12 best lumix lenses

Product description

A versatile 25mm lens with a natural viewing angle Suitable for a wide variety of occasions (35mm camera equivalent: 50 mm) beautiful backilogramround bokeh effect from its large diameter F1.7 aperture super lightweight and compact at only 125G/ 2.05in Length hybrid photography enabled for both photo and HD video recording with quiet and smooth fast action stepping motor focusing takes advantage of lumix mirrorless camera high speed, high precision contrast AF system.



Compatibility:



Blackmagic Design Cinema Camera

Blackmagic Design Micro Cinema Camera

Blackmagic Design Pocket Cinema Camera

Blackmagic Design Pocket Cinema Camera 4K

Digital Bolex D16 MFT Mount

JVC GY-LS300 MFT Mount

Kodak PIXPRO S-1

Olympus Air A01

Olympus OM-D E-M1 Mark II

Olympus OM-D E-M10 Mark II

Olympus OM-D E-M10 Mark III

Olympus OM-D E-M1X

Olympus OM-D E-M5 Mark II

Olympus PEN E-PL8

Olympus PEN E-PL9

Olympus PEN-F

Panasonic AG-AF100A MFT Mount

Panasonic Lumix DC-G9

Panasonic Lumix DC-G95

Panasonic Lumix DC-GH5

Panasonic Lumix DC-GH5S

Panasonic Lumix DC-GX850

Panasonic Lumix DC-GX9

Panasonic Lumix DMC-G6

Panasonic Lumix DMC-G7

Panasonic Lumix DMC-G85

Panasonic Lumix DMC-GF6

Panasonic Lumix DMC-GH4

Panasonic Lumix DMC-GX8

Panasonic Lumix DMC-GX85

YI Technology M1

Z CAM E1

Z CAM E2 MFT Mount

Z CAM E2C MFT Mount.

• Micro Four Thirds a versatile MFT 25 millimeter lens with a natural viewing angle Suitable for a wide variety of occasions (35 millimeter camera equivalent: 50 millimeter)
• F1.7 brightness beautiful background bokeh effect from its large diameter F1.7 aperture
• Super lightweight compact at only 125G/ 2.05 inches Length, Lens construction 8 elements in 7 groups (2 aspherical lenses, 1 UHR lens)
• Photo and video Hybrid photography enabled for both photo and HD video recording with quiet and smooth fast action stepping motor focusing
• Angle of View:47°

User questions & answers

Question:	Is this compatible with the DMC-G6KK
Answer:	I would not use this lens for sports photography . . .fixed 100mm on a full frame camera (160mm on crop sensor) is very limiting if subjects are much of a distance away and will produce images that will require considerable cropping if you want a close up final image or print. I actually sold this lens because I found I hardly ever used it . . .The best use for this lens is either portraits or macro photography . It excels ay both of these applications. My choice for sports photography is current 70-200 zoom f4 sometimes used with a 1.4 tele-extender . . . Just my $.02 worth
Question:	Will it work with a Panasonic Lumix DMC-GF
Answer:	Make sure you have the switches set correctly. There are 3 switches on the lens, you may have inadvertantly moved them when you switched bodies.The top switch has 3 positions: full, 0.5-infinity and 0.3m - 0.5m. The full position allows the autofocus to seek over the entire range of the lens. The second position locks out macro, allowing it to autofocus on 'normal' subjects faster. The third position does the opposite - it locks it into macro mode so it can autofocus on macro subjects faster. The second switch switches between manual focus and auto focus.The third turns images stabilization on and off. I would test it again on your 60D after making sure all the switches are set correctly. Test it in good light on a subject with high contrast. It may be worthwhile to clean the contacts on your 60D with a pencil eraser. You may also want to check if there is a BIOS update for your 60D. If it still doesn't work, you may need to contact Canon to have your 60D serviced. It's not likely to be a problem with the lens since it works fine on your other body.
Question:	Is this fit in GF
Answer:	The T3i is a great camera but a lens really makes all the difference. I use this macro often on a crop frame 7D similar to your T3i and had the opportunity to use it on full frame cameras too. It's fast, quiet, and the IS is fairly new (1 year old) and defiantly worth having especially on a higher focal length of 100mm. I would say this is one of my more popular lenses I enjoy.
Question:	If you had to choose one panasonic prime lens for your mft camera - would you get this one (25mm) or the 20mm f1.7? main use: portrait, night, street
Answer:	Yes, the Canon ET-73 clip on plastic hood

