11 best sony lenses

Product description

Compact and lightweight design for excellent portability thanks to retract-ability down to a mere 29.9 mm

• POWER ZOOM for smooth zooming with superb operability and quietness
• ED glass and Aspherical lens elements for excellent performance with reduced aberrations
• Built-in image stabilization
• This lens is designed for Sony ? camera system E-mount cameras. You cannot use it on A-mount cameras

User questions & answers

Question:	Does work with Sony A
Answer:	It comes with a usb cord. Not a charger.
Question:	How do you adjust the manual focus? The ring seems to only adjust the zoom
Answer:	It’s very quiet and should work for you
Question:	What size lens hood do I need to buy
Answer:	No But the best little fan ever owned.
Question:	Could I get silver
Answer:	Not 6 ft, more like 3 ft

Product description

The 35mm F1.4 GM features a superior optical design, including two XA (Extreme Aspherical) elements and an ED (Extra-low Dispersion) glass element that deliver outstanding corner-to-corner resolution, even wide open. The 11-blade circular F1.4 aperture mechanism creates beautiful bokeh that is a hallmark of the G Master series. Fast focusing is attained through the XD (Extreme Dynamic) linear focus drive system. This lens sports class-leading size and weight, providing great handling and mobility.

• Compact wide prime lens w/ stunning G Master bokeh and resolution
• F1.4 max aperture for extraordinary brightness and depth of field
• Two (XA) Extreme Aspheric elements for stunning resolution
• ED (Extra-low dispersion) glass element reduce chromatic aberration
• Nano AR coating II suppresses reflections, flare and ghosting

Product features

Advanced Optical Performance

Using Sony’s most advanced optical design and manufacturing technology, it delivers extraordinary resolution and gorgeous bokeh with precision focus performance. Two XA (extreme aspherical) elements, an ED (Extra-low Dispersion) glass element and Nano AR coating II all contribute to high-contrast, high-resolution results with corner-to-corner sharpness and dramatically reduce chromatic aberration, flea and ghosting.

F1.4 max aperture

The F1.4 max aperture provides extraordinary brightness and depth of field, allowing you to isolate your subject from the foreground and background with amazing light gathering capabilities when shooting wide open. The unique combination of wide F1.4 aperture with 11 circular aperture blades and two XA (extreme aspherical) lens elements deliver on the G Master promise of ultra-sharp in focus areas of your image with beautiful soft defocused bokeh. The fast F1.4 aperture is not only good for shallow depth of field, but ideal for situations that require more advanced light gathering capabilities like indoor, night and astral photography, making this lens perfect for any occasion.

Two XA (Extreme Aspherical) lens element

The FE 35mm F1.4 GM incorporates two extremely precise XA (extreme aspherical) elements - manufactured to 0.01-micron surface precision - in an innovative optical design that achieves stunning G Master resolution throughout the image area, while delivering smooth, creamy bokeh in out-of-focus areas. Two XA elements compensate for coma, field curvature, and astigmatism, that can be problems with wide-angle large-aperture optics. These elements also enable closer focusing distance and contribute to the compact and lightweight design.

Beautiful, natural-looking bokeh

While the two XA elements effectively suppress onion ring bokeh, the 11-blade circular aperture maximizes the beauty of this large-aperture prime-lens, contributing to impressive images in which the subject stands out against a smoothly defocused foreground and background, as well as perfectly round points of defocused light. Conventional aperture blades have flat sides that create unappealing, polygonal-shaped defocused points of light. This lens overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

An ED glass element to reduce flare

An ED (Extra-low Dispersion) glass element significantly reducing flare and ghosting by taking axial chromatic aberration and chromatic aberration (due to differences in magnification) out of the picture. Resolution and bokeh is maximized while leaving precisely rendered edges with no fringing or unnatural coloration right out to the image edges.

Close-ups with stunning bokeh

The two XA lens elements plus innovative mechanical, optical and control technology achieve a minimum focusing distance of just 10.6” (27cm / 25cm when focusing manually) with a maximum magnification of 0.23x (0.26x when focusing manually), making it possible to shoot impressive close-ups with smooth, creamy background bokeh. The combination of F1.4 maximum aperture and the flexibility to choose your shooting distance affords plenty of control for stills as well as movies. This compact 35mm lens can deliver spectacular images with an extremely wide variety of subjects.

XD Linear Motors for fast, precise, quiet focusing

The FE 35mm F1.4 G Master lens incorporates a precision internal focus mechanism consisting of two XD (extreme dynamic) Linear Motors that easily keep up with the high-speed capabilities of today’s most advanced camera bodies, taking advantage of their full autofocus speed, precision, and tracking potential to capture the most dynamic subjects. New control algorithms make it possible to drive the lens’s focus group smoothly and without delays for responsive, silent, precise and continuous autofocus in both still and video modes.

New Nano AR Coating II enhances clarity

A new Nano AR Coating II has been developed that can be evenly applied to large lens elements or highly curved element surfaces to suppress internal reflections and minimize flare and ghosting for clear, crisp imagery. Despite the lens's wide angle of view, Nano AR Coating II maintains high clarity and contrast throughout the entire image, even in difficult light.

