13 best presonus preamps

Product description

Twist the TubePre V2 Drive saturation control and add the “color” that only a hand-selected 12AX7 vacuum tube can deliver— from gentle warmth to total fuzz. Unlike other compact tube preamps, TubePre V2 starts with the low noise, high headroom Class A XMAX preamp input stage found in our premium interfaces and digital mixers. Discrete components and high-voltage operation deliver best-in-class dynamic range and detail not found in other single-channel tube preamps.

• 12AX7 tube-based preamp with XMAX solid-state input stage
• Gain control and Tube Drive saturation control
• Low-noise dual-servo (no capacitors) gain stage
• Separate instrument and mic inputs
• Phantom power, HP filter, -20 dB pad, and polarity-reverse
• Compact 1/3U rack-mount chassis

User questions & answers

Question:	Can i connect this to a audio interface via xlr
Answer:	No
Question:	Can i use this as a preamp for my presonus audiobox usb
Answer:	Yes, it should work fine. Your mic or instrument goes direct into the pre-amp and then just run a short cable from the output of the pre-amp into the channel input of the audio box you want to use. I got one of these recently and am pretty happy with the sound and ease of use. I did take others advice though and swap out the tube for a higher quality one which is pretty easy to do.
Question:	How to do I connect this to a Audio Interface
Answer:	This is a microphone preamp, not an audio interface. You would run your microphone to an input on this Presonus, and then there is either an XLR or 1/4 output that you would plug into another USB-type audio interface to go into a computer.
Question:	Can you run a line and XLR input through this at the same time and have each go to their respective outputs (separate)? Sort like a 2 channel pre
Answer:	I do not know if this is possible as it is a one channel pre. I would imagine the input /output is either/or. Can't say for certain without trying but I only have one mic.

Product features

From gentle warmth to total fuzz with the twist of a knob.

XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound garnering them rave reviews from users and the media alike. The 12AX7 vacuum tube that follows the XMAX in the TubePre V2 was hand-selected and carefully tested for electrical conformity and freedom from microphonics. Twist the Drive saturation control to add the “color” that only a hand-selected 12AX7 can deliver — from gentle warmth to total fuzz.

A versatile tool that’s built to travel.

Housed in a rugged case that is built to travel, the TubePre V2 rear panel sports separate unbalanced, ¼” instrument and balanced, XLR mic inputs and unbalanced ¼” and balanced XLR line outputs. Use it as a straight-up tube preamp or a dynamite direct box (DI) for guitars and basses. We’ve provided all of the extras you need, including a highpass filter, phantom power, polarity reverse, and a backlit VU meter. Yet with all its features, it’s small enough to carry almost anywhere—or simply screw-mount it to a standard rack tray.

Great sound, live or in the studio.

Live or in the studio, the TubePre V2 is a great-sounding tool you’ll use on a variety of sources. Add just the right amount of tube distortion to guitars, basses, and mic signals. Go lightly for gentle warmth or go all-out for solid crunch—it’s up to you. So give your ears a treat and test the TubePreV2 at your favorite PreSonus dealer. Then check out the price— and prepare to be amazed. Because with PreSonus, big sound does not have to cost big money.

Product description

The Studio Channel is great for studio and live use. Its Class A preamp features a high-output 12AX7 tube and Gain and Tube Drive controls. The full-featured, VCA-based compressor includes Auto Attack/Release. The EQ can be pre- or post-compressor and has a fully parametric mid band and semi-parametric high and low bands that can be shelving or peak

From the Manufacturer

The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of – luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks and more.

Enhance your signal path

The Studio Channel noticeably outperforms preamplifiers that are built-in to most recording interfaces and affordable mixers. Add a VCA-based compressor and studio-grade equalizer to the class A tube preamp and you get not only big fat tube tonality but also complete control of your tone and sounds. Since much of the recording process is accomplished one track at a time, you need a signal path that can deliver a variety of high quality tones and sounds, which is why the Studio Channel is the perfect tool for any studio.