Product features

LUMIX G Lens - H-H025K

Fast Standard DSLM Lens

The compact, lightweight H-H025 LUMIX G 25mm is a fast standard lens designed for LUMIX G DSLMs and the micro four thirds system standard. It's just 2.05 in. long and weighs only 5oz.

Compact Lens, Exceptional Images

With a 35mm equivalent of 50mm, this compact LUMIX G lens provides a beautiful bokeh background defocus effect for exceptionally creative imaging. It's comprised of 8 elements in 7 groups, including one ultra-high refractive index lens element and two aspherical elements.

High-Precision, High-Speed AF

When mounted on a LUMIX G series camera you'll take full advantage of this exceptional lens's high-speed, high-precision contrast AF system. With a well-developed, high-performance stepping motor, focusing action is fast, smooth and silent, ideal for use in both photo and video recording.

Nano Surface Coating

The LUMIX G 25mm, F1.7 ASPH. lens incorporates Panasonic's unique nano surface coating technology to minimize reflections through the entire visual range (380nm-780nm). The result is a dramatic reduction of ghosts and flare for extremely clear image quality.

Stable Optical Performance

The H-H025 LUMIX G lens maintains stable optical performance even at wide F-stops.

Product description

Panasonic LUMIX Mirrorless Micro Four Thirds camera lenses deliver a no-compromise approach to optical performance for modern interchangeable camera enthusiasts and professionals. Part of the X Series lens, this newly refreshed Panasonic LUMIX Professional Camera Lens G X VARIO II H-HSA12035 features Panasonic’s Nano Surface Coating to reduce bothersome reflections across the entire light spectrum for the highest standards of detail and sharpness. Built for the outdoors, this professional grade metal body lens features a splash / dustproof design when mounted on a compatible LUMIX G Mirrorless camera. Featuring Power O.I.S. optical image stabilization compatibility with 5-Axis Dual I.S. 2.0 (Image Stabilization), you'll shoot with unprecedented hand-held stability across both video and still. For added versatile high performance, this high-speed zoom lens offers a high F2.8 constant aperture brightness over the entire zoom range and a focal length of 12-35mm (35mm camera equivalent: 24-70mm) to cover wide-angle to standard to medium telephoto shooting. What’s more, the stunning AF performance of this lens records excellent 4K video where precise focusing is essential. Make the switch from bulky DSLRs to the smaller, lighter, more compact Mirrorless Micro Four Thirds system cameras and lenses from Panasonic LUMIX.

• NANO SURFACE COATING: Professional, high-quality LUMIX G X VARIO II camera lens optics with Panasonic’s Nano Surface Coating to reduce unwanted ghosting and flaring for crystal-clear pictures (4 ASPH / 1 UED / 1 UHR)
• HIGH-SPEED AUTO FOCUSING: Upgraded faster focus tracking via a 240 fps linear motor performs smooth aperture changes so there are no sudden jumps in exposure for improved video performance
• ADVANCED OPTICAL IMAGE STABILIZATION: Panasonic POWER O.I.S. compatible with enhanced LUMIX Dual I.S. 2.0 LUMIX Mirrorless cameras immediately compensates even large camera shake and vibrations for sharp, blur-free photos
• HIGH-SPEED ZOOM LENS: A 3X optical 24-70 millimeter (35 millimeter camera equivalent) focal length with F2.8 constant aperture brightness covers wide-angle to standard to medium telephoto shooting for capturing top-quality landscapes and indoor shots
• RUGGED HIGH-PERFORMANCE DESIGN: Durable metal body camera lens braves the elements in nearly any kind of weather or shooting location (Splashproof / Dustproof / Freezeproof).Closest Focusing Distance:0.25 m / 0.82 ft
• Lens Type: Wide Angle