Compact, lightweight design

This lens weighs just 1.155lb. (524g) and measures in at only 2.99” x 3.78“(76 x 96 mm). It’s small size and light weight enhance mobility when used with compact E-mount Full-frame or APS-C bodies and make up a well-balanced system that is ideal for use on gimbals or accessory grips.

52.5mm equivalent on APS-C bodies

The FE 35mm F1.4 G Master lens is highly recommended for APS-C as well as full-frame users. It balances well on smaller APS-C format bodies, providing a very useful focal length of 52.5mm (full-frame format equivalent). 52.5mm is great for taking snapshots around town, shooting scenery while hiking or mountain climbing, and much more.

Aperture ring with switchable click stops

In addition to providing the fast, hands-on response required for still and moviemaking applications, the FE 35mm F1.4 G Master lens’s aperture ring includes a switch that turns its click stops on or off: ON for tactile feedback when shooting stills, or OFF for silent control when shooting movies. The combination of quiet XD Linear Motors and the quiet operation available when the click stops are off is not only great for smooth, seamless aperture control when shooting movies, but also for shooting theater, concerts, and events where noise must be minimized.

Customizable multi-function focus hold button

The focus hold button not only performs its primary function to lock focus when recomposing but can be customized via the camera body menu settings to a number of other functions depending on your needs. In addition to Focus Hold, these custom functions include: Eye AF, AF On, Aperture Preview, Shot Result Preview or Bright Monitoring.

Instant auto/manual focus selection

Instantly and quickly switch between auto and manual focus via an AF/MF switch on the side of the lens. This makes operation faster and easier as you let the camera and lens focus for you or decide to take control and manually focus on the precise point you choose.

Natural, linear manual focus response

Linear Response MF (manual focus) ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control is feels immediate and precise in both still and movie modes.

Dust and moisture resistant1 for robust reliability

The dust and moisture resistant design make this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures.

Ideal for movie making

The FE 35mm F1.4 G Master lens has clear advantages for moviemaking. With an wide 35mm angle of view on full frame bodies and 52.5mm on APS-C bodies or Super 35mm cameras, two XD (Extreme Dynamic) Linear Motors for fast, precise autofocus and tracking, a bright F1.4 maximum aperture for beautifully defocused background bokeh, excellent close-up performance and a class leading compact and lightweight design, this lens is ideal for all types of content creators. In addition to the small size and light weight, its internal focus design makes it convenient for use on compact gimbals or grips for vlogging and other applications.

Product description

This 50mm Full-frame E-mount Fast Prime Lens offers a focal length that is perfect for portraiture and a range of other subjects. A bright F1. 8 maximum aperture, 7-blade circular aperture and aspherical element deliver impressive image quality with beautifully defocused background bokeh, all in a surprisingly compact and lightweight package.Minimum focus distance: 0.45 m (1.48 ft)

• Large F1. 8 maximum aperture enables beautiful defocusing effects
• 7-blade circular aperture creates beautiful defocused bokeh
• Compact, lightweight design Ideal for full-frame e-mount cameras
• Aspherical element controls spherical aberration and coma
• Double-gauss configuration suppresses field curvature & distortion

User questions & answers

Question:	Does anyone have that weird grinding noise when using to auto focus and manual focus? Is that normal
Answer:	Yes.
Question:	I know this is designed for full-frame, but will it work with a Sony a
Answer:	Access manual focus either in the menu or the Fn button. Then the ring that now zooms becomes the focus ring. The only way to zoom in that mode is to use the zoom slider on the side of the lens.
Question:	Has anyone compared this to the sonnar 55mm 1.8? i purchased this, i like the iq but it focus hunts often and af-c is no good with this lens
Answer:	40.5mm. But this lens actually has no way of mounting a hood to it. There are no grooves or rings. A threaded ring may work where the lens cap attaches.
Question:	What is the difference between this lens and the sony e 50mm f1.8 oss
Answer:	Please order in silver color.

Product features

Sony - FE 50mm F1.8 Standard Lens

• Compact, lightweight, easy to carry
• F1.8 maximum aperture for low-light shots
• 7-blade circular aperture for beautiful defocus effects
• 75 mm (35 mm equivalent) focal length with APS-C sensor

Product description

Full-frame 24-105mm F4 g lens for SONY Alpha e-mount Cameras

• G-lens design with 4 aspherical and 3 ED glass (extra-low Dispersion) elements, for high corner-to-corner resolving power throughout the entire zoom range
• Constant F4 maximum aperture maintains exposure and depth of field throughout the Zoom range
• 9-Blade circular aperture contributes to beautifully de-focused backgrounds. Format - 35 mm full-frame. Lens Groups / Elements - 14–17
• Minimum focusing distance of just 1. 25 feet provides close-up ability for an expansive range of expression
• Sports Sony's unique DDSM (direct drive Super-sonic motor system) internal focusing system and a responsive manual focusing ring, for fast, quiet, and precise focusing