Class A Tube Preamplifier

The Studio Channel has everything needed to deliver big tone. The preamplifier stage of the Studio Channel is based on the award winning BlueTube preamplifier with a high output 12AX7 vacuum tube operating on voltages double than all other preamplifiers in its class delivering high headroom and big tone. Dual control Gain and Tube Drive enables a wide range of sounds from transparent and clear to edgy and overdriven.

Full Featured VCA Compressor

The compressor in the Studio Channel is a fully variable ultra-fast and smooth VCA-based circuit with all of the controls needed for a wide range of compression settings: ratio, threshold, attack, release and gain make up. The VCA-based compressor is known for musicality as well as ultra fast attack with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor stage allows you to record as hot as needed without clipping giving you total dynamic control.

Three Band Parametric EQ

The equalizer in the Studio Channel is like a Swiss Army pocket knife, with the ability to carve out unwanted frequencies as well as tailor your tone to enhance your sound. The custom-designed amplifiers in the EQ deliver sweet-sounding gain/cut for ultra smooth highs, deep solid lows and clear midrange. The mid-band of the EQ section has variable Q for controlling the width around the center point of the selected frequency. High and low frequency bands give you the option for selecting peak/dip or shelving frequencies.

Channels	One
	Dynamic Range	>115 dB
	Frequency Response	10 Hz to 50 kHz
	Internal Operating Level	0 dBu = 0 dB
Physical
	Size	1U Rack
	Dimensions	19” x 1.75” x 5.5”
	Weight	5 lbs

• High-voltage Class A 12AX7 vacuum-tube mic/instrument preamplifier
• Gain, Tube Drive, HP filter, -20 dB pad, phantom power, polarity reverse3-band EQ features variable-Q on mid-band w/ peak/shelving on high- and low-bands
• Variable VCA compressor with Auto Attack/Release and Soft/Hard Knee
• 3-band EQ with parametric mid and semi-parametric, shelving/peak low and high bands
• Instrument, line, and mic inputs
• 1U 19” rack-mountable, rugged steel chassis

User questions & answers

Question:	Does this supply phantom power or do i have to buy a seperate phantom power box for a rode nt mic
Answer:	Hi Christopher, yes it has phantom power built in. It's the 48V button on front. If this was helpful, please consider buying from us! - Pixel Pro Audio
Question:	What is this
Answer:	It's a microphone preamp, as well as an audio compressor and equalizer. It makes things sound polished and finished.
Question:	Can you add reverb and echo to the mic using this
Answer:	You cannot. This unit consists of a tube mic pre for which gives your source signal a nice warm sound and also has a compressor and a few parametric eq functions. You would need to chain this device to another external reverb or echo device or add reverb and echo using third party plugins (assuming you have a DAW, Digital Audio Workstation).
Question:	How would i connect this presonus studio channel vacuum-tube channel strip to an audio interface
Answer:	Run the mic IN to the Presonus studio Channel and run the Presonus OUT to your audio interface and connect whichever device ur connecting to your audio interface

Product features

Impressive headroom and a huge variety of fat sounds.

The Studio Channel’s Class A preamplifier starts with a high-output 12AX7 tube that operates on voltages double that of other preamplifiers in its class. The result is lots of headroom and big tone. Gain and Tube Drive controls enable a wide range of sounds, from transparent and clear to edgy and overdriven. A -20 dB pad, 80 Hz highpass filter, and polarity reverse let you tweak your signals to sit properly in the mix.

Fast, smooth, musical VCA compression.

Our VCA-based compressor is known for musicality and fast attack, with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor allows you to record blazing-hot signals with accurate dynamics control. In addition to ratio, threshold, attack, release and gain controls, it offers a convenient Auto Attack/Release feature with preset attack and release curves. The backlit VU meter can display gain reduction or output gain.