User questions & answers

Question:	is the polarized lens ND and is it any good
Answer:	Yes, it and all other lenses made for "micro four-thirds" ("MFT", "micro 4/3", etc.) are compatible with all MFT bodies in terms of the bayonette mount, although Panasonic and Olympus have different approaches about what functions to put in their lenses vs. in their bodies instead - so, in general, many Olympus lenses work better on Olympus bodies, and many Panasonic lenses work better on Panasonic bodies (even though they share the same mount and electrical contacts).
Question:	I have a dmc-gx7k. will this work lens work with my camera? if not, does anyone know the appropriate lens to get (would like 2.8 35-100mm
Answer:	Yes, I actually used it on my GF5... it does look very disproportionate, but it works the same as on any other m 4/3 camera
Question:	Will it fit lumix dmc g5k
Answer:	Is this fit in GF3
Question:	Has anyone used this with a gx85? i curious if it's too large to be comfortable with that small of a body
Answer:	The 20mm focus speed is not terrible. It is a bit loud and not suitable for video. I have both and like both. I find I use the 20mm more often. The Normal Lenses, I never really liked all that much. Just because it is the normal view for an eye doesn't mean it is all that useful. I like 42.5mm for portrait, and one of my most used lenses is the 7-14mm. Back to the 20 mm. You can use it for portrait but it's not as good as the longer lens. My recommendation. Get the 20mm and add another lens later.

Product features

Panasonic LUMIX Professional Camera Lens G X VARIO II H-HSA12035

The Panasonic LUMIX Professional Camera Lens G X VARIO II H-HSA12035 delivers a no-compromise approach to optical performance for modern interchangeable camera enthusiasts and professionals. This Mirrorless Micro Four Thirds camera lens features a newly refreshed 12-35mm F2.8 X Series lens with Panasonic’s Nano Surface Coating to help reduce unwanted ghosting and flaring. It also boasts Power O.I.S. optical image stabilization compatibility with 5-Axis Dual I.S. 2.0 (Image Stabilization) for hand-held stability across both video and still. For added durability when filming outside, the professional grade metal body camera lens features a splash / freeze / dustproof design when mounted on a compatible LUMIX G Mirrorless camera.

12-35mm / F2.8 Versatile High Performance

Get high F2.8 brightness over the entire zoom range with this high-speed zoom lens. Its focal length of 12 - 35mm (35mm camera equivalent: 24 - 70mm) covers wide-angle to standard to medium telephoto shooting. Not only ideal for capturing landscapes while traveling, this lens’s wide diameter gives you top-quality indoor shots too. Perceptive and defocusing effects add to the features, giving you exactly the kind of photos and videos you’re looking for. Its splash/dust/freezeproof design also makes it great for shooting outdoors, so you can use it in nearly any weather with a splash/dust/freezeproof LUMIX camera and be creative.

Splash / Dust / Freezeproof Design Withstands the Elements

Brave the elements in nearly any kind of weather or shooting location. This lens features a splash / dust / freezeproof construction* that is tough enough to withstand even heavy field use. It protects the lens system inside from sand, rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back from capturing the creative nature or landscape shots you want.

*The lens supports this feature in conjunction with splash/dust/freezeproof LUMIX cameras.

Power O.I.S. Compensates Camera Shake for Crisp Images

Capture scenes carefree or at the spur of the moment. The optical image stabilization (O.I.S.) technology built directly into the lens ensures your photos will look great, with sharp blur-free contours across the entire picture.

