12 best quality swing sets
Quality swing sets typically refer to well-made outdoor play equipment designed for children's entertainment. Swing sets are not directly related to Oldies, Pop, CDs, or Vinyl music, but they are a popular choice for families with children who want to provide a safe and fun play area in their backyard.Here are some key points about quality swing sets:
Materials: Quality swing sets are typically constructed using durable and weather-resistant materials like treated wood, metal, or heavy-duty plastic. Wooden swing sets are popular for their natural appearance and sturdiness.
Safety Features: Safety is a top priority in quality swing sets. They often come with features like non-slip grips on swing chains, securely anchored swings, and soft landing surfaces like mulch or rubber mats beneath the play area.
Swing Types: Swing sets may include various types of swings, such as traditional swings, tire swings, bucket swings for younger children, and even glider swings that allow multiple kids to swing together.
Play Accessories: Many quality swing sets come with additional play accessories like slides, climbing walls, rope ladders, and playhouses. These features add to the fun and encourage active play.
Size and Configuration: Swing sets come in various sizes and configurations, ranging from simple two-swing sets to elaborate playsets with multiple swings, slides, and other accessories. The choice depends on the available space and the number and age of children using the swing set.
Assembly and Installation: Some swing sets require professional installation, while others are designed for DIY assembly. Detailed instructions and necessary hardware should be provided to ensure safe and secure setup.
Maintenance: Quality swing sets are built to last, but they still require routine maintenance. This includes inspecting for loose bolts, ensuring the structure remains level, and applying sealant or paint to protect the wood, if applicable.
Brand Reputation: When purchasing a swing set, it's a good idea to choose a reputable brand known for quality and safety. Reading reviews and seeking recommendations can help with the decision-making process.
Safety Standards: Ensure that the swing set complies with safety standards and regulations in your area. These standards are in place to protect children while they play.
Age-Appropriate Design: Consider the age and developmental stages of your children when selecting a swing set. Some sets are designed for younger kids, while others are more suitable for older children.
Overall, a quality swing set can provide children with hours of outdoor fun and physical activity. When choosing a swing set, it's important to prioritize safety, durability, and age-appropriate features to ensure a positive and enjoyable play experience for your family.
Below you can find our editor's choice of the best quality swing sets on the marketProduct description
Woody Herman was dedicated to keeping his big band going and was focused more on music that satisfied him than focusing on making hits. Most of the selections in this three-CD set came from an overlooked period in the clarinetist's career, his early 1960s tenure on the Phillips label. At this point, Herman had recently welcomed new arrivals like trumpeter Bill Chase, tenor saxophonist Sal Nistico, and trombonist Phil Wilson, while still talented veterans like pianist Nat Pierce, tenor saxophonist Bill Perkins, and drummer Jake Hanna. Culled from six separate albums plus a 45 pm single, the Herman band may not reach the heights of earlier groups for some fans, but they are clearly a force to be reckoned with. Among the highlights are Pierce's sauntering arrangement of Joe Newman's "Mo-Lasses," the playful "Don't Get Around Much Anymore" that also interpolates Duke Ellington's "I Let a Song Go Out of My Heart," Chase's lush interpretation of the pop song "A Taste of Honey," a frisky take of Charles Mingus' "Better Get It in Your Soul," return visits to old favorites like "Bijou" and "Apple Honey," plus "You Dirty Dog," a recent composition by Ellington for his small group record date with Coleman Hawkins. This is an excellent survey of music that deserves to be remembered. ~ Ken Dryden, Rovi
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Jazz reissue from the Mosaic Select series is a numbered limited-edition release that focuses on the artist's important but neglected work, including some unreleased repertoire. 3 CDs in jewelcases with slipcase and separate CD-size booklet restored and r
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The tracks are: 1. Star Dust (Frank Sinatra), 2. Rockin' Chair (Mildred Bailey, 3. Small Fry (Bing Crosby and Johnny Mercer), 4. Little Old Lady (Hoagy Carmichael), 5. Georgis On My Mind (Ethel Waters), 6. Blue Orchids (Tommy Dorsey), 7. Lazy River (Mills Brothers), 8. Skylark (Billy Eckstine), 9. The Lamplighter's Serenade (Glenn Miller), 10. Ivy (Dick Haymes), 11. The Nearness Of You (Sarah Vaughan), 12. My Resistance Is Low (Hoagy Carmichael), 13. Memphis In June (Johnny Mercwer), 14. When Love Goes Wrong (Marilyn Monore and Jane Russell), 15. New Orleans (Teddy King), 16. Heart and Soul (Four Aces with Al Alberts), 17. Baltimore Oriole (Barbata Lea), 18. How Little We Know (Carmen McRae), 19. Judy (Tony Bennett), and 20. I Get Along Without You Very Well (Rosemary Clooney).