Product description

PreSonus Studio 24c 2x2, 192 kHz, USB-C Audio Interface, 2 Mic Pres-2 Line Outs/New Version

• 2 pristine XMAX-L solid-state mic preamps to capture every detail
• 2 high-headroom instrument/line inputs to record guitar, bass, and your favorite line-level devices
• Studio-grade converters for 24-bit/192 kHz recording and playback. Computer-system requirements - macOS 10. 11 or higher (64-bit only). Windows 7 x64 SP1 + platform update, Windows 8. 1 x64, Windows 10 x64. Intel i-series 2 GHz multicore processor (or AMD equivalent) or faster. 4 GB RAM (8 GB or more recommended)
• Professional input metering to keep an eye on your recording levels
• Easy-to-use Mixer knob for low-latency direct input monitoring
• High-powered headphone output
• USB-C compatible, bus-powered 2x2 audio interface

User questions & answers

Question:	Is it normal for every little touch of the mic or mic stand or wires or interface to be picked up loudly in the recording
Answer:	Different mics pick up differently.
Question:	Will this work on a macbook pro 2012 (non retina) on the thunderbolt 2 connector, using an apple usb-c -> thunderbolt2 adaptor and thunderbolt2 cable
Answer:	It should but use the cable that's included
Question:	Which of the Studio models, if any, can actually drive 250 ohm headphones? The 24c, sadly, did not
Answer:	Not sure you are going to find a USB interface that will work those. Those are a very narrow use case style of headphones. I know that are marginally better for listening due to the damping effect. However, for recording and mixing a better choose would be a reference (flat EQ) design like the Sony MDRV6 headphones.
Question:	Will this presonus iostation 24c 2x2 usb-c audio interface work with bandlab cakewalk daw
Answer:	Yes. It uses standard usb drivers so if it works with your computer, it should work with any up to date software.

Product features

World-class recording software included

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio Series USB-C interfaces work with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour.

The 2-in, 2-out Studio 24c audio interface features USB-C computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, ¼-inch TRS, line-level main outputs; and an output level control. Its built-in MIDI interface enables connection to a keyboard, sound module, or control surface. A Mixer knob blends analog input and computer playback for low-latency monitoring.

Superior sound.

The Studio 24c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus’ professional-grade XMAX-L mic preamps enable you to capture complex musical harmonics smoothly and naturally, with no audible distortion.

Designed for the home recording studio. Built for the road.

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 24c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it’s a perfect companion for any recording software, the Studio 24c and included Studio One Artist provide you with a complete, affordable, home and mobile recording solution.

Product description

Enjoy solid-state clarity or tube warmth with the BlueTube DP dual-path mic/instrument preamp, which features both PreSonus’ classic Class A XMAX solid-state mic preamplifier and a high-output,12AX7 tube preamp that operates on voltages double that of other preamps in its class, providing lots of headroom and big tone. A Tube Drive control produces anything from gentle warmth to edgy distortion. With two combo mic/instrument inputs, the half-rackspace BlueTube DP is a great choice for guitars and basses as well as vocals.

• Dual path, with both 12AX7 vacuum tube and solid-state gain stages
• Combo mic/instrument inputs with Class A XMAX mic preamplifiers and 48V phantom power
• Tube Drive tube-saturation control
• Illuminated analog VU input-level meter
• 80 Hz high-pass filter, -20 dB pad, Polarity-reverse switch
• Compact 1/2U rack-mount chassis

Product features

Transparent solid-state, warm tube distortion, and everything in between.

With the BlueTube DP V2 dual-path preamp, you get the best of two worlds. Our popular Class A XMAX solid-state preamps are widely lauded for their clarity and transparency, delivering incredibly high headroom, deep lows, smooth highs, and a rich overall sound. Found in many PreSonus products, it has received nothing but raves from users and the media alike. Our tube preamps are beloved for their warm, smooth sound, and the 12AX7 vacuum tubes in the BlueTube DP V2 are hand-selected and carefully tested to ensure top audio performance. Whether you want clean, transparent sound; ear-shredding fuzz; or something in between, you can achieve it with the BlueTube DP V2.

The most versatile preamp in its class—and built to travel.