User questions & answers

Question:	is this compatible with the Sony A
Answer:	Yes, the focus in general is louder than in a normal lens. Part of the reason is because it’s is an electrical focus system rather than mechanical (both auto and manual focus). Also, this is one of Sony’s cheapest FE lens so I wouldn’t expect much out of it. I don’t recommend this lens for cinematography. If you want a better alternative try the Sony Zeiss FE 55mm F1.8. It is very quiet and has amazing optical quality. Only issue I have with that one is “onion ring bokeh”.
Question:	Which one is better this or the canon ef 24–105mm f/4l is ii usm
Answer:	Yes this will work perfect on an APS-C camera such as the a6300 (also a6000, a6100, a6400, a6500, a6600 or any e-mount camera from Sony), but on an APS-C this is also a 50mm lense and that's it!, whatever you see through this lense on an APS-C body will be your 50mm experience and simply learn from it, don't fall into the trap of doing math to get the look and feel of a system you DON'T own (a full frame system for example), and probably you will never buy unless you get invested into photography and try to adapt your photo style into the look and feel of such a system (full frame bodies) in which case your APS-C photos would look zoomed in as if you where taking photos on a full frame system with a 75mm lense. Nobody is putting smartphone lense equivalencies or full frame equivalencies over oil paints at museums, it is irrelevant. Think about that for a moment.
Question:	What size filter does it require
Answer:	The 55mm is much higher quality lens all the way around. There's a reason for the price difference. Here is a comparison of the two. https://www.youtube.com/watch?v=5eFL_w42SRwYeah, this lens tends to hunt for focus a bit in low light. I've never used AF-C.
Question:	If there's no difference bwtween the two lenses, why does Amazon say this is newer
Answer:	This supports the FE (full frame) cameras (A7x series), the E 50/1.8 OSS is for the APS-C crop bodies (NEX, A5xxx, A6xxx). Both will mechanically mount and function on any E or FE body but the E 50mm will result in a cropped image on the full frame bodies. The FE will work on any body without compromising the image - however the FE lens is a different design and has a different motor. In my experience, it is noisier and slower to focus. It should also be clear that the FE model doesn't include stabilization and relies on IBIS with the bodies which offer it. I've owned both lenses so I know them well. IMHO, the E 50/1.8 OSS is a better choice if you are using an APS-C body.

Product features

Sony 4-105mm Lens

Advanced optics achieve consistently high corner-to-corner resolution throughout the zoom range. Four aspherical elements effectively reduce aberration, while ED (Extra-low Dispersion) glass elements minimize chromatic aberration. A circular aperture and carefully controlled spherical aberration shape add expressive potential with beautiful, smooth background bokeh and natural highlights that complement outstanding in-focus sharpness and clarity.

Excellent optical performance and a high zoom ratio are packed into a compact, lightweight design weighing only 23.4 oz (663 g). The design extends to E-mount bodies for outstanding system mobility and handling ease. This one high-performance lens lets you shoot a wide range of subjects and situations. A minimum focus distance of 1.25 ft (0.38 m) and built-in optical image stabilization further enhance all-around versatility.

Product description

This high-resolution super-telephoto APS-C zoom g lens features an optimized optical and mechanical design, resulting in excellent g lens image quality throughout the image area, right out to the maximum 350mm (525mm equiv.) Focal length, with the convenience and mobility of a compact, lightweight design. Built-in optical image stabilization adds even further stability and convenience to this versatile super-telephoto zoom.

• Telephoto zoom with outstanding corner-to-corner G lens resolution
• Lightweight (22oz.) remarkably Easy to handle 5x super-telephoto zoom
• 70-350Mm (105-525mm full-frame equiv.) super-telephoto zoom
• Xd linear motor for fast, precise, quiet AF and tracking
• Optical SteadyShot image stabilization

User questions & answers

Question:	Does it work with the a7ll? Does it shoot full frame? Does it require an adapter
Answer:	Yes, BUT on an APS-C camera like the Sony A6000, this lens will function as a 36mm-158mm zoom because this lens is designed for a full-frame sensor. There are many articles you can read about this crop/multiplication factor.
Question:	What is the recommended tripod for this lens with a Sony a
Answer:	I have tried both and have found that the Sony has a much sharper image than the Canon. I bought the Sony A7R III and the Sony 24-105 partly because I was not happy with the Cannon sharpness.
Question:	Will this lens work with 1.4x teleconverter
Answer:	The Sony 24-105 f./4 lens uses a 77mm filter.
Question:	does it work with sony alpha 6600 ? and what size of filter and cap it needs
Answer:	They are the same model and spec. The only change is the country of origin. It was China before, now the (SEL24105G/2) is made in Thailand.

Product features

Sony E 70-350mm F4.5-6.3 super-telephoto zoom G lens

This high-resolution super-telephoto APS-C zoom G lens features an optimized optical and mechanical design, resulting in excellent image quality across the image area and 350mm max zoom range, with convenience and mobility of the compact, lightweight design. Built-in optical image stabilization adds stability and fast, precise, and quiet XD linear motors rapidly bring your image into focus.

Dust and moisture resistant for robust reliability1

The dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures1.

