slightly wider field of view. But if you're buying it for the a7s where a constant aperture isn't as important you may not notice a difference. Hope this helps |
| Question: | I have a a7r. should i spend the extra $$ and get a sel2470z instead |
| Answer: | I have had both lenses and the 24-70 ZA is the best choice. Color is a lot sweeter and the sharpness is substantially better considering the A7r is made for resolution quality is the best Ive seen. The Zeiss lens has gone down in price and if you need a zoom its worth paying the extra money. I think bad reviews for the Zeiss 24-70 are based on other bad reviews and not on the actual experience and longer time shooting with it. If you want a sharper lens get a prime. Otherwise don't go by reviews and rent the lens and shoot the hell out of the lens and have a true opinion. I happen to shoot several thousand exposures on min and can only blame myself for bad shot, not the lens. The new 28 lens is a great lens for the price and better than most zooms out there if you just want an all round prime you can crop to your heart's delight with all those A7r pixels. |
Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
Sony
Product description
Sony SEL70200G 70-200mm Interchangeable Lens for Sony Alpha Cameras. Angle of View 34°-12° 30' The small size, versatile 35mm focal length, and outstanding overall performance of this Carl Zeiss Sonnar T* lens make it an ideal match for compact 35mm full frame format E-mount bodies. Although the optical design is state-of-the-art, this superb wide angle lens remains true to the original Sonnar concept with a bright F2.8 maximum aperture (“Sonne” means “sun” in German). Three double-sided aspherical elements minimize aberration so that stunning contrast and resolution are maintained right out to the image edges at all apertures. The renowned T* lens coating contributes to natural color reproduction as well. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Effectively suppress reflections that can cause flare and ghosting with Sony’s original Nano AR Coating technology. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Once you’ve adjusted focus to where you want it, pressing this button on the lens barrel will keep the lens locked to that focusing distance. The preview function can also be assigned to this button through the camera’s custom settings. This function allows you to set a limit on the focusing range which can save you time during AF operation as the lens will not ‘hunt’ through the entire focusing range. In macro lenses, this limit can be on either the near or far range (as pictured). In the SAL70200G, the limit is set on far ranges only. In the SAL300F28G, focusing can be limited either to a far range or to a range that you specify yourself. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Aluminum alloy is used in the construction of the G Lenses and other high-end lenses to ensure high optical performance. This material is lightweight, durable, and highly resistant to the effects of temperature change. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. The dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures. 2014 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, (alpha) log, G logo and SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners. Sony and the Sony make.believe logo are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.
From the Manufacturer
- Brand is Sony
- Minimum focus distance:1–1.5 m (AF)/1–1.35 m (MF) (3.28–4.93 ft [AF]/3.28–4.43 ft [MF]), Maximum Magnification ratio : 0.13x, Focal-Length : 70–200 mm
- Interchangeable Lens
- SEL70200G
User questions & answers
| Question: | Does this FE 70-200mm lens mount directly on an A7 camera, or is an adapter required |
| Answer: | This lens is an F1.8 it is sharper and the GM master is an F1.4 which will give you a slightly more blurred background (bokeh) than the 1.8 but it’s also three times the price due to Buil quality . According to DXO the images they produce are right on par with each other it just depends on your preference |
| Question: | Given this is a full frame lens, what compromise does it have pairing it with NEX6, which is not a full frame camera |
| Answer: | Yes it is. |
| Question: | Is this lens good for shooting landscapes or is it good for close ups? Help |
| Answer: | It is the same lens, the model name went through a small modification due to tariffs. |
| Question: | Will this lens work with the Sony A |
| Answer: | This model number is not listed on Sony website itself. It also retails for $549 (after discount, full price $599), not $249.99. No way Sony will release a new version of a lens for less than half the price of the original version. This listing is a mystery!! |
Sony SEL-20F28 E-Mount 20mm F2.8 Prime Fixed Lens
Sony
Product description
20mm F2.8 Prime Lens Not only will the 20mm (30mm in 35mm full-frame format) focal length and F2.8 maximum aperture appeal to experienced photographers, but the outstanding resolution of this lens will satisfy their most stringent image quality requirements as well. Three aspheric elements help to achieve superb contrast and resolution right out to the image edges, while simultaneously enabling a compact 20.4 mm-thick pancake design that makes for a portable combination with compact E-mount cameras. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Only the rear groups of the optical system move to focus the lens, which allows for speedy AF operation and a shorter minimum focusing distance. Since the front of the lens does not rotate, operability is improved when shooting with a polarizing filter attached. 2013 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony, BIONZ, BRAVIA, BRAVIA Sync, Cyber-shot, Exmor, InfoLITHIUM, Memory Stick PRO Duo, Memory Stick Duo, the Memory Stick logo, Optical SteadyShot, Remote Commander, Smile Shutter, Stamina, SteadyShot, Theatre Sync, TruBlack, and Xtra Fine LCD are trademarks of Sony. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, HDMI is a trademark of HDMI Licensing . All other trademarks are trademarks of their respective owners.
