13 best nady vocal mics
Product description
Mix up to 4 microphones together and add echo with this high-quality, compact and durable audio mixer
The MM-14FX by Nady Systems is a great mini mixer for dynamic microphones. Versatile and highly portable, this little workhorse features four mono ¼” microphone inputs with individual volume controls, plus built-in echo effects DSP with delay time and depth controls for the ultimate mixing effects. Although small in size, the MM-14FX provides up to 50dB of gain per channel with low distortion, a high signal-to-noise ratio, and a wide frequency response to deliver all of the details in your audio.
Connect the ¼” unbalanced output directly to your PA or recording device for ultra-clean audio. Karaoke, performances, recording, presentations, classes, the applications are endless… The MM-14FX is a perfect front-end solution wherever there is a need for dynamic microphones. Eliminate the need for bulkier, more expensive mixers, and take the MM-14FX anywhere with you with its 9VDC operation using either a 9V alkaline battery or the optional PAD-1 AC/DC external adapter.
Specifications
Input Impedance: 5kΩ
Maximum Input: -13dBm
Sensitivity: -45dBm
Output Impedance: 800Ω
Maximum Output: +6.5dBm
Max Gain: 49.1dB
Frequency Response: 20Hz – 18kHz (±3dB)
THD + Noise: 0.09%
S/N: -78dB
Noise Floor: 300uV
Current Drain: 35mA
9V Battery Life: up to 20 hours
Power Requirements: 9V battery or optional PAD-1 AC/DC adapter
- 4 mono 1/4" Microphone Inputs with individual volume controls mixed to one single 1/4" line level output.this mixer is not a stand-alone device, it should be connected to the amplifier
- Compact design with a heavy-duty steel construction, smooth-turn ultra-stable pots, and high-quality jacks for lasting durability
- The mixer delivers high-quality audio with up to 50dB of gain per channel, low distortion, a high signal-to-noise ratio, and a wide frequency response to bring out all of the details in your audio
- Decay time and depth control knobs let you adjust the built-in echo DSP to simulate the decay reverb of rooms, halls, and stadiums
- The front panel has an on/off switch with an indicator LED. The mixer can operate on a 9V battery, or via an optional external AC/DC adapter for terrific versatility
- Though it can be used in many applications, the MM-14FX is designed for use with dynamic microphones. If using otherwise, please be aware that significant volume increases may incur some signal distortion.
User questions & answers
Question: | Will this accept only mics or can you put a guitar or mono key board line into it |
Answer: | You can. Any low level mono source will work. |
Question: | Amazon description says the Dimensions are 14 x 13.8 x 8.8 inches. Nady's website says it is 6 x3 x2 inches, Which is correct |
Answer: | The Nady "mini mixer" is approx 6x3x2 inches |
Question: | So the description says 'echo' and the reviews say 'reverb'. Does this unit provide 'echo' or 'reverb' effects, or both |
Answer: | Adolfo,It is true that, as you have noticed, the term "echo" (one or more distinct delayed repetitions) is very often used for "reverb" (room acoustic simulation).In this case, we do mean "echo" and not "reverb": The effect is a delay repeated several times. You can control the amount of effect as well as the delay time (up to 250 msec.)Feel free to contact us should you have any other questions about this product. Our phone number is 510.652.2411.Best regards,Charlie Denis - Nady Systems |
Question: | Canu plug an ipod to microphone jack |
Answer: | I don't own an iPod, but if it has the microphone capacity then yes you can. You will be needing a jack adapter. The microphone mixer is to make the sound pleasing by adjusting the echoes, depth. I love my Nady... |
Product description
The CM-88 Condenser Microphone is a back electret microphone designed for cymbals of all types, reeds, acoustic guitars, piano, vocals (with optional windscreen), and overhead applications. With an extremely uniform and tight cardioid pattern the CM-88 Microphone has extended frequency response for smooth and crisp transparent reproduction and the aluminum housing and goldplated XLR contacts make for a durable design . 48V phantom powered.