1- Not guaranteed to be 100% dust and moisture resistant

XD Linear Motor for fast, precise, quiet AF

Sony’s advanced XD (extreme Dynamic) linear motor technology - the same type used in G Master series lenses - focuses on and tracks even fast-moving subjects with outstanding speed and precision. Coupled with the advanced real-time AF capability of the latest compact APS-C bodies, you have a high-performance, easy-handling system for landscapes, wildlife, and more.

7-blade circular aperture contributes to gorgeous bokeh

The 7-blade circular aperture maximizes the beauty of this large-aperture prime-lens, contributing to impressive images in which the subject stands out against a smoothly defocused foreground and background, as well as perfectly round points of defocused light. Conventional aperture blades have flat sides that create unappealing, polygonal-shaped defocused points of light. Alpha lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

Focus hold button, programmable for multiple functions

The focus hold button not only performs its primary function to lock focus when recomposing, but can be customized to a number of other functions depending on your needs. In addition to Focus Hold, these custom functions include: Eye AF, AF On, Aperture Preview, Shot Result Preview or Bright Monitoring.

Linear Response MF

Linear Response MF realizes precise manual focus control, closely equivalent to mechanical manual focus, which enables linear focus transition to ring rotation angle for repeatable and accurate manual focus that is especially desirable for MF control during video capture.

Instant auto/manual focus selection

Instantly and quickly switch between auto and manual focus via an AF/MF switch on the side of the lens. This makes operation faster and easier as you let the camera and lens focus for you, or decide to take control and manually focus on the precise point you chose.

Product description

The 24mm F1.4 GM features an advanced optical design, including two XA (extreme aspherical) elements and three ED (extra-low dispersion) glass elements that delivering outstanding corner-to-corner resolution, even at a wide F1.4 aperture. An11-blade Circular aperture mechanism creates beautiful bokeh that is a hallmark of the g Master series. Fast focusing is attained through the DDSSM (direct drive SSM) focus drive system. This lens sports class-leading size and weight, providing great handling and mobility.

• Compact Master wide prime Lens w/stunning wide-open resolution
• F1.4 max aperture provides extraordinary exposure and Depth of field
• G Master design combines extraordinary sharpness and smooth bokeh
• Two XA elements for natural, lifelike high resolution results
• In the box: Hood (ALC-SH154), Lens front cap (ALC-F67S), Lens rear cap (ALC-R1EM), Case

User questions & answers

Question:	Amazon wants me to wait for another 8 weeks on top of the 8 weeks (from 01/09/19) that they have previously estimated, any ideas what is the hold up
Answer:	This is an APS-C Lens. It will work without adapter, but will need to be in APS-C/Super 35 mode
Question:	What would the focal length be if I were to use this on the Sony a
Answer:	You need to read tripod specs to find the camera + lens weight the tripod can support. The Sony A6500 with A70-350 lens is under 3 pounds. Most, if not all, tripods can hold that weight. However, you need to consider many other factors when chooging a tripod. You might want to google how to choose a tripod/head. You need to look at load capacity, height, weight, folded length, ball heads, graphite, carbon fiber or aluminum, type of leg locks, pan & tilt range, with or without center column, your budget, etc.. Depending on what kinds of conditions or subjects you shoot, some of these factors may not be at all important to you. But you don't want to pay extra for features you don't want or need. I probably use a tripod less than 5% of the time. I don't do landscape and If I eliminated the few times a year that I shoot night skies or do light painting, I would not need or use a tripod.
Question:	Hey guys , can some of you tell us when you placed the order and how long you have waited , want to eyeball when ill get mine . Placed an order Jan
Answer:	Hi, no it will not.
Question:	Any experience comparing this with the Zeiss Batis
Answer:	Hello. The Sony 70-350mm F4.5-6.3 G Lens is compatible with the Sony a6600. Filter diameter is 67mm.

Product features

Sony Alpha Full-frame E-mount Wide Prime G Master Lens

The 24mm F1.4 GM features an advanced optical design, including two XA (Extreme Aspherical) elements and three ED (Extra-low Dispersion) glass elements that delivering outstanding corner-to-corner resolution, even at a wide F1.4 aperture. An 11-blade circular aperture mechanism creates beautiful bokeh that is a hallmark of the G Master series. Fast focusing is attained through the DDSSM (Direct Drive SSM) focus drive system. This lens sports class-leading size and weight, providing great handling and mobility.

Compact G Master wide prime lens w/ stunning wide-open resolution

The FE 24mm F1.4 GM realizes consistently high resolution across the entire frame and delivers soft and natural bokeh - a signature feature of Sony’s G Master lens series. It also boasts a new optical design comprised of 10 groups with 13 elements, including two XA (extreme aspherical) and three ED (Extra-low Dispersion) elements. The incorporation of two XA elements ensures that point light sources can be accurately reproduced, making the FE 24mm F1.4 GM a compelling proposition for astrophotography. For impressive clarity, Sony’s unique Nano AR Coating is applied to reduce lens flare and ghosting, even in landscape shots where the position of the sun can be problematic with a normal lens.

F1.4 max aperture

The F1.4 max aperture maintains exposure and depth of field, allowing you to isolate your subject from the foreground and background with amazing light gathering capabilities when shooting wide open. When changing your aperture to defocus the background, the areas out of the focal plane appear blurred. This ‘bokeh’ effect of the blurred background is enhanced with circular aperture blades used in this lens.