From the Manufacturer
- Superior Image Quality
- Minimum Focus Distance : 0.66 feet (0.2 m), Maximum Magnification ratio : 0.12x
- Focal Length- 20 mm, Compact Length; Lens not Zoomable
- Superb value and performance. Angle of View (APS-C) -70°. Maximum aperture (F) - 2.8. 35 mm equivalent focal length (APS-C) - 11.82 inch
- Broaden your view with a wide angle: From a vast cliff to a stretching sandy beach, fit everything in with a 20 mm wide angle. Angle of View (APS-C): 70°
User questions & answers
| Question: | Does it have Optical Stabilisation |
| Answer: | All tanks under 40 pound are required to have the OPD valves, so they will have the same connector. The only issue may be the reach of the hose inside for the shorter tank. Also note, this will burn 2 pounds of gas in 3 hours on high, so a 5 pound tank may only last 8 hours at best on high. That's partly why many like the 20 pound tank size so it lasts much longer on one fill (as well as those common tanks being available for $30 versus 5 pound ones costing $50). Also note, only 1 pound tanks are allowed indoors by fire codes, so even the 5 pound isn't allowed legally (yet no one is stopping you from doing as you wish). |
| Question: | How much flatter is this one vs the 16mm |
| Answer: | Top O' the morn to you Thomas. The type of connection for Mr. Heater will be the same as shown in the video. A hard plastic connection. I also added the DozyAnt Propane Tank Guage with the same type of connection. Mr. Heater works great so far. I use it to heat my patio. Hope this Helps. Gato. |
| Question: | What's the equivalent focus length in APS-C frame |
| Answer: | I apologize I do not understand the meaning can this unit be used above 7000 all I can tell you is in a room approximately 500 foot and under it will definitely be comfortable |
| Question: | Why did sony omit oss image stability on this lens? with oss the speed can be reduced on a kit lenses to accomplish 20mm @ f |
| Answer: | It's a very nice fan, but it does not have a timer. |
Sony SEL85F18 85mm F/1.8-22 Medium-Telephoto Fixed Prime Camera Lens, Black
Sony
Product description
Capture beautiful portraits with this affordable 85mm F1. 8 full-frame e-mount mid-telephoto prime lens. This compact, lightweight lens is ideal for both full-frame and APs C cameras. The 9-blade fast F1. 8 aperture delivers beautiful background Defocus effects while the dust and moisture resistant design offers robust reliability.
