11 best guitar compressor
A guitar compressor is an essential tool in the world of electric guitar effects. It is used to shape and control the dynamics of your guitar signal, making your playing sound more polished and consistent. Here's what you need to know about guitar compressors:
Purpose: A compressor reduces the dynamic range of your guitar signal. In simple terms, it evens out the volume of your playing by attenuating the louder parts and boosting the quieter ones. This can make your playing sound more professional and help you cut through in a mix.
Controls: Most compressors have common controls like Threshold, Ratio, Attack, Release, and Output Level. These controls allow you to adjust how the compressor responds to your playing. For example, you can set the threshold to determine when compression kicks in, adjust the ratio to control the amount of compression applied, and fine-tune the attack and release times.
Threshold: The threshold sets the level at which the compressor starts working. Signals above this level will be compressed, while signals below it remain unaffected.
Ratio: The ratio determines the amount of compression applied to the signal. A higher ratio means more compression. Common ratios range from 2:1 to 8:1 or even higher.
Attack: The attack time determines how quickly the compressor responds once the signal crosses the threshold. A fast attack can retain more transients and pick attack, while a slower attack can smooth out the overall sound.
Release: The release time controls how long it takes for the compressor to stop compressing after the signal falls below the threshold. A shorter release time can result in a more natural sound, while a longer release can create a more sustained effect.
Output Level: This control allows you to make up for any loss in volume caused by compression. You can boost or attenuate the output to match your desired level.
Uses: Compressors are used in various musical genres and playing styles. They can help sustain notes, reduce unwanted noise, and make clean guitar parts sound more articulate. In genres like country, funk, and blues, they are often used for their signature "squashed" sound.
Placement: Compressors can be placed anywhere in your pedalboard signal chain, but they are commonly found near the beginning to even out the guitar's dynamics before other effects.
Types: There are various types of compressors, including analog, digital, and optical.Each type has its own characteristics and tonal qualities.
In conclusion, a guitar compressor is a versatile tool that can enhance your guitar tone and playing dynamics. Understanding how to use its various controls can help you achieve the desired sound for your music.
Below you can find our editor's choice of the best guitar compressor on the marketProduct description
The MXR design team took a classic recording studio fixture and stuffed it into a pedalboard-friendly box. The MXR studio compressor features attack, release, ratio, input, and output controls So you can fine-tune your compression level-from subtle to squashing-right on stage with visual feedback from a bright LED gain-reduction status meter. Constant headroom technology provides tons of headroom for clear, transparent performance that’s as dynamic as you need it to be. It’s all packed into a durable, lightweight aluminum-housing that’s the size of a Phase 90.
- Classic studio compressor in a phase 90-sized pedal
- Cht constant headroom technology for clear, clean performance
- Ten gain-reduction status LEDs
- True bypass
User questions & answers
Question: | Is this a good compressor for vocals or should I look for one that is made specifically for vocals |
Answer: | I would look at TC Vocal Comps...this is voiced for guitars and bass |
Product description
The Dyna Comp Deluxe Compressor brings unprecedented control to the most iconic compression sound in the history of effects pedals. The original Dyna Comp Compressor has always been more than a utilitarian effect—guitar players have used its percussive tonality to enliven their tones for years. The Dyna Comp Deluxe Compressor’s circuitry and updated control interface delivers that classic sound along with the ability to shape it and season it to your taste. First, this pedal is built around the same CA3080 “metal can” integrated circuit that’s integral to the vintage performance of the script Dyna Comp Compressor and its quieter operation, greater transparency, and increased dynamic range. Next, the Clean control lets you blend your unaffected signal with the compressed signal so that you can find the balance that works for you, and the Tone control allows for further refinement of the compressed signal. Use the Attack switch to toggle between a vintage style slow attack time and a modern style fast attack time. Finally, the familiar Output and Sensitivity knobs control volume level and the length of sustain respectively. The Dyna Comp Deluxe Compressor gives you all you need to make this classic effect support the sound of your rig, from squishy ’70s compression to the open, transparent “light touch” compression favored by many modern players.
- Classic CA3080 “metal can” integrated circuit provides quieter operation, greater transparency, and increased dynamic range
- Clean control blends unaffected signal with compressed signal for optimal balance
- Tone control allows for further refinement of the compressed signal
- Attack switch toggles between slow and fast attack times
Product description
JHS Pedals is proud to present the Whitey Tighty compressor, our take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. At only 1”x3”, you’ll save so much space on your pedal board that you’ll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place. The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level. Tighten up your tone with the JHS Pedals Whitey Tighty!