Taking highly popular MEGA O.I.S. further, this advanced technology immediately compensates even large camera shake and vibrations that may occur in photography. So you can capture true-to-life scenes without the need for a tripod. In the end, you’ll enjoy wonderfully crisp images.

4K Video Support for High-Resolution Recording

With video support any user has everything they need for recording with their LUMIX camera. Not only does it perform smooth aperture changes so there are no sudden jumps in exposure, it also boasts a silent design for enhanced capture of the scene’s audio. What’s more, the stunning AF performance of this lens records excellent 4K video, where precise focusing is essential.

Nano Surface Coating Reduces Reflections

Put an end to unwanted ghosting and flaring – the Nano Surface Coating has been applied to lenses within the system. This special, ultra-thin coating was developed originally by Panasonic to reduce bothersome reflections across the entire light spectrum. The result: crystal-clear pictures even if you’re photographing a light source in the dark.

High-Quality Lens Construction for Uniform Image Quality

Aspherical (ASPH) lenses reduce size and weight, effectively preventing spherical and distortion aberration.

Ultra-high refractive index (UHR) lenses improve optical performance, reduce size and weight, and achieve uniform image quality from the center to the edges of the image.

Ultra Extra-Low Dispersion (UED) lenses correct chromatic aberration rendering sharp, high-contrast images with clear colors from corner to corner.

MTF Chart Details Optical Performance

For lenses that are capable of compensating distortion, the horizontal axis of the MTF shows the distance from the center of the corrected image.

Product description

Panasonic LUMIX Mirror less Micro Four Thirds lenses deliver a no-compromise approach to optical performance for modern interchangeable camera enthusiasts. This 100-300mm F4.0-5.6 classic enhanced lens has been updated for the outdoors with a splash proof and dustproof design (when mounted on a compatible LUMIX G Mirror less camera). Now featuring Power O.I.S. optical image stabilization compatibility with 5-Axis Dual I.S. 2.0 (Image Stabilization) you'll shoot with unprecedented hand-held stability. Make the switch from bulky DSLRs to the smaller, lighter, more compact Mirror less Micro Four Thirds system cameras and lenses from Panasonic LUMIX. (200-600mm 35mm Camera Lens Equivalent).

• Updated Panasonic LUMIX 100 300mm zoom lens replaces H FS100300
• 100 300mm F4.0 5.6 (1 ED), closest Focusing Distance : 1.5m / 4.92feet
• Upgraded support for harsh weather conditions (Splash proof / Dustproof)
• Panasonic POWER O.I.S. compatible with LUMIX Dual I.S. 2.0 LUMIX Mirror less cameras.
• Faster focus tracking via a 240 fps linear motor.Diagonal Angle of View:12°(Wide) 4.1°(Tele)

User questions & answers

Question:	is this compatible with a Lumix GF
Answer:	Yes, works great
Question:	whats in the box
Answer:	The Canon Rebel XS will work with pretty much any EF-mount lens ever made, as well as with the special EF-S lenses designed for cameras with APS-C size sensors.
Question:	Where do I get firmware updates for this? The jpn site only has one for the older version
Answer:	No
Question:	Anyone else have dust on your copy? My front element had minor exterior dust. And packaging wasn't great imo. Carboard inserts, not styro
Answer:	No. Works on canon

Product features

TELEPHOTO 100-300mm / F4.0-5.6

Drawing subjects in from a distance, this 300mm (35mm camera equivalent: 600mm) ultra-telephoto zoom lens is ideal for capturing intense action sports, or even animals you couldn’t normally get close to. Unlike conventional lenses, LUMIX G lenses like this one are small, lightweight and fit perfectly in the palm of your hand. Now you can take professional-looking shots of an athlete – and even capture individual drops of water falling through the air.

SPLASH AND DUSTPROOF

Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dustproof construction* that is tough enough to withstand even heavy field use. It protects the lens system inside from sand, rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back from capturing the creative nature or landscape shots you want.

*The lens supports this feature in conjunction with splash/dustproof LUMIX cameras.

POWER O.I.S.