- Wide F1.8 maximum aperture enables beautiful defocusing effects
- 9-Blade circular aperture creates beautiful round defocused bokeh
- ED glass element for corner-to-corner sharpness
- Double Linear motor system for fast, quiet and precise focusing. The maximum magnification ratio is 0.13 and the angle of view is 29 degree
- Direct control w/ customizable focus hold button and AF/MF switch.35 mm equivalent focal length (APS-C):127.5
User questions & answers
| Question: | How does this compare to the G master counter-part? I've heard conflicting things |
| Answer: | It comes with a lens cap, soft draw-string case, and a high-quality petal-style hood. Very nice. BTW, best lens I've ever owned...by far. |
| Question: | Is this the sony 85mm f1.8 fe lens as shown in the picture |
| Answer: | This is a prime 55mm lens it doesn't zoom. It is a fixed focal length. It is 55mm on the full farm A7 & A7R and the equivalent of approximately an 82mm on an APS-C sensor camera. |
| Question: | Why there are 2 models? If they are the same lens, why one is currently unavailable and the other is in stock |
| Answer: | It says on box "made in Thailand". This is my second Zeiss. I still own the SEL24F18, both are built to extremely high standard, no flex at all. The only sub par component of the older Zeiss was the petal hood that fell apart in less than a year, I had to superglue it back together. The older lens has seen hell and still going strong after 3 years of heavy use. I tell you all this cos I was worried too, but when you see the images you get from the lens, wow! Also, unlike the other E mount Zeiss, I have not read about a single bad copy of the lens. Hope this helps |
| Question: | Is this a legitimate lens |
| Answer: | In general, don't use the clear UV filter with this lens. It will degrade the image quality. If you care so little about the image quality, you should not get this lens. Get the SEL50F18F and save hundreds of dollars. If you must use an UV filter, do not use the cheap Tiffen UV filter offered in a bundle. Use a Heliopan, or a Zeiss, or at the very least a B&W. |
| Question: | what is in the box? does it come with lens hood |
| Answer: | This will FIT on any e-mount camera, a6000, a6300, a5100, NEX, and ALL of the A7 (full frame) variants. BUT on an A7 it will either shoot in APS-C mode (using the same size area on the full frame sensor as an APS-C camera (a5xxx/a6xxx/NEX) and produce a lower resolution than the normal photo on the full-frame setting. You can shoot on the full-frame sensor setting on an A7(r/ii etc.) but you will see vignetting. |
| Question: | How far does this lens zoom. I saw 14x but is that correct |
| Answer: | Hi E40, Due to the crop factor, it will be multiplied to 1.5x. The angle of view of the 10-18mm lens will be equivalent to 15-27mm if mounted on your camera. -Anthony |
| Question: | Where was the lense assembled? Japan or Thailand |
| Answer: | Ignore the replies from G.Dudgeon, S.Erickson, and E.Daniels. The ILCE-3000 is an E-mount camera body, so yes, this lens will work perfectly with it because it is E-mount. And it is a great lens. |
| Question: | Beginner question, is it best to use a clear filter to protect this lens or will it affect the quality at all |
| Answer: | Assuming that you're using one of the NEX cameras, I don't think there's a 12mm prime available without using an adapter. That aside, 10-18mm would be more flexible than a fixed lens, and for landscapes, f/4 should be plenty fast. The 10-18 is a nice lens. Hope this helps. Dave |
| Question: | Does this lens work with Sony a7? Is it for APS C format hence on Sony a7 there is a crop factor |
| Answer: | Hello. Lenses with f/2.8 let in more light compared to an f/4 lens so shutter speeds can be set faster as well as ISO values set lower for the same exposure. Also, the f/2.8 lens will have more bokeh when shot at the widest aperture compared to f/4. |
| Question: | What does "The angle of view will be narrower down to that of APS-C size" mean? This is on the A6000 lens compat page |
| Answer: | This F2.8 lense is better. Lower fstop and good in low light. No distortion. |
| Question: | Can I use this len in my Sony Alpha 3000 (ILCE3000)?, I want to buy it but if this doesnt work on my camera i dont waste my money |
| Answer: | At 16mm there is no fisheye, I sometimes shoot group photos at 16mm. But at 35mm it’s a wide angle shot which has the fish eye look. This lens is an amazing lens with lots of versatility. |
| Question: | Would this be a better choice for landscape than the 12mm Zeiss prime |
| Answer: | If you have to ask that question, you probably shouldn't be looking into getting a $2100 dollar lens. Get a kit lens. 24-105 or 24-70 |
Product features
Sony FE 85mm F1.8 Sony Alpha Full-frame E-mount Fast Prime Lens
Capture beautiful portraits with this affordable 85mm F1.8 full-frame E-mount mid-telephoto prime lens. This compact, lightweight lens is ideal for both full-frame and APS C cameras. The 9-blade fast F1.8 aperture delivers beautiful background defocus effects while the dust and moisture resistant design offers robust reliability. (camera body shown sold separately)
Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black)
Sony
Product description
Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or natureInternal focusing for smooth, quiet operation - perfect for video capture. Get an amazingly high quality E-mount zoom lens with Optical SteadyShot image stabilization perfect for taking along to your next sports game or on adventure in the great outdoors. Align the white index on the lens barrel with the white index on the camera (mounting index), then insert the lens into the camera mount and rotate it clockwise until it locks.