- Back electret microphone designed for cymbals of all types, also ideal for acoustic guitars, pianos, vocals and overhead applications
- Tight cardioid pattern pickupfor extended frequency response and smooth, crisp audio reproduction
- Aluminum housing and goldplated XLR contacts for durability
- Requires 48V phantom power
- Nady Systems is dedicated to providing the best user experience possible. Since 1976 Nady has been a US based brand, with a US based customer service center, and with US valid product warranties
Product description
The center stage from Nady is a neodymium dynamic microphone with mic clip and tripod stand. Advanced high-output neodymium cartridge provides maximum clarity and definition, even in noisy environments, unidirectional cardioid pattern reduces feedback, special-design internal cartridge mount for lowest handling noise and quiet performance, withstands highest sound pressure levels without overload or distortion, rugged all-metal construction, external on-off switch on handle, and includes 20 foot microphone cable. Also includes mic clip and sturdy metal tripod adjustable for performers up to 6ft four inches. The center stage can be used with any standard mixer, powered Mixer/amp or mic preamp.
- All-in-One kit includes a high-performance microphone, sturdy metal adjustable tripod microphone stand with clip, and a 20 ft. cable (XLR to ¼” connectors)
- Dynamic microphone provides professional sound quality with rich, full-frequency audio. Advanced high-output neodymium cartridge provides clarity and definition, even in noisy environments, while cardioid pattern reduces feedback
- Withstands high sound pressure levels without overload or distortion
- Rugged, all-metal construction - External on/off switch on handle
- Microphone stand features tripod base and adjustable height (34-60”), and folding legs for easy transport and storage.
User questions & answers
Question: | Is it a kiddy kind of microphone? or is it a n adult kind |
Answer: | It's more an adult than a kiddy!!!! I would give it a rating of 7 out of 10 comparing it to a kid or an adult. Other words, it isn't one you would find on a professional stage but it is not a kids either. Hope this helps. |
Question: | What is the length when folded up? I want to buy carrying a case for it |
Answer: | I really don't know I gave it as a gift |
Question: | what is the height minimum and maximum? Does the height adjust |
Answer: | it adjusts and is used by my 9 year old (4 foot something) and can go as high for about a 5 7" person |
Question: | Will this work, out of the box on its own? Or do I need to purchase an amp. This is for a 4 year old and 6 year old as a toy |
Answer: | You will need an amp. I bought the Danelectro N10B Honey Tone Mini Amp in aqua (although they are selling it in burgundy on amazon right now) and then also a cable.. I think everything total came to about $40? At the time my kids were 5 & 6 and 9 and the younger two used it a great deal. It has a nice quality sound to it and the amp is tiny but sounds great for the price! Hope that helps! Oh and I think just because Philly George uses it for an adult purpose in a studio does not mean it can't be used for kids as well. Microphones marketed specifically to kids are notoriously poor quality, this one does the job well and has stood up to my kids' not so gentle usage very well. Good luck! |
Product description
- Linear full-range response with crisp mid-range presence for optimal clarity and punch. A perfect all-purpose, versatile stage and recording microphone
- Powerful neodymium element cuts through the loudest sound pressure level situations without compromising sound. Ultra-light aluminum voice coil & transformerless design provide noise-free, accurate reproduction across the audio spectrum
- Tight cardioid polar pattern provides excellent off-axis rejection for superior gain before feedback. Advanced capsule multi-axis rubber shockmount minimizes handling noise. External on/off switch for easy control of audio from stage
- Rugged, all-metal construction for maximum reliability featuring a zinc die-cast case and steel mesh windscreen with anti-dent ring
- Professional grade 15 ft. XLR-to-1/4 cable supplied
User questions & answers
Question: | Does this work with asio SA76 44 mini |
Answer: | Works great! Can't go wrong for the price |
Question: | can this microphone be plugged in a laptop and can you hear the sound clearly if you do or does it have to be an amplifier |
Answer: | You can plug it into a laptop using an adaptor (female 1/4" to male 3.5mm - available at any radio shack) - if you want to record into the computer or broadcast on the internet. If you are trying to amplify your sound, you will need to plug into an amp and speaker - laptop speakers are not intended to project sound at high volumes or cover large distances/areas. |
Question: | Can you use it with out the cord |
Answer: | This is a corded mic so the mic must be plugged in to use. |
Question: | Can this microphone be plugged into a Casio CTK-700 keyboard |
Answer: | That is so weird...i have that very keyboard,..yes it does. |
Product description
The SP-1 is an all-purpose professional stage and recording microphone with excellent clear and transparent sound across the frequency spectrum. Features include a unidirectional cardioid pattern with superior feedback rejection and a rugged metal construction with internal shock mounting for maximum reliability and ultra-low handling noise. The powerful neodymium element cuts through with accurate, distortion-free sound in even the highest sound pressure level situations. Microphone clip included.