Capture scenes carefree or at the spur of the moment. The optical image stabilization (O.I.S.) technology built directly into the lens ensures your photos will look great, with sharp blur-free contours across the entire picture.

Taking highly popular MEGA O.I.S. further, this advanced technology immediately compensates even large camera shake and vibrations that may occur in photography. So you can capture true-to-life scenes without the need for a tripod. In the end, you’ll enjoy wonderfully crisp images.

VIDEO SUPPORT

With video support any user has everything they need for recording with their LUMIX camera. Not only does it perform smooth aperture changes, so there are no sudden jumps in exposure, it also boasts a silent design for enhanced capture of the scene’s audio. What’s more, the stunning AF performance of this lens records excellent 4K video, where precise focusing is essential.

LENS CONSTRUCTION

Extra-Low Dispersion (ED) lenses correct chromatic aberration rendering sharp, high-contrast images with clear colors from corner to corner.

MTF CHART

For lenses that are capable of compensating distortion, the horizontal axis of the MTF shows the distance from the center of the corrected image.

Product description

Panasonic LUMIX Mirrorless Micro Four Thirds camera lenses deliver a no-compromise approach to optical performance for modern interchangeable camera enthusiasts and professionals. As an optical partner of legendary LEICA Lenses, Panasonic LUMIX Professional Camera Lens LEICA DG VARIO-ELMARIT H-ES12060 features Panasonic’s Nano Surface Coating to reduce bothersome reflections across the entire light spectrum for the highest standards of detail and sharpness. Built for the outdoors, this professional grade metal body lens features a splash / dustproof design when mounted on a compatible LUMIX G Mirrorless camera. Featuring Power O.I.S. optical image stabilization compatibility with 5-Axis Dual I.S. 2.0 (Image Stabilization), you'll shoot with unprecedented hand-held stability across both video and still. For added versatile high performance, this standard zoom lens offers a F2.8-4.0 ASPH and focal length of 12-60mm (35mm camera equivalent: 24-120mm) to render everything clearly, from corner to corner. What’s more, the stunning AF performance of this lens records excellent 4K video where precise focusing is essential. Make the switch from bulky DSLRs to the smaller, lighter, more compact Mirrorless Micro Four Thirds system cameras and lenses from Panasonic LUMIX.

• NANO SURFACE COATING: Professional, high quality LEICA DG VARIO ELMARIT camera lens optics with Panasonic’s Nano Surface Coating to reduce unwanted ghosting and flaring for crystal clear pictures (4 ASPH / 2 UED)
• HIGH SPEED AUTO FOCUSING: Upgraded faster focus tracking via a 240 fps linear motor performs smooth aperture changes so there are no sudden jumps in exposure for improved video performance
• ADVANCED OPTICAL IMAGE STABILIZATION: Panasonic POWER O.I.S. compatible with enhanced LUMIX Dual I.S. 2.0 LUMIX Mirrorless cameras immediately compensates even large camera shake and vibrations for sharp, blur free photos
• STANDARD ZOOM LENS: A 5X optical 24 to 120 millimeter (35 millimeter camera equivalent) focal length with F2.8 4.0 ASPH provides flexible framing from breathtaking landscapes to beautiful, mid telephoto 60 millimeter portraits
• RUGGED HIGH PERFORMANCE DESIGN: Durable metal body camera lens braves the elements in nearly any kind of weather or shooting location (Splashproof / Dustproof / Freezeproof); Minimum Aperture:F22. Extra Low Dispersion (ED) lenses correct chromatic aberration rendering sharp, high contrast images with clear colors from corner to corner

User questions & answers

Question:	Is this a constant f2.8 or does the fstop decrease as you zoom in
Answer:	i have a rebel t6 it came with adapter to fit look on page see if yours is listed
Question:	does this lens need a UV Filter
Answer:	I use it with my t3 and it works good.
Question:	panasonic:: everyone on dpreview has made in china lenses. isn't this lens made in china and not germany
Answer:	This camera comes with an adapter for T mount Canon camera. You put the adapter on the camera and the screw the lens into the adaptor. The EOS 4000D is an EF-S mount style, so I am betting that the adaptor would not work on that camera.
Question:	what is the difference between this one and the previous generation
Answer:	Mine came with a T mount ring that works with my Canon T21 and then you screw the lens into that. Make sure you order a Canon compatible lens as this company sells this lens for Nikon and other camera systems with the applicable connection ring.