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As a clarinetist, he was one of the best, but as a bandleader and jazz innovator, Artie Shaw was peerless. In the various ensembles he led from 1936 to 1954, Shaw pushed swing jazz into new territory. He incorporated classical instrumentation into his arrangements and pretty much invented the genre of "third stream jazz"; he ignored the color barrier by recording with Hot Lips Page in the late '20s and by touring with Billie Holiday; he created volumes of timeless, beautiful, and swinging jazz. But mostly, Shaw kept everyone on their toes, wondering what new, gorgeous sounds he'd create next. The five-CD Self Portrait is the most complete collection assembled of his vast output, and Shaw himself, 91 years young, selected the tracks. It's a fascinating snapshot: the maverick clarinetist's career-long restlessness led to musical innovation and an odd assortment of inventive lineups. Listen to "Streamline" and hear the reckless sounds of Raymond Scott combined with a classical string quartet; hear his pure and pretty clarinet tones on "Begin the Beguine" and instantly understand how it became a hit in the late '30s. The highlights abound and every band--especially the mid-'50s Gramercy Five featuring Tal Farlow on guitar and Hank Jones on piano--is consistently great. Highly recommended. --Jason Verlinde
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Big Bands #01 - The Soundies
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2 cd box set with booklet.
Country's jack-of-all-trades, Marty Robbins handled so many musical styles so well. The common threads were his shivering, fragile tenor; an ability to tastefully emote; and of course, an uncanny knack for appealing to popular tastes. From his earliest heart-rending ballads to his Western sagas, rockabilly romps, countrypolitan crooning, standards, and even his kitschy pop, Robbins lent them all a grace and civility that was simply hard to resist because he never (well, rarely) confused accessibility with shallowness. Though best known for bringing the cowboy uptown, Robbins helped expand the parameters of what a "country" artist could do, his choices defined by quality of material and performance, not genre. --Marc Greilsamer
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The much anticipated new recording by the Clayton-Hamilton Jazz Orchestra is here! The L.A. Treasures Project was recorded live in the intimate setting at Alva's Music in San Pedro California to an audience of avid fans and supporters. This historic project features the vocal talents of two of L.A.'s great treasures: Ernie Andrews, whose hard swinging, gospel rooted style is featured on Beautiful Friendship, The Jug and I and I'm Getting Sentimental Over You; and Barbara Morrison, who gives her elegant and playful treatments to Fever, Gotta Get Back to L.A. and Exactly Like You.
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Comes with 3 discs of Phil Spector : Back to Mono, as well as 1 disc " A Christmas Gift For You". Also comes with a "Back to Mono" pin. And a manual book with lyrics.
Among producers, his name remains the simile of choice. If some hotshot studio whiz emerges in, say, hip-hop, he's inevitably labeled "the Phil Spector of rap." That's quite a statement given that decades have passed since this boy from the Bronx remodeled rock & roll to suit his own visions of grandeur. The story of the girl-group auteur is a fascinating one. Spector composed a No. 1 hit at 17 (the Teddy Bears' "To Know Him Is to Love Him," its title inspired by the inscription on his father's tombstone). By 19 he was head of A&R for Atlantic Records. By the time he was 22, he'd founded his own label (Philles) and was churning out Wall of Sound hits at an unprecedented clip, beginning with the Crystals' "He's a Rebel." The four-disc Back to Mono befits its singular subject in both presentation (the richly annotated booklet includes a piece by Tom Wolfe) and content (60 songs cut between 1958 and 1969, plus the entire classic Yuletide LP A Christmas Gift for You). --Steven Stolder
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