- All-purpose professional stage and recording microphone delivers clear, transparent sound across the audio spectrum
- Unidirectional cardioid pattern with superior feedback Rejection
- Rugged metal construction and internal shock mounting for maximum reliability and ultra-low handling noise
- Powerful neodymium element cuts through with accurate, distortion-free sound in even the highest sound pressure level situations
User questions & answers
Question: | Does this come with an adapter |
Answer: | The SP-1 Dynamic Microphone will include only the microphone and microphone clip. A microphone cable is not included. |
Question: | can this be used wireless |
Answer: | No, this is a wired dynamic microphone and needs a cable with a male XLR connector at one end. |
Question: | it is wireless |
Answer: | No, this is a wired microphone and requires a cable with a male XLR connector at one end.. |
Question: | it is wireless |
Answer: | No it is not wireless. A wireless mic will cost a lot more than this and at this price any wireless you could find won't be more than a toy. The sp-1 is a budget XLR vocal mic that requires an XLR cable and an interface. |
Product description
"The VHM-7 Bushamn Torpedo style microphone delivers the classic, warmth and “fat” tone harmonica players crave and gives singing harp players the convenience of singing and playing through the same microphone with great sound throughout. Its stylish profile may be played while held, however a stand mount is included. The dynamic microphone element and cardioid polar pattern delivers high gain before feedback and can be used with an amplifier or plugged into the PA. The unique chromed aerospace casing with stylish retro look and distinctive proprietary design is bullet-proof tough and ultra-comfortable in the hand. "
- Designed for use as both a vocal and harmonica mic
- Cardioid pattern tailored for dynamic sound
- Uncupped use produces extremely smooth, clean vocal audio
- Sing and play through the same mic maintaining superior tone
- Unique chromed casing with stylish retro look
User questions & answers
Question: | I do not see any mention of a cord with this microphone. What type of cord must be used? Three prong male or female into the mic? Thanks |
Answer: | You’ll need a 3 prong mic cord, just like the ones you would use with any vocal mic, like a Shure 57 or 58. |
Product description
The HM-20U HEADMIC Series Headworn Condenser Microphone is intended for hands-free applications during presentations, performances, fitness instruction and more. The low-profile microphone features a thin, form fitting microphone frame. The miniature capsule features a wide frequency response and a cardioid polar pattern that maximizes feedback rejection.