Product features

LEICA DG VARIO-ELMARIT 12-60mm/F2.8-4.0 ASPH./POWER O.I.S.

From everyday images to landscapes and portraits, this tough LEICA mid-range zoom lens is ideal for stable wide angle to super telephoto photography in all weather conditions. Perfect for capturing creative nature or landscape shots just as you envisioned.

Splash/Dust/Freezeproof

With its splash/dust/freezeproof construction this lens is tough enough to withstand heavy field use by protecting the interior lens system from sand, rain, cold and other harsh conditions.

Product description

LUMIX G 42.5mm /F1.7 ASPH. / POWER O.I.S.

• F1.7 Large Diameter & Mid Telephoto 85mm Focal Length; Mount: Micro Four Thirds mount
• 31cm Closest Focusing Distance
• POWER O.I.S. (Optical Image Stabilizer) / 240fps Drive AF
• Perfect for low light photography with a bright F1.7 aperture.
• 31cm Closest Focusing Distance
• Power O.I.S. (Optical Image Stabilizer) / 240fps Drive AF
• Focal Length, f=42.5mm (35mm camera equivalent 85mm)

User questions & answers

Question:	Panasonic H-HS043K LUMIX G 42.5mm f/1.7 Asph. is it made in Japan
Answer:	Not as good as a makro lens. I love this lens it stays on my camera 95% of the time.
Question:	Is there a difference between us and international version? is it ois
Answer:	Approximately 3 feet, minimum.
Question:	When I slightly shake this lens it has an obvious rattle. Is this normal or is mind defective
Answer:	The Canon 75-300 is arguably their worst lens - it is a cheap kit lens that is usually bundled with the 18-55mm lens on their consumer DSLRs - i.e. EOS Rebels and XXXD model units. As has been said already it lacks IS, and is actually designed for a completely different purpose - it is a medium-to-long range tele lens, is slow and had poor optics. The 18-200 is designed as a walk-around lens, i.e. one that you might take when you want only one lens for a variety of purposes, such as traveling. As the review sites indicate, this is an ambitious range as it incorporates moderate wide angle to moderate telephoto all in one set of optics and it comes with compromises - but many of those can be resolved in camera or in post processing with applications such as Photoshop or Lightroom. It DOES boast 4 stops of IS (I would never buy a tele lens without IS). Optically this is a far superior lens to the 75-300. If you are considering a lens purchase you need to ask yourself a few questions: 1. What is your budget? 2. What are you trying to capture? There is a big difference between lenses for shooting indoors, portraits or wildlife. If you are just starting out and are not sure, I would suggest going for the Canon 18-135 IS STM model - it's got much newer tech and optics and is a good walk around unit. 3. What are you going to produce? There is a big difference in the requirements for posting images to social media or multimedia devices compared to producing large, high-resolution prints. 4. What are you prepared to carry? There is no point in getting a large outfit if you leave it at home. 5. Where do you want to take your photography? If your intent is engage in this seriously then consider the best glass you can afford. Camera bodies change almost annually and lose their value quickly, but lenses last far longer. If you have a crop sensor camera, such as a Rebel or the X00D, X0D or the 7D series then you can use either the EF-S lenses (designed specifically for crop sensors) or the EF lenses (designed for full-frame bodies). Among the EF-S lenses the best general purpose lens is the 17-55 IS USM 2.8 lens. It is big but has a large aperture that makes it work well in low lighting conditions. There is no really great APS-C tele zoom, but the Canon EF 70-300 F4-5.6 IS II USM lens is an excellent unit. Top of the line in EF units is the L (Luxury) series of lenses designed for professional work. They are robust, dust and moisture resistant, and have great optics. (The EF-S lenses have excellent glass but because of the design of the crop sensor they can be made more cheaply and they are not weather resistant). When considering the numbers for a lens you should note that the numbers indicating the focal length on a lens (e.g. 18-200mm) indicate the Field of View (what the sensor sees) for a FULL FRAME sensor. Any crop sensor sees less than a FF sensor, so to get an idea of what a crop sensor will see with ANY lens attached to it, you need to multiply the focal lengths and aperture values by the crop factor (1.6). Thus the 18-200 lens will still generate a FoV of 18-200 but what the crop sensor will CAPTURE will be Equivalent to 29-320mm. If you want to understand this principle more see the DPREVIEW article: https://www.dpreview.com/articles/2666934640/what-is-equivalence-and-why-should-i-care
Question:	Is it worth buying if i already Have the 25mm F
Answer:	This is a good lens just to be used in trips and you want be light. At night is not a good option. 3.5 at 18 but increase dramatically once the zoom is used.

