12 best new musics

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Power Up is the long awaited new album from AC/DC, and the band’s 17th studio album. For Power Up, the band reunited with producer Brendan O’Brien, who helmed the double-platinum Black Ice in 2008 and the gold Rock Or Bust in 2014. Charged up for the next decade, AC/DC cut twelve new tracks for the album, proudly maintaining their signature sound and all of its powerful hallmarks. Power Up was announced with the release of the album’s first single, “Shot In The Dark,” and features the lineup of Angus Young [lead guitar], Brian Johnson [lead vocals], Cliff Williams [bass guitar], Phil Rudd [drums], and Stevie Young [rhythm guitar] firing on all cylinders once again. Power Up will be available in multiple configurations that will excite collectors and die-hard fans alike, including digital, CD, and deluxe versions. The limited edition, one-of-a-kind deluxe Power Up box is the ultimate fan package. Hit the button on the side of the box and watch the flashing neon AC/DC logo light up while the opening bars of “Shot In The Dark” blast out of the built-in speaker. Inside the box is the full CD package in a soft-pack with a 20-page booklet that features exclusive photos and USB charging cable allowing the box to remain powered up and on display. The vinyl LP will be pressed on 180 gram vinyl and housed in a gatefold jacket.

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Fear Inoculum is the long awaited new album from TOOL, and the band's first new album in 13 years. The "Expanded Book Edition includes five 3D lenticular cards featuring exclusive graphics, 56 page booklet with additional art and an access card to download the groundbreaking immersive visual experience, "Recusant Ad Infinitum."

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Gorillaz Present: Song Machine, Season Oneis Gorillaz’ newest concept which started in January 2020, releasing brand new material episodically - as and when it happens – and has continued throughout the year. The ongoing and ever-evolving process has seen our favourite characters joined by an expanding roster of collaborators captured live in Kong Studios and beyond. The result is an expansive collection of 17 tracks embracing a myriad of sounds, styles, genres and attitudes from a breath-taking line-up of guest artists includingBeck, Elton John, Fatoumata Diawara, Georgia, Kano, Leee John, Octavian, Peter Hook, Robert Smith, Roxani Arias, ScHoolboy Q, Slaves, Slowthai, St Vincentand6LACK,as well asCHAI, EARTHGANG, Goldlink, Joan As Police Woman, JPEGMAFIA, Moonchild Sanelly, Unknown Mortal Orchestra, SkeptaandTony Allen.

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It takes an extraordinary artist to re-imagine some of the most beloved songs of the 20th century and make them completely their own. And that's precisely what James Taylor has accomplished with his brand-new album, American Standard. Recalling the best of James' early work, he infuses new sounds and fresh meaning into these timeless works of art. While these 14 carefully chosen interpretations naturally feature James' warm, one-of-a-kind vocal ability and incomparable musicianship, what makes this collection so unique is the inventive way James and his fellow co-producers, longtime collaborator Dave O'Donnell and famed musician John Pizzarelli, approached the project. Unlike most who have tackled similar material, American Standard's beautifully simple, stripped-down arrangements are based on James' skillful acoustic guitar work rather than piano and the affect is mesmerizing.

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"On October 19th 2018, Sean Chambers releases his 7th album ""Welcome To My Blues"" on American Showplace Music. The follow up to Chambers' previous critically acclaimed Billboard charting album Trouble & Whiskey this album is also produced by Ben Elliott who has recorded classic artists such as Eric Clapton, Keith Richards, Billy Gibbons, and Steve Miller among others. The core band on the album, aside from Sean on lead vocals and lead guitar, includes John Ginty on Hammond B3 & keyboards, Todd Cook on bass and Moe Watson on drums. Special guest Jimmy Bennett plays slide guitar and backing vocals on track #6.

Welcome To My Blues features 11 smokin' tracks from Chambers, including 8 new original Sean Chambers compositions, and 3 covers, including Cherry Red Wine by Luther Allison, All Night Long by T-Bone Walker and Boxcar Willie by John Ginty.

Sean Chambers continues to tour with his band throughout the U.S., Canada and Europe. "

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Fast-rising American operatic baritone Will Liverman, tapped for major roles at principal opera houses across the country, makes his Cedille Records debut as a featured artist with Dreams of a New Day, an intimate, heartfelt recital he calls a passion project . . . years in the making. Praised for his unique combination of eloquence and unpretentiousness (Opera News), Liverman has assembled a program of songs that portray the trials, tribulations, and triumphs of the African American experience through poignant texts and expressive musical settings. His new album, with pianist Paul Sanchez, highlights Black composers across generations, from early 20th-century pioneers Henry Burleigh, Margaret Bonds, and Thomas Kerr to Robert Owens, Leslie Adams, and contemporary composers Damien Sneed and Shawn E. Okpebholo. Liverman commissioned Okpebholos Two Black Churches, which he recently performed to great acclaim at his Kennedy Center recital in conjunction with his winning the 2020 Marian Anderson Vocal Award. The Washington Post review called the set absolutely devastating, and one of the most beautiful pieces of music Ive heard all year. This is its world-premiere recording. One of the most versatile singing artists performing today (Bachtrack), Liverman concludes the album with his own powerful arrangement of American folk singer-songwriter Richard Fariñas Birmingham Sunday. Dreams of a New Day was recorded by the multiple-Grammy-nominated team of producer James Ginsburg and engineer Bill Maylone.

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Ozzy's first studio album in 10 years co-written by guitarist Andrew Watt. The record features guest appearances by Elton John, Tom Morello, Slash, Duff McKagan, Chad Smith, and Post Malone.

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Bob Dylan bucked executives at his record label and surprised his fans when he came to Nashville in 1966 to record his classic album Blonde on Blonde. Working with the city is unmatched session musicians, Dylan produced a rock & roll masterpiece and went on to record two more albums there. Dylan s embrace of Nashville and its musicians the Nashville Cats inspired many other artists, among them Neil Young, Joan Baez, and Leonard Cohen, to follow him to Music City. Around the same time, Johnny Cash was recruiting folk and rock musicians including Dylan to appear on his groundbreaking network television show, The Johnny Cash Show, shot at the Ryman Auditorium, home of the Grand Ole Opry.



The exhibit at the Country Music Hall of Fame looks at the Nashville music scene in the late 1960s and early 1970s, a time of great cultural vitality for Music City. This 2CD set is the companion release to this exhibit.

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LP pressing, includes MP3 download code. Universal.