- Perfect for singer-musicians such as drummers, keyboardists, vocal/dance performers, DJs, public speakers, and aerobics instructors
- Lightweight, comfortable and durable design provides maximum stability during use, even when moving, dancing, etc. Features a 3.5mm connector
- Unidirectional condenser element for superior, warm audio response and maximum feedback rejection
- Firm, adjustable gooseneck boom that can be easily repositioned to any angle during performance
- Nady Systems is dedicated to providing the best user experience possible. Since 1976 Nady has been a US based brand, with a US based customer service center, and with US valid product warranties
User questions & answers
Question: | can you use this with an Olympus W853 digital voice recorder |
Answer: | Only if the jack fits. |
Question: | Will the standard plug fit a Sennheiser belt pack |
Answer: | Don't know but it will fit a nandy |
Question: | Will this fit the nady uhf24 body pack |
Answer: | Yes, this has the same 3.5mm locking plug and will work with that system. Thanks! |
Question: | Di i need to purchase anything else on can i just plug it, as is, into my pa |
Answer: | Hello, Thank you for your question! This depends on your PA system and whether or not it takes the mini XLR plug. If your PA system takes a regular size XLR you can use this mic with the Nady XM-10 XLR to Mini XLR Phantom Power Adapter. You can also find this XM-10 adapter sold with this head-mic in a bundle. Best Regards, SG4L |
Product description
Once again, Nady brings groundbreaking innovation to the wireless world with this true digital affordable wireless system. Another great value from the wireless veteran! The Nady DW-22 Digital Wireless Microphone System brings you the superior sound quality of digital audio technology in a simple, easy-to-use and reliable package. Complete with a handheld microphone and a body pack with a lavalier microphone, this system couldn’t be easier to set up and operate. After inserting new AA batteries in the transmitters, just connect the AC adapter as well as the audio output that is most suited to your set up (either microphone or line level) to the receiver and turn them both on. The system is now ready to go! This system is loaded with top professional operating features and offers the best performance and price value available in digital wireless. With 48 kHz / 24-bit digital audio conversion, low latency and clear channel operation in the UHF 900MHz band, the Nady DW-22 Digital Wireless Microphone System provides interference-free performance for any application. Specifications: Overall system Frequency response: 20Hz~20kHz 3dBDigital format: 48kHz / 24 bit / QPSK modulation Dynamic range: 120dBTHD: DW-22 RECEIVER Sensitivity: -94dBmOutput Connections: ¼" unbalanced jack (line) / 2 XLR Balanced (mic)Power Requirements: 13. 5VDC / 400mADIGITAL HT/DIGITAL LT TRANSMITTERSRF Power Out: +13dBm, (50mW maximum allowed by FCC)Audio Input: Dynamic cartridge (HT)1/8” TS locking mini-jack, for head worn or lavalier microphone (LT)Battery Type: 2 AA Alkaline Battery Life: Up to 11 Hours
- A reliable digital wireless microphone system that is easy to setup and use – The superior sound quality of digital audio with digital QPSK modulation combined with the performance & reliability of the UHF frequency range.
- State-of-the art, professional 48kHz / 24-bit digital conversion for exceptional audio clarity with transparent frequency response across the entire audible range (20Hz ~ 20kHz). The truest possible sound with undetectably low latency.
- Perfect for stage performance, karaoke, public address (presentations, classes, conferences). Reliable long range operation. Digital transmission virtually eliminates interference from nearby obstacles. Extended operating range up to 300 feet line-of-sight
- This is a dual fixed-frequency wireless system. Please consult the manufacturer to confirm compatibility when attempting to use two or more of this system simultaneously or use it with other wireless systems.
- Nady Systems is dedicated to providing the best user experience possible. Since 1976 Nady has been a US based brand, with a US based customer service center, and with US valid product warranties
User questions & answers
Question: | Hello , i have d-15 d-16 , how i can buy d13 ( 902.30 ) - d14 ( 903.80 mhz ) ?? can you send me link |
Answer: | I don't know that answer. |
Question: | i can use one mic conected in one computer and other conected to another computer at same time and make diferent audio captures |
Answer: | Hello,Yes you can. Just make sure to use the XLR outputs, which are the individual, separate signals from the two microphones.Best regards,Charlie Denis - Nady Sytems |
Question: | Frequency of it |
Answer: | Hello Angel, Thanks for your question! There are two versions: 921.8MHz & 923.3MHz If you want a specific frequency or if you want each one so you can have two, please reach out to Nady Systems Customer Service from their website. They are always available to help you with any of your purchase requests and look forward to hearing from you! Best Regards, SG4L Support |
Question: | I would like to order a dual unit, test it out and if it work, then order three more. How do buy two more that don't conflict |
Answer: | It a great unit, you just need to buy different frequencies. They come in D11 ( 921.80 mhz) - D12 (923.30 Mhz ) - D13 ( 902.30 ) - D14 ( 903.80 mhz ) - D15 - (915.30 mhz) and D16 (916.80) Always double check the frequency upon purchasing and when you add mics or switch to Lavalier (lapel) Bodypacks. I called Amazons customer service when I needed help doing this. 1 (888) 280-4331 |
Product features
DW-11 / 22 Receiver
Reliable long range operation. Digital transmission virtually eliminates interference from nearby obstacles and noise from your audio. Extended operating range up to 300 feet line-of-sight. Single receiver for single transmitter operation. Choice of transmitter-handheld, lapel/headmic, guitar/instrument.