11-blade circular aperture contributes to gorgeous bokeh

The 11-blade circular aperture maximizes the beauty of this large-aperture prime-lens, contributing to impressive images in which the subject stands out against a smoothly defocused foreground and background, as well as perfectly round points of defocused light. Conventional aperture blades have flat sides that create unappealing, polygonal-shaped defocused points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

Direct Drive SSM (DDSSM) for fast, quiet, precise focusing

The 24mm F1.4 GM lens supports hybrid autofocus for both contrast and focal-plane phase detection AF. It has a high-precision Direct Drive Super Sonic Motor (DDSSM) system that ensures exceptionally fast, quiet and accurate AF performance. The precision internal focus mechanism aids in AF speed by moving only the middle groups of the optical system and effectively minimizing focus breathing, while keeping the lens size compact and lightweight. In addition to being the ideal wide prime lens for stills, it is also exceptionally suited for video with a linear motor that takes on the vital role of ‘wobbling’ to providing high-speed actuation for the contrast AF detection system, for smooth, continuous AF.

Two XA (Extreme Aspherical) lens element

The 24mm F1.4 GM employs two XA (Extreme Aspherical) lens element, one of which is the front lens. This large-diameter front XA lens element features a new optical design, maximizing the advantages of the short mirrorless camera flange distance, and effectively suppresses various aberrations, especially the peripheral area in the frame and sagittal flare. Two XA elements compensate for coma, field curvature, and astigmatism that can be problems with wide-angle large-aperture optics. This also contributes to the compact and lightweight design.

Nano AR coating suppresses reflections, flare and ghosting

Sony’s original Nano AR Coating technology minimizes flare and ghosting, for dynamic range that achieves lifelike detail and gradation with advanced camera sensors. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than with lenses that use coatings with an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality.

Compact, lightweight design

This remarkably compact and lightweight lens weighs in at only 15.7oz (445g) with smallest in class dimensions of 3” (75.4mm) diameter and 3-3/4” (92.4mm) in length. It’s compact, lightweight design enhances portability and mobility thanks to the combination of optical design utilizing two XA elements and the newly developed DDSSM (Direct Drive SSM) AF system.

Manual aperture ring w/ selectable on/off click for stills or movie

A responsive manual aperture ring offers positive action that will satisfy professional photographers and moviemakers alike. The aperture ring click stops can be switched on or off as required. “Off” is the preferred setting for moviemaking since it results in the least aperture operation noise. When “On” the ring provides tactile feedback that is useful when shooting stills.

Focus hold button, programmable for multiple functions

The focus hold button not only performs its primary function to lock focus when recomposing, but can be customized to a number of other functions depending on your needs. In addition to Focus Hold, these custom functions include: Eye AF, AF On, Aperture Preview, Shot Result Preview or Bright Monitoring.

Dust and moisture resistant for robust reliability

The dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures.

Astrophotography Sagittal flare suppression

Sagittal flare is a phenomenon that results in an unnatural spreading of point light sources that appears somewhat like a bird spreading its wings and becomes more pronounced towards the image periphery. It is most common in large-aperture lenses. The 24mm F1.4 GM incorporates a new optical design, including two XA lens elements, to effectively suppress and correct for sagittal flare, making this lens ideal for night sky and astrophotography.

Nano AR coating suppresses reflections, flare and ghosting

Sony’s original Nano AR Coating technology minimizes flare and ghosting, for dynamic range that achieves lifelike detail and gradation with advanced camera sensors. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than with lenses that use coatings with an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality.

Product description

Explore the world in creative new ways with exceptional g Master performance in a 16-35mm F2.8 wide-angle zoom. This lens delivers consistently superb resolution from corner-to-corner, no matter what zoom setting or focus distance at which you shoot. It produces stunning background bokeh that can add depth and artistic impact to your images when required. A compact, lightweight design makes the FE 16-35mm F2.8 GM a great choice for active shooting.Angle of View (35 mm): 07°–63°

• Designed to achieve 50 Line pairs/mm resolving power
• Two XA (extreme aspherical) elements w/ high surface precision. Minimum focus distance - 0.28 m (0.92 ft). Maximum Magnification ratio (x)- 0.19
• Constant F2.8 max aperture maintains exposure and Depth of field. Hood Type : Petal shape, bayonet type; APERTURE BLADES: 11
• Uncompromising G Master design for smooth bokeh and high resolution. Angle of View (35 mm): 107°–63°
• In-the-box: hood, lens front cap, lens rear cap, case, Mount: Sony E-mount