The BlueTube DP V2 offers far and away the widest variety of tone-shaping capabilities of any preamp in its class. Housed in a rugged, half-rackspace case that is built to travel, its rear panel sports two combo mic/instrument inputs and unbalanced ¼” and balanced XLR line outputs. With two dual-path channels and this complement of I/O, you can use it as a preamp and as a direct box (DI) for guitars and basses. Singer-songwriters can run their vocal through one channel and their guitar through the other, feeding both to the P.A.—no guitar amp needed. And we didn’t forget the extras: an 80 Hz highpass filter, phantom power, a -20 dB pad to control hot input signals, polarity reverse, and a backlit VU meter. Yet the BlueTube DP V2 is small enough to carry in a gig bag—or screw-mount it to a standard rack tray.

Two channels of great sound, live or in the studio.

Live or in the studio, the BlueTube DP V2 is a great-sounding tool you’ll use on a variety of sources. Add just the right amount of tube distortion to guitars, basses, and mic signals. Go lightly for gentle warmth or go all-out for solid crunch. Use one channel as a solid-state preamp and the other as a tube preamp—it’s up to you. So visit your favorite PreSonus dealer and check out the most versatile mic/instrument preamplifier in its price range: the BlueTube DP V2.

Product description

Award-winning XMAX preamps onboard Ever since PreSonus’s first-generation XMAX preamps hit the market, Sweetwater engineers have been huge fans of their naturally warm and vibrant sound. The Studio 24c showcases the new solid-state XMAX-L preamp generation. These pres still offer the signature sound. At the same time, they can be impressively clear. Just pull back the gain a little, and you’ll still have loads of volume with plenty of headroom to spare. Professional-level digital resolution available Speaking of headroom, thanks to the Studio 24c’s high-quality digital converters, you get an impressive 115dB of dynamic range that allows you to capture every nuance and sonic detail of your source. What’s more, these converters are capable of operating at up to 192kHz resolution, allowing you to go well past the 96kHz of professional studio work and future-proof your recordings for the high-quality standards yet to come. In other words, whether you need ultra-high-resolution audio for sound-design work or simply want to capture your recordings in the greatest possible sonic detail, your Studio 24c is ready for the job. MIDI I/O offers extended hardware control Need to hook up MIDI gear? Your Studio 24c has that covered too. It lets you connect everything from old-school controller keyboards to modern digitally controlled guitar amps, all via a set of traditional 5-pin MIDI ports. Simple, foolproof, and easy to use, you’ll be amazed at how often these connections prove to be useful.

• Presonus Studio 24C + Pair of EMB XLR Cable + Extra Bundle
• Mobile-ready, bus-powered 2-in/2-out USB-C audio interface
• Loaded with 2 clear and dynamic XMAX-L solid-state microphone preamplifiers
• Onboard MIDI I/O provides a standard 5-pin DIN connection to keyboards and other MIDI gear
• USB-C to USB-C and USB-C to USB-A cables included

Product description

Like the original TubePre, the new version is a fully professional tube preamp, with a dual-servo (no capacitors) gain stage that lets you boost the program signal to smoking hot levels without significantly increasing the background noise. Discrete compo

Product description

XMAX Pres in an Ultra-portable USB-C Interface Loaded with two sweet-sounding XMAX-L preamps, the PreSonus Studio 26c is tailor-made for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor. Four rear-panel line outputs make connecting two sets of studio monitors easy. You also get MIDI I/O for your keyboard controller, so working with virtual instruments is a breeze. DJs will appreciate the Studio 26c’s Cue Mix A/B headphone selection. And you can start recording right away with the included Studio One Artist software and Studio Magic plug-in suite. If you’re just getting started with recording, the PreSonus Studio 26c will give you everything you need to hit the ground running — just add music! No matter what kind of recording you do, the PreSonus Studio 26c USB-C audio interface will exceed your expectations. Award-winning XMAX preamps onboard Ever since PreSonus’s first-generation XMAX preamps hit the market, Sweetwater engineers have been huge fans of their naturally warm and vibrant sound. The Studio 26c showcases the new solid-state XMAX-L preamp generation. These pres still offer the signature sound. At the same time, they can be impressively clear. Just pull back the gain a little, and you’ll still have loads of volume with plenty of headroom to spare.