- FET compressor that has three simple controls: Volume, Compression, and Blend
- The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression
- The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock
- Use the Blend knob to dial in the right amount of clean tone along with your compressed signal
- With the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place
User questions & answers
Question: | Does anyone have experience using this with a bass guitar |
Answer: | Hi, it is made of poly amide, so quite durable. no worry about it. |
Question: | is the buffer always on so the switch just engages the booster |
Answer: | Hello customer, Yes, the standard is two in the package, using 9V 6F 22 battery, it lasts for 2-5 hours, depends on the quality of the battery and frequency you use the device. |
Question: | Hey, can this run on a battery, or only with the PS |
Answer: | Hi, yes, you can search joyo jge-01 and find many videos, like: https://www.youtube.com/watch?v=p7NeaTySmw0 Thank you for visiting our store and enjoy your purchase, we have many other interesting items in our store, hope you will like them. |
Question: | Where is the idea location to place this unit amongst all my other pedal on the floor? (2) Should I hold off on purchasing a Buffer |
Answer: | Hi, In our package, we have one inside the device and one outside. |
Product features
JHS Whitey Tighty
JHS Pedals is proud to present the Whitey Tighty compressor, our take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. This pedal is as simple as it gets while never getting in the way. At only 1”x3”, you’ll save so much space on your rig that you’ll be able to add to your wardrobe of effects with ease. With the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place.
Controls
The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level.
About JHS Pedals
JHS Pedals is the result of Josh Scott’s desire to build quality effects pedals that stand out in an over-saturated market. Started in early 2007 by way of a DIY repair to a Boss Blues Driver, JHS Pedals has evolved into an effects pedal company recognized world-wide. Josh’s years of touring and session work along with eventual electronics tinkering bring the experience and knowledge of what musicians need and want in their rigs, and that is one of the core values that JHS was built upon.
With a complete electric guitar, bass guitar, utility, and Mod Shop, JHS Pedals offers one of the broadest lines of effects on the market today. We value and commit to designing, populating, and assembling pedals that sound excellent, are easy to use, and work correctly.
Product description
From silky smooth sustain to full out country chicken-picken territory, the Wampler Ego Compressor is the most versatile compressor pedal on the market.
- Brings a new level of of control to what is expected and needed by today's guitar players
- Designed to ensure playing dynamics could be retained without coloring the tone at all
- Allows your original signal to be blended in so you can get all the benefits of a great compressor but with the option to remove the squash at the front by bringing the bypassed signal in
- With this pedal you can have full country squash or open studio level parallel compression
- With a comprehensive array of controls and a pure core tone, the Ego works perfectly as an "always on" compressor or as "an effect"
User questions & answers
Question: | Would this work with a Mustang 1 or Champion 40 and does it come with a cable |
Answer: | Yes, it will work with a Mustang 1,2,3, or 2000. It will also work with a Champion 40,50, or 1000 (... it will work with any amp). No, it does not come with a cable. |
Question: | Is this v1 or v2? i'm looking for v2 with the input/output on the sides. customer's pictures in the review section shows one of each |
Answer: | The larger pedal with 5 knobs is V1. V2 has 3 and a toggle for 2 knobs. It’s essentially the same only with a smaller footprint and less customization options but not many |
Question: | With mini ego, getting weird drone like feedback/sustain especially on e and a notes. eq, repositioning guitar/amp doesn’t stop it. any ideas |
Answer: | Ya, turn it off... lol |
Question: | Does it work for bass guitar |
Answer: | Yes. You can use um bass |
Product description
Updated in all the right places for top notch tone and playability. Updates to the V3 are as follows: added tone knob (bass cut) for the ability to shape the low end of your guitar signal. Soft switch/relay bypassing for smoother more reliable operation. Moved to top mounted in/out jacks. Updated art by Adam Forster that gives a humble nod to the original art that started it all. The deep six is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the universal Audio 1176 with the simplicity of the Ross and Dynacomp. Offering a level, sustain, attack, and blend control, the deep six will give you unmatched versatility at a price you can afford. Polarity will never be an issue as the deep six comes standard with a polarity correction circuit. The internal Voltage is doubled to 18 volts giving you the maximum amount of headroom for your sound while maintaining a typical current draw of 8.9Ma. The deep six also offers a blend and attack control which allows you to use the pedal with active pickups or humbuckers. The blend feature allows you to use High output instruments while truly being able to dial out any distortion that may be present.
- True bypass studio-grade compressor in stomp box form
- Added tone knob (bass cut) for the ability to shape the low end of your guitar signal
- Soft switch/relay bypassing for smoother more reliable operation
- Top mounted in/out jacks
- Updated art by Adam Forster that gives a humble nod to the original art that started it all
Product features
Walrus Audio Deep Six V3
The Deep Six V3 is a true bypass studio-grade compressor stomp box, inspired by the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. The V3 adds a tone knob, soft switch bypassing, updated components for improved sound, and top mounted jacks. Polarity will never be an issue as it comes standard with a reverse polarity protection circuit. It runs at 18v thanks to an internal voltage doubler giving you the maximum headroom while maintaining a typical current draw of 8.9mA.