User questions & answers

Question:	F4 or f2.8? What is the main difference
Answer:	Great and popular lens... supply can't keep up with the demand. I waited nearly 3 months to get my copy. Ordered it early Dec. 2018
Question:	What is better f4 or this one
Answer:	Technically the focal length is still 24mm. The lens does not change when mounted on a full frame or apsc camera. What is different is the field of view. The a6500 + 24mm will view the full frame equivalent of a 36mm lens. This is not the same as using say the 35mm f1.8 OSS on the a6500. This would have the effective equivalent of 52.5mm on full frame. The focal length number on a lens whether it is made for full frame or aps is the designed length. But the effective field of view will be different depending on what sensor it is mounted to.
Question:	Is there a fish eye effect around the edges at 16mm? I am also looking at Zeiss Batis 18mm which is wide and has little fish eye effect
Answer:	Ordered mine in MAY 2019 and received it SEP 2019.
Question:	Would this lens work well for portraits? or is this more inclined for landscape? I am debating between this lens or the new 24-105mm G
Answer:	Very similar. The Zeiss has their patented T* coating so you get a little bit warmer color, and the Zeiss is f/2 - f/22. The Sony has a little bit more natural color reproduction, 11 blade circular aperture, assignable function button, auto/manual focus switch, aperture ring with de-click option for smooth aperture transition (great for video) and the aperture range is f/1.8 - f/16. Both are excellent lenses.

Product features

Explore the world in wide-angle detail

G Master performance in a wide-angle F2.8 16–35 mm zoom offers a wealth of opportunity to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh.

Product description

Capture beautiful portraits with this affordable 85mm F1. 8 full-frame e-mount mid-telephoto prime lens. This compact, lightweight lens is ideal for both full-frame and APs C cameras. The 9-blade fast F1. 8 aperture delivers beautiful background Defocus effects while the dust and moisture resistant design offers robust reliability.

• Wide F1.8 maximum aperture enables beautiful defocusing effects
• 9-Blade circular aperture creates beautiful round defocused bokeh
• ED glass element for corner-to-corner sharpness
• Double Linear motor system for fast, quiet and precise focusing. The maximum magnification ratio is 0.13 and the angle of view is 29 degree
• Direct control w/ customizable focus hold button and AF/MF switch.35 mm equivalent focal length (APS-C):127.5

User questions & answers

Question:	How does this compare to the G master counter-part? I've heard conflicting things
Answer:	It comes with a lens cap, soft draw-string case, and a high-quality petal-style hood. Very nice. BTW, best lens I've ever owned...by far.
Question:	Is this the sony 85mm f1.8 fe lens as shown in the picture
Answer:	This is a prime 55mm lens it doesn't zoom. It is a fixed focal length. It is 55mm on the full farm A7 & A7R and the equivalent of approximately an 82mm on an APS-C sensor camera.
Question:	Why there are 2 models? If they are the same lens, why one is currently unavailable and the other is in stock
Answer:	It says on box "made in Thailand". This is my second Zeiss. I still own the SEL24F18, both are built to extremely high standard, no flex at all. The only sub par component of the older Zeiss was the petal hood that fell apart in less than a year, I had to superglue it back together. The older lens has seen hell and still going strong after 3 years of heavy use. I tell you all this cos I was worried too, but when you see the images you get from the lens, wow! Also, unlike the other E mount Zeiss, I have not read about a single bad copy of the lens. Hope this helps
Question:	Is this a legitimate lens
Answer:	In general, don't use the clear UV filter with this lens. It will degrade the image quality. If you care so little about the image quality, you should not get this lens. Get the SEL50F18F and save hundreds of dollars. If you must use an UV filter, do not use the cheap Tiffen UV filter offered in a bundle. Use a Heliopan, or a Zeiss, or at the very least a B&W.
Question:	what is in the box? does it come with lens hood
Answer:	This will FIT on any e-mount camera, a6000, a6300, a5100, NEX, and ALL of the A7 (full frame) variants. BUT on an A7 it will either shoot in APS-C mode (using the same size area on the full frame sensor as an APS-C camera (a5xxx/a6xxx/NEX) and produce a lower resolution than the normal photo on the full-frame setting. You can shoot on the full-frame sensor setting on an A7(r/ii etc.) but you will see vignetting.
Question:	How far does this lens zoom. I saw 14x but is that correct
Answer:	Hi E40, Due to the crop factor, it will be multiplied to 1.5x. The angle of view of the 10-18mm lens will be equivalent to 15-27mm if mounted on your camera. -Anthony
Question:	Where was the lense assembled? Japan or Thailand
Answer:	Ignore the replies from G.Dudgeon, S.Erickson, and E.Daniels. The ILCE-3000 is an E-mount camera body, so yes, this lens will work perfectly with it because it is E-mount. And it is a great lens.
Question:	Beginner question, is it best to use a clear filter to protect this lens or will it affect the quality at all
Answer:	Assuming that you're using one of the NEX cameras, I don't think there's a 12mm prime available without using an adapter. That aside, 10-18mm would be more flexible than a fixed lens, and for landscapes, f/4 should be plenty fast. The 10-18 is a nice lens. Hope this helps. Dave
Question:	Does this lens work with Sony a7? Is it for APS C format hence on Sony a7 there is a crop factor
Answer:	Hello. Lenses with f/2.8 let in more light compared to an f/4 lens so shutter speeds can be set faster as well as ISO values set lower for the same exposure. Also, the f/2.8 lens will have more bokeh when shot at the widest aperture compared to f/4.
Question:	What does "The angle of view will be narrower down to that of APS-C size" mean? This is on the A6000 lens compat page
Answer:	This F2.8 lense is better. Lower fstop and good in low light. No distortion.
Question:	Can I use this len in my Sony Alpha 3000 (ILCE3000)?, I want to buy it but if this doesnt work on my camera i dont waste my money
Answer:	At 16mm there is no fisheye, I sometimes shoot group photos at 16mm. But at 35mm it’s a wide angle shot which has the fish eye look. This lens is an amazing lens with lots of versatility.
Question:	Would this be a better choice for landscape than the 12mm Zeiss prime
Answer:	If you have to ask that question, you probably shouldn't be looking into getting a $2100 dollar lens. Get a kit lens. 24-105 or 24-70