• Presonus Studio 26C + Pair of EMB XLR Cable + Extra Bundle
• Mobile-ready, bus-powered 2-in/4-out USB-C audio interface
• Loaded with 2 clear and dynamic XMAX-L solid-state microphone preamplifiers
• Capable of up to 24-bit/192kHz studio-grade digital resolution
• USB-C to USB-C and USB-C to USB-A cables included

Product description

Four XMAX Pres in One Portable USB-C Interface Loaded with four sweet-sounding XMAX preamps, the PreSonus Studio 68c is tailor-made for small bands, producers, and small studios. Beyond that, six outputs supply extra monitoring flexibility and external effects processing possibilities. You also get S/PIDIF I/O, along with MIDI I/O for your keyboard controller, so working with virtual instruments is a breeze. DJs will appreciate the Studio 68c’s Cue Mix A/B headphone selection. And you can start recording right away with the included Studio One Artist software and Studio Magic plug-in suite. If you’re just getting started with recording, the PreSonus Studio 68c will give you everything you need to hit the ground running — just add music! No matter what kind of recording you do, the PreSonus Studio 68c USB-C audio interface will exceed your expectations. Award-winning Class A XMAX preamps Seasoned recording engineers here at Sweetwater have touted PreSonus’s award-winning XMAX preamps since day one, and for good reason. Built from discrete, high-voltage components, these Class A preamps easily rival many respectable studio staples. When you run them at about 2–3 o’clock, they provide you with tons of headroom and just a hint of warmth. As you turn them up from there, your lows get deeper, your highs get smoother, and they offer a beautiful sonic richness. You’ll be surprised by the results you can get with a full set of these amazing pres.

• Presonus Studio 68C + Bluetooth Headphone + Pair of EMB XLR Cable + Extra Bundle
• Compact and feature-rich 6-in/6-out USB-C audio interface
• Loaded with 4 world-famous XMAX Class A microphone preamplifiers
• Enough built-in I/O for multiple monitor mixes and outboard gear
• Capable of up to 24-bit/192kHz studio-grade digital resolution (limited to 4 tracks)

Product description

Analog Output. Connector Types XLR, male, balanced TS, female, unbalanced. Maximum Output +20 dBu. Output Impedance 51O. Tube Stage. Type 12AX7. Power. External Power Adapter +12 VDC, 1A, center-pin positive. PSU Barrel Dimensions 5.5 mm O.D., 2.1 mm I.D., 9.5 mm length. Physical. Dimensions 1/3U rack-mountable (screw-mount to standard rack tray, not included). Height 1.75 (44.45 mm). Depth 5.5 (139.7 mm). Width 5.5 (139.7 mm). Weight 5 lb. (2.27 kg). Click Here To View The User Manual (Link Opens In A New Tab). Features: Rockville RCXFM6P-B Black 6 Foot Nickel Plated, Female to Male REAN XLR Microphone Cable. XLR Connectors with Internal Strain Relief for Rugged Reliability. 100% Copper Conductors for Enhanced Signal Clarity. 90% OFC Spiral Shield for Effective EMI and RFI Rejection and Flexibility. Length: 6 Ft. Color: Black Improving on a Great Sound At PreSonus, weve been designing preamps for a long time, and we always focus on audio quality first. So when we decided to upgrade our popular TubePre V2, we focused on improving an already high-quality soundwithout jacking up the price. Like the original TubePre, the new version is a fully professional tube preamp, with a dual-servo (no capacitors) gain stage that lets you boost the program signal to smoking hot levels without significantly increasing the background noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class. All Rockville pro audio cablesare made with 100% copper which boosts the efficiency of the cable. There isnothing better than 100% copper. Most of the cheaper cables on the market do notuse 100% copper, instead they make their cables with CCA (Copper Clad Aluminum).CCA cables do not perform on the level that 100% copper cables perform at. CCAwill not conduct signals efficiently. A 12 gauge CCA cable will not even performas well as a 14 gauge 100% pure copper cable, which will in turn.