From the Manufacturer
- Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or nature;Aperture blades : 7
- Internal focusing for smooth, quiet operation - perfect for video capture.Direct manual focus with non-rotating focus ring during AF: ideal for precise, comfortable manual focus adjustments
- Optical Steady Shot image stabilization for stable video capture and low light performance
- Minimum Focus Distance - 3.28 ft, Maximum Magnification ratio - 0.23x
- Angle of view (on APS-C)-29 °–7 ° 40'
- Provides a wide focal range of up to 315mm (35mm equivalent) ideal for sports or nature shooting
- Quiet Internal focusing makes smooth, responsive AF possible with minimum noise. Perfect for video capture
User questions & answers
| Question: | Does this lens fit a |
| Answer: | the second answer is wrong. this lens has the E mount. |
| Question: | Hi, i have the original sony Nex-5 with the Sel1855 Lens. Is this compatible? If yes, i will buy this immediately |
| Answer: | On the NEX 6 this lens has a focal length equivalent to 105-300mm on a full frame camera such as the a7r. I don't have a NEX 6, but it works beautifully on an a6000. |
| Question: | Is this a power zoom |
| Answer: | Not exactly a landscape lens, but yes can be utilized for landscapes...on the A6000 it has good reach and fast auto focus, on the A7r it has lovely IQ but slower...if you add a Canon 500D or 250D Close Up Lens to it (Screws onto the front of lens and it's a small threaded lens) you can shoot very nice close ups with it...http://acwilli.smugmug.com/Partial-Eclipse/....http://acwilli.smugmug.com/A7r-70-200-Canon-500D/... |
| Question: | What comes in the box |
| Answer: | It will work yes. This lens is a E-mount lens and the A6000 also uses the E-mount. |
Sony SEL2470GM E-Mount Camera Lens: FE 24-70 mm F2.8 G Master Full Frame Standard Zoom Lens
Sony
Product description
The Sony FE 24-70mm F2.8 GM Zoom Lens is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting. Built with three aspherical elements including a newly developed, extremely precise XA (extreme aspherical) element that reduces aberration and delivers the ultimate resolution throughout the entire zoom range and aperture range. ED (Extra-low-Dispersion) glass element and Super ED glass element keep chromatic aberration to a minimum while maximizing resolution and bokeh without any unnatural coloration. To maximize usability this lens also features a dust/moisture resistant design, AF/MF switch, circular aperture, Nano AR coating, compact, a direct drive SSM (Super Sonic wave Motor) focusing system that is super smooth and quiet, making it an ideal choice for shooting both still images as well as movies.