Product features

Sony FE 85mm F1.8 Sony Alpha Full-frame E-mount Fast Prime Lens

Capture beautiful portraits with this affordable 85mm F1.8 full-frame E-mount mid-telephoto prime lens. This compact, lightweight lens is ideal for both full-frame and APS C cameras. The 9-blade fast F1.8 aperture delivers beautiful background defocus effects while the dust and moisture resistant design offers robust reliability. (camera body shown sold separately)

Product description

Sony SEL70200G 70-200mm Interchangeable Lens for Sony Alpha Cameras. Angle of View 34°-12° 30' The small size, versatile 35mm focal length, and outstanding overall performance of this Carl Zeiss Sonnar T* lens make it an ideal match for compact 35mm full frame format E-mount bodies. Although the optical design is state-of-the-art, this superb wide angle lens remains true to the original Sonnar concept with a bright F2.8 maximum aperture (“Sonne” means “sun” in German). Three double-sided aspherical elements minimize aberration so that stunning contrast and resolution are maintained right out to the image edges at all apertures. The renowned T* lens coating contributes to natural color reproduction as well. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Effectively suppress reflections that can cause flare and ghosting with Sony’s original Nano AR Coating technology. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Once you’ve adjusted focus to where you want it, pressing this button on the lens barrel will keep the lens locked to that focusing distance. The preview function can also be assigned to this button through the camera’s custom settings. This function allows you to set a limit on the focusing range which can save you time during AF operation as the lens will not ‘hunt’ through the entire focusing range. In macro lenses, this limit can be on either the near or far range (as pictured). In the SAL70200G, the limit is set on far ranges only. In the SAL300F28G, focusing can be limited either to a far range or to a range that you specify yourself. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Aluminum alloy is used in the construction of the G Lenses and other high-end lenses to ensure high optical performance. This material is lightweight, durable, and highly resistant to the effects of temperature change. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. The dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures. 2014 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, (alpha) log, G logo and SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners. Sony and the Sony make.believe logo are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.

From the Manufacturer

• Brand is Sony
• Minimum focus distance:1–1.5 m (AF)/1–1.35 m (MF) (3.28–4.93 ft [AF]/3.28–4.43 ft [MF]), Maximum Magnification ratio : 0.13x, Focal-Length : 70–200 mm
• Interchangeable Lens
• SEL70200G

User questions & answers

Question:	Does this FE 70-200mm lens mount directly on an A7 camera, or is an adapter required
Answer:	This lens is an F1.8 it is sharper and the GM master is an F1.4 which will give you a slightly more blurred background (bokeh) than the 1.8 but it’s also three times the price due to Buil quality . According to DXO the images they produce are right on par with each other it just depends on your preference
Question:	Given this is a full frame lens, what compromise does it have pairing it with NEX6, which is not a full frame camera
Answer:	Yes it is.
Question:	Is this lens good for shooting landscapes or is it good for close ups? Help
Answer:	It is the same lens, the model name went through a small modification due to tariffs.
Question:	Will this lens work with the Sony A
Answer:	This model number is not listed on Sony website itself. It also retails for $549 (after discount, full price $599), not $249.99. No way Sony will release a new version of a lens for less than half the price of the original version. This listing is a mystery!!

Product description

Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or natureInternal focusing for smooth, quiet operation - perfect for video capture. Get an amazingly high quality E-mount zoom lens with Optical SteadyShot image stabilization perfect for taking along to your next sports game or on adventure in the great outdoors. Align the white index on the lens barrel with the white index on the camera (mounting index), then insert the lens into the camera mount and rotate it clockwise until it locks.

From the Manufacturer

• Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or nature;Aperture blades : 7
• Internal focusing for smooth, quiet operation - perfect for video capture.Direct manual focus with non-rotating focus ring during AF: ideal for precise, comfortable manual focus adjustments
• Optical Steady Shot image stabilization for stable video capture and low light performance
• Minimum Focus Distance - 3.28 ft, Maximum Magnification ratio - 0.23x
• Angle of view (on APS-C)-29 °–7 ° 40'
• Provides a wide focal range of up to 315mm (35mm equivalent) ideal for sports or nature shooting
• Quiet Internal focusing makes smooth, responsive AF possible with minimum noise. Perfect for video capture

User questions & answers

Question:	Does this lens fit a
Answer:	the second answer is wrong. this lens has the E mount.
Question:	Hi, i have the original sony Nex-5 with the Sel1855 Lens. Is this compatible? If yes, i will buy this immediately
Answer:	On the NEX 6 this lens has a focal length equivalent to 105-300mm on a full frame camera such as the a7r. I don't have a NEX 6, but it works beautifully on an a6000.
Question:	Is this a power zoom
Answer:	Not exactly a landscape lens, but yes can be utilized for landscapes...on the A6000 it has good reach and fast auto focus, on the A7r it has lovely IQ but slower...if you add a Canon 500D or 250D Close Up Lens to it (Screws onto the front of lens and it's a small threaded lens) you can shoot very nice close ups with it...http://acwilli.smugmug.com/Partial-Eclipse/....http://acwilli.smugmug.com/A7r-70-200-Canon-500D/...
Question:	What comes in the box
Answer:	It will work yes. This lens is a E-mount lens and the A6000 also uses the E-mount.