Product features

The Perfect Portraits Lens

This bright, large aperture F1.7 lens draws maximum light to produces a beautiful bokeh background defocus effect for impressive, more creative images. Together with a 42.5mm mid-telephoto focal distance (35mm camera equivalent 85mm), this lens is more than ideal for clear, detailed and expressive portraits.

Optical Image Stabilizer – Lumix Power O.I.S.

Large aperture lenses can produce an optimum shallow depth of field effect, but even the slightest handshake can also produce out-of-focus images. The Lumix Power O.I.S. (Optical Image Stabilizer), however, quickly and reliably compensates for blurring to deliver crisp, super-clear shots even when shooting in low-lit situations.

Fast Auto Focusing - 240 fps Drive Capability

With the Lumix H-HS043K, both lens and camera sync at up to 240 fps* to take full advantage of the camera's high-speed AF system. Its inner-focus drive system and stepping motor performs smoothly and silently during photo and video recording. (*Sensor drive performance varies depending on the camera.)

Lens Construction

- 10 elements in 8 groups

- 1 aspherical lens

Product description

The new LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. lens features superb image rendering for lifelike textures and crisp, edge-to-edge contrast. A unique Nano Surface Coating technology minimizes reflections at entire visual light range (380nm-780nm) for a dramatic reduction of ghosts and light flare, resulting in outstandingly clear picture quality. Using a Multi-Actuator Floating Inner Focus System to control three lens groups separately the LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. achieves a reduction in both size and weight without compromising picture quality. Boasting outstanding compactness, the lens is approximately 90mm in length and 7.4oz in weight, resulting in ultra-high mobility. Offering a versatile zoom range of 45-175mm the LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. allows distant subjects to be captured sharply at the tele-end. Also notable, the lens is extremely suitable for portrait and landscape shots, as its high contrast and resolution helps images shot at the wide end maintain exceptional quality, and the zoom lever allows for quick and stable zooming, even while shooting a moving object. The new lens system features two Extra-low Dispersion (ED) lenses which suppress chromatic aberration and contribute to high descriptive performance across the entire zoom range 45-175mm. The POWER O.I.S. (Optical Image Stabilizer) integrated into the LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. makes it easy to shoot sharp images even in low-lit situations. With improved sensitivity of the gyro sensor, the new POWER O.I.S. also suppresses large, slow movements two times more effectively while small, fast movements are compensated for by the conventional MEGA O.I.S.