• Package Includes: PreSonus TubePre V2 Single-channel Microphone and Class A Preamplifier. Rockville RCXFM6P-B Black 6 Foot Female to Male XLR Microphone Cables. High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
• Discrete componentsnot op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency.
• Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps. The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, andmost importantmusicality and transparency, with smooth highs, solid deep lows, and everything in between.. Features: Presonus TubePre V2 Vacuum Tube Preamp. XMAX Class A preamp input stage
• 12AX7 dual-servo vacuum tube output stage. Input Gain control. 48V phantom power. 80 Hz high-pass filter. -20 dB pad. Instrument input select. Polarity-reverse switch. Backlit VU meter. Clip LED. Input/Output. 1 unbalanced instrument input. 1 balanced XLR mic input. 1 unbalanced line output. 1 balanced XLR line output. Physical. Compact 1/3U rack-mount chassis. External 12 VDC, 1A power supply. Details: Mic Input. Connector Type XLR, female, balanced
• EIN -131 dB, 20 kHz BW, max gain, Rs=40O, A-wtd -128 dB, 20 kHz BW, max gain, Rs=40O, unwtd. Frequency Response 20 Hz 20 kHz, -0.3 dB, +4 dBu, unity gain 5 Hz - 120 kHz, -3 dB, +4 dBu, unity gain. THD+N 0.01%, -10 dBu, 1 kHz, unity gain, 20 kHz BW, unwtd. Dynamic Range 115 dB, 1 kHz, unity gain, 20 kHz BW, A-wtd 107 dB, 1kHz, unity gain, 20 kHz BW, unwtd. Input Impedance 1.3 kO. Phantom Power +48 VDC, 10 mA. Instrument Input. Connector Type TS, female, unbalanced. Input Impedance 1 MO

Product description

The DigiMax D8 is a high-quality, 8-channel, analog front end for ADAT Lightpipe-equipped digital-audio devices. The 1U rack-mount unit features 8 mic/line inputs with Class A XMAX solid-state mic preamps, 2 instrument inputs, word-clock input, and an 8-channel ADAT Lightpipe output with 24-bit, 44.1/48 kHz A/D converters.

From the Manufacturer

• Eight Class-A mic preamps w/ balanced analog output
• 24-bit / 48K resolution
• Ultra-wide dynamic range
• 20 dB PAD, +48V phantom power
• Word clock input

User questions & answers

Question:	Can I use this with to plug in hardware effects units and use them inbox with Cubase as external effects
Answer:	I think what you are looking for is an audio interface. We have the PreSonus Audio1818VSL on sale right now. Check out our listing for free shipping.If this was helpful, please consider purchasing from us. We can help with support after the sale as well. We have it in stock and ready to ship. - Pixel Pro Audio
Question:	Can i order one with 220 vac input ? if so, then how will i do so
Answer:	yes you would have to call our store direct
Question:	Will this work with the rode nt1 a condenser microphone? will i need anything additional
Answer:	Yes it will work great with the NT1. All you need is an XLR cable for the microphone.
Question:	Can I hook up five keyboard to this to go into an audio interface
Answer:	Depends on how you want to do it. You could run for or trs connectors and do 5 mono lines but getting all the volume levels correct would be a pain, you could do 4 stereo the same way. Can't remember if there is MIDI input output on the back I think there is but it's just 1 in 1 out might be able to dasey chain if you have the right keyboards. So 5 mono yes, 5 stereo no but 4 yes, MIDI maybe probably not.

Product features

Superior sound.

A good microphone preamp boosts a mic’s level to almost 400 times that of the original signal, making the preamp one of the most important stages in an audio system. A cheap, off-the-shelf, op-amp-type mic preamp delivers thin, noisy, harsh results. In contrast, PreSonus XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound. With XMAX preamps, your system’s sound quality is limited only by the microphone you plug in.

The right analog I/O makes the D8 a versatile front end.

Its complement of inputs and outputs makes the DigiMax D8 a versatile front end for virtually any system. Two convenient front-panel instrument inputs let you plug in guitars, bypassing the mic inputs. All other connections are in the rear, keeping the wiring out of your face. With eight XLR mic/line inputs, you can plug in virtually any mic- or line-level sound source. Eight ¼-inch, balanced, direct channel outputs allow you to add preamps to devices with line-level inputs or split the mic preamps between two devices.