Comes in different transmitter options Digital HT/Digital LT/HM
HT- Wireless Handheld Microphone
- High quality microphone capsule.
- LCD display for frequency, channel, battery level.
- Channel up/down buttons.
- Mute button with mute on/off LED.
- 2AA batteries for long life and economical use.
LT- Lapel Microphone with Bodypack
- For use with LM-14 lapel microphones.
- LCD display for frequency, channel, battery level.
- On/mute/off switch.
- Metal belt clip.
- 3.5mm locking jack.
- 2AA batteries for long life and economical use.
HM-3 - Headmic with Bodypack (Black )
- For use with HM-3 headset microphones.
- LCD display for frequency, channel, battery level.
- On/mute/off switch.
- Metal belt clip.
- 3.5mm locking jack.
- 2AA batteries for long life and economical use.
HM-10 - Headmic with Bodypack (Beige )
- For use with HM-10 headset microphones.
- LCD display for frequency, channel, battery level.
- On/mute/off switch.
- Metal belt clip.
- 3.5mm locking jack.
- 2AA batteries for long life and economical use.
DW-22 HT System
2 DIGITAL HT Handheld Microphones
DW-22 HT-LT System
DIGITAL HT and DIGITAL LT Bodypack Transmitter ( with Lapel Microphone LM-40 )
DW-22 HT-HM ( Headset Microphone Options Available )
DIGITAL HT and DIGITAL LT Bodypack Transmitter with Choice of Headset Microphones
Headset Microphone Options :
* HM-3 ( Black ) * HM-10 ( Black / Beige ) * HM-20U ( Black / Beige )
* HM-35 ( Black / Beige ) * HM-45U ( Black / Beige )
Custom Combo - Options of Headset Microphones
2 Digital LT Bodypack Transmitters with Choice of Headset Microphones
Headset Microphone Options :
* HM-3 ( Black ) * HM-10 ( Black / Beige ) * HM-20U ( Black / Beige )
* HM-35 ( Black / Beige ) * HM-45U ( Black / Beige )
Product description
The SP-33 has a lively, full-range response with punchy bass, articulate mids, and detailed, crisp highs. It features an aluminum alloy voice coil, low handling noise, and an ultra-rugged, shockproof grille. Tapered shape and rubberized easy-to-grip coating for optimum handheld comfort in use. 50Hz-16kHz frequency range. Includes microphone clip.
- Full frequency range microphone with punchy bass, articulate mids, and detailed, crisp highs v
- Aluminum alloy voicecoil, low handling noise and an ultra-rugged, shockproof grille
- Tapered shape and rubberized easy-to-grip coating for optimum handling and comfort
- Microphone clip included
Product description
The leading choice in professional studio equipment and audio electronics.