Product description

A compact, large-aperture APS-C standard zoom for users who want a small, lightweight system that provides advanced control as well as outstanding image quality. This 16-55mm (24-82. 5 mm full-frame equiv. ) standard zoom lens weighs in at only 494g. The advanced G lens design suppress aberration, reflections, flare, and ghosting, while the 9-blade circular aperture contributes to gorgeous bokeh. The SEL1655G incorporates the same XD (Extreme Dynamic) Linear Motor technology found in the Full-frame G Master series to obtain fast, precise, quiet autofocus and tracking

• Standard zooms with outstanding corner-to-corner G lens resolution
• Constant F2.8 Max aperture maintains exposure and depth of field
• Two advanced aspherical + two aspherical elements suppress aberration
• Xd linear motor for fast, precise, quiet AF and tracking
• 9-Blade circular aperture contributes to gorgeous book

User questions & answers

Question:	Will a A6000 recognize the lens for in camera lens corrections
Answer:	Yes. It is Sony native lens for a6000
Question:	Is the Sony FS5 supported by this lens
Answer:	Hi Joe;Yes; the Sony E-mount lens are compatible. It is just the complement of the 18:55 lens that usually comes with the camera body.Good quality contruction / well finished.It is bigger than the 18:55, but it is not too heavy, and very easy to change and use.The auto-focus is more slow, but works well.I only use it for fotos; so I can not answer if it works so well when recording films.Marcos
Question:	Will it fit a A7ii
Answer:	It improves a lot the zoom, considering the power of the original lens 18/55.It is optical 55/210 zoom, with vert good quality.But if you are looking for "powerfull zoom"; you will be desapointed.
Question:	What is the exact full length measurement of the lens when it is fully extended to 55mm from the mount to the edge of the lens? thank you
Answer:	As T. Lewis responded, my box only contained the lens and 2 caps however printed on the inside flap of the box were drawings of an optional lens case and optional filters. No part numbers supplied.

Product features

Sony E 16-55mm F2.8 G lens

A compact, large-aperture APS-C standard zoom for users who want a small, lightweight system that provides advanced control as well as outstanding image quality. This 16-55mm (24-82.5 mm full-frame equiv.) standard zoom lens weighs in at only 494g. The advanced G lens design suppress abortion, reflections, flare and ghosting, while the 9-blade circular aperture contributes to gorgeous bokeh. It incorporates the same XD (Extreme Dynamic) Linear Motor technology found in the Full-frame G Master series to obtain fast, precise, quiet autofocus and tracking

Premium G Lens optical design

This 16-55mm (24-82.5 mm full-frame equiv.) standard zoom lens weighs in at only 494g. The advanced G lens design includes two Advanced Aspherical and two Aspherical elements to suppress abortion and three ED (Extra-low dispersion) glass elements and Nano AR coating to suppress reflections, flare and ghosting. The 9-blade circular aperture contributes to gorgeous bokeh while the XD (Extreme Dynamic) Linear Motor offers fast, precise, quiet AF and tracking

F2.8 max aperture

The F2.8 max aperture maintains exposure and depth of field, allowing you to isolate your subject from the foreground and background with amazing light gathering capabilities when shooting wide open. When changing your aperture to defocus the background, the areas out of the focal plane appear blurred. This ‘bokeh’ effect of the blurred background is enhanced with circular aperture blades used in this lens.

9-blade circular aperture contributes to gorgeous bokeh

The 9-blade circular aperture maximizes the beauty of this large-aperture prime-lens, contributing to impressive images in which the subject stands out against a smoothly defocused foreground and background, as well as perfectly round points of defocused light. Conventional aperture blades have flat sides that create unappealing, polygonal-shaped defocused points of light. Alpha lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

Instant auto/manual focus selection

Instantly and quickly switch between auto and manual focus via an AF/MF switch on the side of the lens. This makes operation faster and easier as you let the camera and lens focus for you, or decide to take control and manually focus on the precise point you chose.

Linear Response MF

Linear Response MF realizes precise manual focus control, closely equivalent to mechanical manual focus, which enables linear focus transition to ring rotation angle for repeatable and accurate manual focus that is especially desirable for MF control during video capture.

Focus hold button, programmable for multiple functions

The focus hold button not only performs its primary function to lock focus when recomposing, but can be customized to a number of other functions depending on your needs. In addition to Focus Hold, these custom functions include: Eye AF, AF On, Aperture Preview, Shot Result Preview or Bright Monitoring.