Expand via ADAT Optical and record the whole band.

Eight-channel, 24-bit, 44.1/48 kHz ADAT Optical (“Lightpipe”) output makes the DigiMax D8 an excellent way to add more analog inputs to any third-party, Lightpipe-equipped digital-audio device. Better yet, add a DigiMax D8 to a Lightpipe-equipped PreSonus AudioBox 1818VSL for a 2-rackspace rig with 16 XMAX-equipped recording channels—enough to record an entire live band. To keep your digital audio in sync with ultra-low jitter, the D8 receives word clock at its BNC connection and sends word clock via ADAT Optical.

Product description

The DigiMax DP88 expands the analog connections of any audio interface with ADAT I/O, delivering pristine audio quality up to 96 kHz. Eight digitally controlled, analog XMAX preamps can be controlled from the front panel and remotely via MIDI. When connected to a PreSonus Studio 192 interface, the preamps can also be controlled from Studio One 3 or UC Surface software. Direct A/D inputs let you connect external devices directly to the converter. Use DAC outputs for monitor mixes and more.

• Flawless analog signal path with top-quality 118 dB digital conversion
• 24-bit resolution and up to 96 kHz sampling rate
• 8 digitally controlled XMAX mic preamps, controlled via MIDI or UC-Surface for iPad (when connected to PreSonus Studio 192)
• 8 balanced, direct A/D line-level inputs (DB25)
• 8 balanced DAC outputs (DB25) to expand your interface outputs
• Perfect for expanding any interface with ADAT i/o including Studio 192 and others from Universal Audio, Apogee, Focusrite, more

User questions & answers

Question:	Do these allow remote configuration when used with the Quantum series
Answer:	Yes they do. Connect them with ADAT cables and it shows up on Universal Control and Studio One.

Product features

A smooth trip from analog to digital.

The DigiMax DP88 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 96 kHz. These converters provide 118 dB of dynamic range and are backed by a boast-worthy clock with sub-50 picosecond jitter to capture complex musical harmonics smoothly and naturally. You’ll hear every breath, transient, and detail of a performance in your recordings.

XMAX preamps, now with remote control.

XMAX preamps provide high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency has made this design an industry favorite. In 1995, PreSonus patented digital control over analog circuits for our first product. Building on this legacy, we created a separate digital volume-control circuit ahead of our award-winning analog XMAX preamp design, providing the convenience of digital recall without sacrificing fidelity. The DP88 is equipped with eight of these digitally controlled XMAX preamps, making it a first-rate front end or expander for any studio.

Easy MIDI control.

While we can’t provide the same level of integration with every audio interface that we can with the Studio 192 and Studio 192 Mobile, the DigiMax DP88 is equipped with MIDI I/O for easy remote control from anywhere. By using simple MIDI CC messages to control level, phantom power, and direct ADC input, the DigiMax DP88 fits into any DAW environment. Simply connect it to your MIDI interface, enable it as a MIDI device in your DAW, and start remote controlling your preamps and recalling preamp settings with your audio sessions.

Flexible I/O makes setup a snap.

Flexible rear-panel I/O makes it easy to incorporate the DigiMax DP88 into any studio environment. Access the preamps using XLR or DB25 connections. Eight direct, analog-to-digital, line-level inputs are available on DB25 and can be accessed per channel with a front-panel button, allowing you to keep all of your gear connected at the same time. Eight balanced DAC outputs are provided via DB25 so you can expand your interface’s outputs for monitor mixes or speaker switching. You also get eight balanced direct outputs on DB25 and eight channels of ADAT/dual SMUX optical I/O up to 96 kHz.

The legend remade.

The DigiMax DP88 provides professional sound quality and features previously unavailable in its class: Eight digitally-controlled, Class A microphone preamps; top-quality Burr-Brown converters with 118 dB of dynamic range; a boast-worthy digital clock with sub-50 picosecond jitter; and flexible connection options. Like its DigiMax-series predecessors, the DigiMax DP88 is sure to set a new standard for eight-channel converters.