The CenterStage CS-211 Studio Condenser Microphone provides professional studio-grade audio quality packed in an attractive, vintage-style 'lollipop' form factor. The CS-211 Condenser Microphone was designed to shine with its photogenic metallic exterior, gold-plated diaphragm capsule, optimized electronic circuitry for higher dynamic range, and PC/Mac/Linux-compatible – all at an unbeatable price. The CS-211 Studio Condenser Microphone bundle is perfect for broadcasting, podcasting, vocal recording, guitar recording, brass instrument recording, and drum overhead recording. This bundle includes the CS-211 Condenser Microphone, Pop Filter Shield, Aluminum Shockmount, 8ft. XLR-to-3.5mm Cable, and USB Soundcard (w/Mic & Headphone jacks).Specifications
Box Contents: CS-211 Microphone, Shockmount, XLR-to-3.5mm Cable, Pop Filter, USB Sound CardElement: Pressure Gradient Transducer
Polar Pattern: Uni-directional
Frequency Response: 20Hz~20kHz
Sensitivity: -34dB ±2dB (0dB=1V/Pa at 1kHz)
Output Impedance: 150Ω ±30% (at 1kHz)
Load Impedance: ≥1000Ω
Self Noise: 16dB A
Max. Input SPL: 130 dB
Signal-to-Noise Ratio: 78dB
Power Requirement: 5V - 48V Phantom
Current Consumption: 3mA Body
Dimensions: 46mm x 150mm
Weight: 10oz
Optional Accessories
Nady MPF-6 Microphone Pop Filter with stand clampNady MST-5B Microphone stand with boom
Nady SMPS-1X 48v Phantom Power Supply
- Classic Studio Condenser Microphone with gold-plated diaphragm capsule, optimized SPL, enhanced dynamic range, and 48v Phantom Power-compatibility to achieve ultra-responsive, high quality tonal sensitivity with tube-like warmth.
- Ideal for broadcasting, podcasting, vocal recording, guitar recording, brass instrument recording, drum overhead recording and a multitude of other recording applications
- Microphone is bundled with Pop Filter Shield, Aluminum Shockmount, 8ft. XLR-to-3.5mm Cable, and USB Soundcard – Compatible with PC, Mac, and Linux. Android/iOS Smartphone & Tablet compatible (requires TRRS adapter, not included)
- Capable of connecting to any device with a 3.5mm line-in or mic-in jack with no dedicated power supply needed.
Product description
Mpf-6
- Top rated Professional Pop filter for vocal microphones
- Multi-positional windscreen for optimum performance
- Stops plosives and protects your mic
- Includes boom and microphone stand clamp
- Swivel mount for easy positioning, plus extra long and flexible gooseneck holder
User questions & answers
Question: | Does it work with the Samson Meteor |
Answer: | YES! I bought this for my son who likes to play on line interactive games. He said this product works great. |
Question: | I was told to get a pop screen with OUT metal parts on frame & screen, ONLY nylon. Can you tell me what this frame & screen is made of? Thk u |
Answer: | The screen frame itself is made out of plastic. The product in it's entirety does have metal components such as the bendable neck, but there is no metal on the frame or on the screen. There is just one little tightening screw which holds and connects the frame to the neck. I'm not to sure about cottons and fabric, so I can't say I know that the fabric is nylon. |
Question: | Does it work with the neewer mic stand |
Answer: | To be perfectly frank: I don't know... Born in the 20th Century, as was my child, but now living in the 21at Century; being made to feel guilty for it and not really interested. Hang on... Good.Please, edit before posting: neewer is painful... |
Question: | How do I put it on |
Answer: | it comes with pole clampso you can attach it to your mic stand. but if your using it like at your desk i would clamp on the edge of the desk and just bend it to the area where the mic is at. or just over my built in mic on my laptop. it can get in the way but gives a way better sound. |
Product features
NADY MPF-6
The extremely popular Nady MPF-6 Pop Filter is an anti-pop noise protection filter for microphones. Designed for studio use and other professional vocal recording environments, the MPF-6 eliminates 'popping' sounds caused by the impact of fast moving air on the microphone during recorded speech and singing. It also helps protect against the accumulation of saliva on the microphone element.
The MPF-6 includes a boom/mic stand clamp with an elongated metal bracket that expands the reachable area. It also features a flexible goose-neck holder and a swivel mount for easy positioning.
Standard microphone stand
Desktop boom stand
Compact stand
Specifications
Microphone pop filter with goose-neck, extending bracket and stand clamp. Double mesh screen for more effective pop filtering than common single mesh pop screens.