- SONY EMOUNT LENS: 35mm full frame format, instant auto / manual focus selection, focus hold button. The minimum focus distance is 0.38 meters
- NATURAL, LIFELIKE IMAGERY: ED and Super ED glass elements deliver breathtaking texture and detail
- REDUCED ABERRATION: Two aspherical elements and an extremely precise XA element maximize resolution
- 9 BLADE APERTURE: SEL2470GM lenses have a 9 blade circular aperture for a gorgeous book effect
- NANO AR COATING: Allows for accurate light transmission to improve clarity, contrast and quality
- SPECS: Aperture range f/2.8 to f/22, min focus distance 1.24 feet , max magnification ratio 0.24 x
- MORE SPECS: Angle of view 84-34 deg. (APS-C 61-23 deg.), 35 mm equivalent focal length 36-105 mm
User questions & answers
| Question: | Why buy this when the iPhone 11 Pro Max seems has the same focal lengths, wider aperture |
| Answer: | I guess it depends on what you’re doing with your images. If you’re displaying them on the web use your iPhone. If you’re making prints of any significant size I’d go with the lens. The lens is fabulous, very sharp and great focal length. |
| Question: | Will this work with a sony a99 ii |
| Answer: | Since this lens is an "e" mount and the Sony a99 is an "a" mount, you will need to have an adapter for it to work. Be sure to check to be sure the functionality is the same when using the adapter...as that's a lot of $ to pay for a lens if it doesn't. It is a fabulous lens though (for my Sony a7r ii). |
| Question: | Will it work with A |
| Answer: | While it is true this is a full frame lens that in no way means it would not be a great lens on the a6000. The most important feature of this lens is the 2.8 aperture and that does not change on a crop sensor camera like yours! The larger aperture will still would allow it to focus faster and perform better in low light situations as well as allow for better bokah. Glass is more important than the body. The a6000 has a great sensor and image quality to start with and the lens would be awesome on it. The only "issue" is its not as wide as it would be on an A7 so think of its field of view as being a 36-105 instead of a 24-70. Not quite as good for landscape. Good glass will stay with your as you upgrade your bodies so the investment is totally worth it as long as you stay within the E-Mount system |
| Question: | As a landscape photographer who usually shoots in f/11-f/22, is this sony 24-70 f2.8 lens really much better than the zeiss 24-70 f |
| Answer: | no. at those apertures the difference will be minimal. if you pixel peep you may notice better detail and less distortion in the corners, but that's about it, but not enough to make or break the photo. or justify the price. the G master is also MASSIVE. mounting it on an A7R II will make your set up just as big and heavy as a Canon 5DM4 + 24-70 f/2.8 IIthe only reason i would carry a G Master is if would shoot at 2.8 |
Product features
The standard zoom redefined
Constant F2.8 24-70mm zoom with an unprecedented union of high resolution and creamy bokeh.
Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed
Sony
Product description
Sony Camera Lenses SEL55F18Z An all-day battery that intelligently powers every scroll, click, call, tap, playlist and season finale you can throw at it. Renowned Carl Zeiss contrast and resolution brings out the best in α7 series full frame E-mount bodies. The T* coating works with an innovative optical design to suppress internal reflections, for sublime contrast from highlights to deep blacks. In keeping with the Sonnar concept, a large F1.8 maximum aperture can produce beautiful full-frame background bokeh, but you also have the option of stopping down for extended depth-of-field. A bright lens like this is also an advantage when shooting indoors or outdoors in low light. Linear motor driven internal focusing is smooth and quiet, and a dust and moisture resistant design ensures consistently reliable performance. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T* symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. 2014 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, (alpha) logo, and SteadyShot are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.