Level
Used to set the Deep Six to unity volume. When maxed out, the Deep Six provides enough output to drive the amplifier and other pedals for added sustain.
Tone
The tone knob works as a bass cut to help shape the low end of your guitar signal. Turn it up to cut more bass, and turn it down to let more bass through.
Sustain
For rhythm playing, run the Sustain control at lower settings so that the Compressor is more of a tone shaper. This will keep your sound nice and even and compensate for any variance in the velocity of your strumming. For those Santana/Clapton style leads, turn it up for more sustain.
Blend
Mixes in the compressed signal with the original, dry signal. Turn the Blend control up to blend in the compressed signal. For high output signals (humbuckers), the blend control allows you to dial in more of the dry signal and dial out the distortion that most humbuckers bring to a compressor.
Attack
Allows you to adjust how fast the compressor will react to your notes. Set it higher for punchier leads or lower for smooth rhythm.
About Walrus Audio
Walrus Audio is a collective of artists, musicians and engineers attempting to find the balance between art and performance in sound manipulation. Throughout the years we have been inspired by sounds created by our favorite companies: the perfect breakup on an overdrive; a thick, punchy distortion; an endlessly sustained reverb; a self-oscillating delay. We had to give it a shot. Through many months of late night breadboarding sessions, circuit problem-solving, and sonic tweaking we have come up with a range of guitar pedals as versatile as they are functional.
Product description
The dyna Comp mini compressor combines the best of classic tone and modern convenience in a housing that’s nearly half the size of the original. Thanks to its rare CA3080 “metal can” integrated circuit (IC), this pedal yields quieter operation, greater transparency, and increased dynamic range. An all-new attack switch toggles between slow and fast attack times.
- Classic MXR compression in a space-saving mini housing
- Features rare CA3080 “metal can” integrated circuit (IC) for quieter operation, greater transparency, and increased dynamic range
- All-new attack switch toggles between slow and fast attack times
Product description
The CP-47 "PRESSURE TANK " is a new compressor pedal from Caline. Excellent for clarifying your attack and making those single runs sting. Used right, Compressors are a great addition for any type of music or player. Country pickin' to Power Chords and everything in between. Nice price and Compression response.
Specifications:
Material: Aluminum Alloy
Signal Input: 1/4″Monaural Jack
Signal Output: 1/4″Monaural Jack
Power Supply: DC 9V power adapter(center negative) or 9V battery(neither included)
Current consumption: 30mA
Item Size: 11.3 * 6.3 * 3.3cm/ 4.4 * 2.5 * 1.3in
Item Weight: 232g/ 8.2oz
Package Size: 13 * 7.5 * 6cm/ 5.1 * 3 * 2.4in
Package Weight: 275g/ 9.7oz
Note: Please use the power adapter whose polarity is positive pole outside and negative pole inside. Otherwise, the product may not work properly.
Package List:
1 * Effect Pedal
1 * Battery Cable
- Excellent new Comprssor from Caline
- With LEVEL, EQ and COMP adjusting knobs for you to get your favorate tones.
- True bypass design
- Aluminum alloy shell.
- Dual power supply choices (9V battery or DC 9V power adapter) for convenient usage.(neither included)
User questions & answers
Question: | Can this be used for a bass as well |
Answer: | Yes, but it's not optimal for bass. A bass compressor would be a better choice. |
Question: | Does the 9 volt fit inside the pedal like other pedals |
Answer: | It does not, there is no internal compartment for a battery, like another stated you have to plug the adapter that comes with it into the 9V DC jack on the side of the pedal, the battery hangs outside of it. |
Product description
Analog true bypass compressor pedal with heavy duty metal enclosure
- Analog audio circuit with full bypass
- Heavy duty aluminum body designed to be completely splash-proof
- Bright LED ring around controls for high visibility
- Can be used standalone with a 9V battery, external power supply, or in NEXI’s The Solution pedal board
- Analog Studio-Grade Compressor
- Vintage Voiced Mic Preamp
- 100% Mechanical True Bypass
- Designed in California
- Lifetime Warranty through Vertex
Product features
Vertex Effects Nyle Compressor
Having trouble getting that uber-punchy clean tone or glassy bass tone heard on your favorite 70’s funk records? Vertex Effects has you covered with the NYLE compressor: a compressor-preamp hybrid. The NYLE compressor marries the classic studio rack compressors of the 70's & 80's with a vintage Mic Pre, putting the legendary clean tone of the likes of Prince or Nile Rogers directly at your feet.