Product description

A great choice for mobile musicians and podcasters, the 2-channel AudioBox USB 96 is bus-powered, compact, ruggedly built, and works with virtually any PC or Mac recording software. It boasts high-performance Class A mic preamplifiers and professional-quality, 24-bit, 96 kHz converters. And it comes with PreSonus’ amazing Studio One 3 Artist DAW software for Mac and Windows.

From the Manufacturer

Whether you are a musician, producer, or podcaster on a tight budget, the AudioBox USB® 96 audio interface is for you! This simple, heavy-duty, and portable little audio/MIDI interface has just the right features for basic recording needs, allowing you to plug in and start recording up to 24-bit, 96 kHz audio right away. Two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favorite synth or MIDI controller. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. Bus-powered, built to travel, and with the most complete recording software package of any interface in its class, the AudioBox USB 96 makes recording easy—there’s no wonder why it’s our best-selling interface of all time.

• Bus-powered USB 2.0 audio and MIDI interface
• Compatible with almost all recording software for Mac and Windows
• 24-bit resolution; 44.1, 48, 88.2, and 96 kHz sampling rates
• 2 combo mic/instrument inputs with high-performance, low-noise, high-headroom mic preamplifiers
• Includes Studio One Artist DAW software and 6+ GB of third-party resources
• Includes the Studio Magic Plug-In Suite
• Frequency Response is 20 Hz to 20 kHz

User questions & answers

Question:	Are you able to monitor the output through the computer or do you need to have headphones plugged into the box itself
Answer:	You can monitor via the computer or headphones or studio monitors.
Question:	does this work with fl studio
Answer:	Yes, works well with FL Studio! No latency, after setting up drivers.
Question:	Can i save the software to add to another computer later
Answer:	Yes. In registering the Audiobox with Presonus you will create an account on their web site that you can download the software as many times as you want. And you can load it on multiple computers (no limit that I am aware of) since you can only use the device on one at a time. The free Studio One 4 Artist (an absolutely GREAT DAW by the way) can be activated on up to five different computers. (You can also deactivate them on a computer as well to keep your activations down to five.)
Question:	Does it have phantom power
Answer:	Hi, yes it does

Product features

Simple, reliable, and portable.

Whether you are a musician, producer, or podcaster on a tight budget, the AudioBox USB 96 audio interface is for you! This simple, handy little audio/MIDI interface has just the right features for basic recording needs, allowing you to plug in and start recording up to 24-bit, 96 kHz audio right away. Bus-powered and built to travel, the AudioBox USB 96 makes recording easy.

Just the right size.

The AudioBox USB 96 audio interface’s two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favorite synth or MIDI controller. The result is a simple, affordable, mobile recording solution.

Roadworthy and ready to travel.

Here is a mobile audio interface in the best sense of the term. We gave the AudioBox USB 96 a heavy-duty steel chassis so it can take a serious pounding and remain completely reliable. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. And it’s USB 2.0 bus-powered, so you can record with it anywhere you can use a laptop. Simply drop it in your laptop bag or slap it on a tabletop.

World-class recording software included.

While the AudioBox USB 96 audio interface works with virtually all Mac and Windows audio-recording software, it comes with a free license for PreSonus’ Studio One Artist DAW, giving you a complete recording solution. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice.

Product description

Professional quality in your home recording studio and on the go.

Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a Cue Mix A/B button. A complete, all-in-one recording package, the Studio 26c comes with PreSonus award-winning Studio One Artist music production software for macOS and Windows and includes USB-C compatible to USB-C compatible and USB-C compatible to USB-A cables for compatibility with most computers.



World-class recording software included.

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.



In The Box

AudioBox 26c Audio Interface with USB Cable

Studio One Artist Software Kit



Studio Microphone

XLR Cable

Shockmount

Microphone Stand

Pop Filter

Headphones (may vary other brands), Download for software

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• Usb-c bus-powered, 2x4 audio interface with MIDI for macOS and Windows
• 2 balanced ¼” TRS main outputs with front-panel level control
• World-class recording software included
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