The MPF-6 is the most versatile pop filter on the market today
Product description
The DM-80 Microphone delivers an enhanced low frequency response ideal for capturing kick drums and bass cabinets. It is also an ideal choice for both sound reinforcement and recording applications, and features a neodymium element for fast transient response, high headroom, and low distortion. The cardioid polar pattern minimizes leakage and extraneous signals from other instruments. The DM-80 includes a rubber mount that also aids in absorbing noise due to vibration, shock, and handling. Up to 140dB SPL handling capacity for distortion-free reproduction of even the loudest drums and other instruments. All metal construction for maximum reliability. Gold-plated XLR for maximum conductivity. Full frequency response for sonic punch with exceptional clarity.
- Cardioid polar pattern microphone for enhanced low frequency response, ideal for capturing kick drums and bass cabinets as well as sound reinforcement recording applications
- Neodymium element for fast transient response, high headroom, low distortion and limited bleed-through from other drum kit pieces
- Up to 140dB SPL handling capacity for distorion-free reproduction of even the loudest drums and instruments
- Rugged die-cast body with internal shockmount and hardened steel grill for durability
- Gold-plated XLR for maximum conductivity
User questions & answers
Question: | does this include mic cable |
Answer: | No, microphone cables to connect this microphone to other equipment are sold separately. |
Question: | would this mic be good for recording low rumbling truck exhaust sound 20 ft away |
Answer: | No... too far.. |
Question: | what type of xlr plug ( male or female) hooks into the mic? thanks |
Answer: | The mic has a male out - meaning you would use a typical xlr cable that has one end female, the other male. Female end plugs into mic and male end into your mixing console or snake etc. |
Question: | Would this mic be good for recording heavy foot steps (not music of any sort)? Fyi... I do not have a lot of experience with mics |
Answer: | No, this is a dynamic mic. You would need a condenser mic. I mean you could record foot steps with it but you won’t have any detail |
Product description
Incredibly versatile and cost effective, the DM-70 is great for live and studio for all types of drums and percussion instruments as well as the accurate sonic reproduction of brass, woodwind, and other instruments. The cardioid pattern and Neodymium element of the DM-70 allow use with limited bleed-through from other drum kit pieces. The transformerless moving-coil dynamic design for enhanced bass and fast transient response allow up to 145dB SPL handling capacity for distortion-free reproduction of even the loudest drums and other instruments. The all-metal construction and special rubber shockmount mic holder minimizes floor vibration pick-up.
- Cardioid pattern microphone ideal for accurately capturing toms, snares and percussions, as well as brass, woodwind and other instruments
- Transformerless moving-coil design for fast transient response allow up to 145dB SPL for distortion free reporduction of even the loudest drums
- Neodymium element for use with limited bleed-through from other drum kit pieces and instruments
- Rugged die-cast body with internal shockmount and hardened steel grill for durability
User questions & answers
Question: | This mic is good for conga |
Answer: | Yes, if you read the description its what it is really desgined for "Cardioid pattern microphone ideal for accurately capturing toms, snares and percussions, as well as brass, woodwind and other instruments" the DM-80 is more suitable for bass drum, DM-70 for congas. |
Question: | Does this mic reproduce low enough for floor toms and high enough for cymabls? I have a separate mic for my kick |
Answer: | It's ok for lows. It's better to go with a bass floor drum mic |
Question: | can the mic be removed from the rubber mount? or is it one unit |
Answer: | Yes, it can be separated from the mount. There's a metal ring that unscrews and allows the mount to be removed from the mic. It's a bit snug, but well made....quality stuff. |
Question: | How does it sound on an acoustic guitar |
Answer: | This is a drum mic and it works great, if you are running it through a mixer than you can make the necessary adjustments so it should work just fine for a acoustic guitar. |
Latest Reviews
View all
Tweeters For Car Audios
- Updated: 20.01.2021
- Read reviews

Davinci Changing Tables
- Updated: 17.02.2021
- Read reviews

Backpacks For Middle
- Updated: 07.05.2021
- Read reviews

Terrarium Heating Pad
- Updated: 30.05.2021
- Read reviews

Hat For Long Hairs
- Updated: 28.05.2021
- Read reviews