Controls
Analog Studio-Grade Compressor
Having trouble getting that uber-punchy clean tone or glassy bass tone heard on your favorite 70’s funk records? Vertex Effects has you covered with the NYLE compressor: a compressor-preamp hybrid. The NYLE compressor marries the classic studio rack compressors of the 70's & 80's with a vintage Mic Pre, putting the legendary clean tone of the likes of Prince or Nile Rogers directly at your feet.
Vintage Voiced" Mic Preamp
If you have been on the hunt for that classic funk clean tone or glassy bass tone, the NYLE Compressor will put an end to your journey, offering compression, EQ shaping, and level control in one humble enclosure.
Controls
Having trouble getting that uber-punchy clean tone or glassy bass tone heard on your favorite 70’s funk records? Vertex Effects has you covered with the NYLE compressor: a compressor-preamp hybrid. The NYLE compressor marries the classic studio rack compressors of the 70's & 80's with a vintage Mic Pre, putting the legendary clean tone of the likes of Prince or Nile Rogers directly at your feet. The EQ adjusts the low-mid frequencies of your signal to bring out the warmth of the preamp circuit.
Product description
The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.
- The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals.
- Guitar Pedal
- Boss
User questions & answers
Question: | Will this pedal reduce any unwanted noise coming out of the amp |
Answer: | No, if anything it will add noise. There's always gonna be a little bit of noise from an amp... maybe try a noise gate or Humbucker, or noiseless pickups. Good luck |
Question: | Will this sustain pinch harmonics so I can do a dive bomb |
Answer: | It should - it definitely extends the sustain and harmonics on my guitars, using it through a Fender Twin Reverb or an old Peavy with a Marshall head. However, that is not really my style of playing (the dive bombs), so I can't give you a definitive answer. It will also depend on your amp setup and the guitar. What I can say is that this box does thin the sound a little, making it more sterile. |
Question: | Will this sound plesant on an acoustic guitar |
Answer: | Not designed or used with acoustic instruments. Certainly not pleasant. Its a rock sound like Carlos Santana sustained notes in his solos. |
Question: | I have overdrive, distortion, & metal zone pedals in front of amp & eq, chorus, & delay pedals in the effects loop. where should i place the cs |
Answer: | You're going to want to have the compressor going into the front of the amp. As far as where you place it in your chain depends on what you're trying to get out of you cs-3. The best thing to do is experiment around with it. Try placing it at the beginning or end of your pedal chain, or later in the chain between , before, or after your distortion pedals, The placement can really change your tone drastically. |
Product features
BOSS CS-3 Compression Sustainer Pedal
The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. Onboard Level, Tone, Attack and Sustain controls for precise tonal shaping, and the low-noise design allows super-quiet operation. This is the perfect pedal for guitarists and bassists who want to sound their best.
Product description
The new Xotic SP Compressor offers the same OTA (operational transconductance amplifier) technology used in what many guitar players consider the best compressor ever, the Ross Compressor. Xotic's new SP Compressor has superb tone quality featuring a wide variety of compressor tones from vintage,to subtle, to modern and more. It's super flexible and features a dry blend knob, up to +15dB of boost and an internal dip switch for attack control. This compact design is a powerful tool for the working musicians.
- superb tone quality featuring a wide variety of compressor tones
User questions & answers
Question: | Would this work well for an acoustic guitar or would it take away frequency range |
Answer: | I think you'd be better off with a pedal that's designed for acoustic guitar because acoustic's signal is usually line level not instrument level, but you might be able to run it in the effects loop of an acoustic amp. |
Question: | Can the SP be used after a fuzz face to add sustain, or will it make the fuzz sound weird and take away the fuzzes sound quality |
Answer: | The SP is a very transparent compressor and usually when one is returned its because people expect it to have a bigger effect on the tone. That said, while adding sustain it will also chomp the rough edges of the fuzz a bit and tighten it up, which sounds like something you may not want. Usually fuzz effects add quite a bit of sustain themselves. Which one are you using? |
Question: | What power adapter would you use for this device? Does anyone know the exact specs |
Answer: | I just used a normal 9V power plug I cannibalized from a Boss pedal. It worked fine. However, I don't think it's all that important. I ran this a ton when I was playing my passive pickup bass a lot and didn't change the battery in that time. I use my active pickup bass now, and don't really need compression. |
Question: | i'm thinking of getting this or buy a used Boss CS-2 .The CS-2 is revered as a great pedal-i already own one but need to set up a 2nd PDLBRD-thoughts |
Answer: | I believe the Boss CS-2 is a great compressor; the versatility from the SP, however,cannot be equaled! I would, therefore, advise you to jump in the SP... :-) |
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