From the Manufacturer
- Diaphragm Blades 9, Rounded. Lens Groups / Elements is 5/7
- Focal Length: 55mm, Filter Diameter: 49mm
- Minimum Focus Distance: 19-11/16 inches (.50m)
- Lens Type: Fixed, E-mount Full Frame, Lens not zoomable
- Aperture (Min/Max): 22/1.8; Angle of View (35 mm): 43 °
- Magnification: 14x; Battery Life (Still Images) Approx. 530 shots (Viewfinder) / approx. 650 shots (LCD monitor) (CIPA standard)
User questions & answers
| Question: | what is in the box? does it come with lens hood |
| Answer: | No these do not have a fan. |
| Question: | How far does this lens zoom. I saw 14x but is that correct |
| Answer: | Still depend on the user but if you are asking how long it will ship maximum is 5 to 17 days |
| Question: | Where was the lense assembled? Japan or Thailand |
| Answer: | Rough guess 1 hour. |
| Question: | Beginner question, is it best to use a clear filter to protect this lens or will it affect the quality at all |
| Answer: | The OEM can't say "OK for indoor use" on this because it uses BBQ tanks as the source and it's against fire codes to take those inside (making them liable for saying to do something illegal). Otherwise, heaters like the "Big buddy" use virtually the same burners and are labeled "OK for indoor use" as they have connections for the 1 pound tanks. I find it interesting that a OEM video shows it in use in a garage despite the "Outdoor use only" label showing a somewhat conflicting message. So you can do what you want and with some cautions like checking for leaks it may be used where you wish. As far as the "exhaust" goes, many fear burning gas will be like running a generator that can kill in 10 minutes if run in a garage. But these are more like someone running a gas stove found in 50% of homes across the country where the fumes are clean enough to not kill even over 5+ hours. So again there may be cautions to take especially for long term use, but it's not that bad for short term use. |
Sony - E 10-18mm F4 OSS Wide-Angle Zoom Lens (SEL1018),Black
Sony
Product description
Super wide-angle zoom lenses are ideal for taking photos of sweeping landscapes and producing striking images with emphasized perspective. For mid- to high-level users who seek a wider minimum focal length than offered by standard wideangle zoom lenses, the SEL-1018 is the ideal choice. NOTE:"35 mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with interchangeable lens digital camera incorporating APS-C type image sensors. This super wide-angle zoom lens is perfect for taking photos of sweeping landscapes and producing striking images with emphasized perspective. Features incluse a constant maximum aperture of F4 and built-in Optical SteadyShot (OSS) image stabilization. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. The distance encoder plays an integral part in ADI flash metering, which delivers high precision flash metering that is unaffected by the reflectance of subjects or backgrounds. The distance encoder is a lens component that directly detects the position of the focusing mechanism, and sends a signal to the CPU in order to measure distance to the subject. During flash photography, this data is very useful in calculating how much flash output is appropriate to the scene. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. 2012 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. Sony, BIONZ, BRAVIA, Exmor, InfoLITHIUM, Memory Stick, Memory Stick Duo, Memory Stick PRO Duo, Memory Stick PRO-HG Duo, PlayMemories Home, Smile Shutter, Stamina, Theatre Sync, Sweep Panorama, and the Sony make.believe logo are trademarks of Sony. AVCHD is a trademark of Panasonic Corporation and Sony Corporation. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac OS and iMovie are trademarks of Apple Computers, HDMI is a trademark of HDMI Licensing . All other trademarks are trademarks of their respective owners.
From the Manufacturer
- Angle of View (APS-C) - 109 ° – 76 °
- Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
- Minimum Focus Distance : 0.82 ft (0.25 m), Maximum Magnification ratio : 0.1x
- Superbly detailed images;Aperture Maximum: f/4 ; Minimum: f/22. 35mm equivalent focal-length (APS-C) : 15-27mm
- In-the-box:Hood (ALC-SH123), Lens front cap, Lens rear cap
User questions & answers
| Question: | Does this lens work with Sony a7? Is it for APS C format hence on Sony a7 there is a crop factor |
| Answer: | Anyone managed to actually make it work ? the app does not connect to my hdr-as300.. |
| Question: | What does "The angle of view will be narrower down to that of APS-C size" mean? This is on the A6000 lens compat page |
| Answer: | One camera in one item |
| Question: | Can I use this len in my Sony Alpha 3000 (ILCE3000)?, I want to buy it but if this doesnt work on my camera i dont waste my money |
| Answer: | Yes it can be removed from the wristband. As per Sony's description:Thanks to its versatile design, the remote can also be attached to various accessories such as the Shooting Grip (model VCT-STG1) and Handlebar Mount (model VCT-HM2), or worn as a wristband using the supplied strap. |
| Question: | Would this be a better choice for landscape than the 12mm Zeiss prime |
| Answer: | The remote control is designed to be waterproof. Do not subject the remote control to pressurized water, such as from a tap. Do not use in hot springs. Use the remote control in the recommended operating water temperature range of 0°C to 40°C (32°F to 104°F). The remote control has continuous waterproof performance at a water depth of 3 m (10 feet) for 30 minutes.http://helpguide.sony.net/cam/1650/v1/en/print.pdf |
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