• 90mm-350mm in 35mm equivalent zoom
• Nano Surface Coating technology minimizes reflections at entire visual light range
• POWER O.I.S. (Optical Image Stabilizer) integrated into the lens makes it easy to shoot sharp images even in low-lit situations
• Power zoom; Minimum Aperture: F22

User questions & answers

Question:	What is the difference between the black and silver versions of this lens? There's quite a price spread! Are they the same
Answer:	Yes, it is compatible with Canon T3.
Question:	Hello, if I mount this lens on GX7 body, can I zoom the lens using Image App on iPhone
Answer:	Yes, however, it is a full frame lens so on the t6i the crop factor is important. This lens will be a 80mm f1.8 on the t6i. It WILL work perfectly but the focal length is the longer 80mm on that camera as it will be on all Canon APS-c sized sensor cameras. It is only a 50mm f1.8 on a full frame Canon Camera like the 5D series.
Question:	Will it fit and the i o stability on olympus air 1 work
Answer:	Yes this lens works on all 3 of my cameras: Rebel XT, T5 and 7D mk2
Question:	I have this lens on a blackmagic studio camera, and it looks amazing. is there a way to turn off the auto-fstop
Answer:	I bought this lens because I thought I my Canon lens had been stolen, but it turned up. Now I have both. I did a comparison, shooting the same scene using a tripod. I looked closely at the two photos in Photoshop. The sharpness was identical. Chromatic aberrations, which weren't bad, were the same. The only difference was that the Yongnuo was brighter even though the exposure settings were the same. I'd say half a stop brighter. So you could use the same aperture as the Canon but use a slightly higher shutter speed or lower your ISO. It's a great alternative to the Canon.

Product features

PANASONIC LUMIX G X Vario Power Zoom Lens, 45-175MM, F4.0-5.6 ASPH, MIRRORLESS Micro Four Thirds, Power Optical I.S, H-PS45175K (USA Black)

• Premium 3.9X Video and Still Optimized Powered Zoom (45-175mm) with Exclusive Power Zoom Technology
• Floating Inner Focus Power O.I.S with Silent Drive Optimized for Video and Still Capture
• Micro Four Thirds Durable Metal Lens Mount with Power Controls for Focus and Smooth Zooming.
• Premium Extra-low Refractive Index Nano Surface Coating.

Product Details

The Panasonic new cutting-edge interchangeable lens LUMIX G X VARIO PZ 45-175mm/F4.0-5.6 ASPH./POWER O.I.S. (H-PS45175) with electric-powered zoom operation from the new premium lens brand "X" for LUMIX G Micro System that complies with Micro Four Thirds System standard. Crystallizing Panasonic's optical technologies, the new "X" lens features superb image rendering for lifelike textures, crisp edge-to-edge contrast, a unique Nano Surface Coating for minimal ghosts and flaring and natural atmospheres with remarkable transparency.

Multi-Actuator Floating Inner Focus System

The Industry's first adoption of Multi-Actuator Floating Inner Focus System* which controls 3 lens groups separately by the individual actuator achieves downsizing in both size and weight. It also achieves high descriptive performance for resolution and contrast at entire zoom range 45-175mm (35mm camera equivalent: 90-350mm) without changing the overall length.

Product description

20mm focal length, equivalent to 40mm on a 35mm film camera F1.7 brightness for beautiful, soft focus Comprised of seven lenses in five groups Used with Lumix G Micro System Cameras, allows for use of the advanced contrast Auto Focus (AF) system

• 20mm focal length, equivalent to 40mm on a 35mm film camera
• Closest Focusing Distance : 0.2m / 0.66ft, Maximum magnification Approx. 0.13x / 0.25x (35mm camera equivalent)
• F1.7 brightness for beautiful, soft focus, Comprised of seven lenses in five groups
• Used with Lumix G Micro System Cameras, allows for use of the advanced contrast Auto Focus (AF) system
• Lens not Zoomable

User questions & answers

Question:	does this 20 mm lens have stabilization built in, I do not se any mention of that
Answer:	Hi,there, in most cases,it works with a ftz adapter.
Question:	Why is this newer version of the 20mm less expensive than the older plastic version? Seems like it should be more right
Answer:	Yes and no. It will work, but you're better off using a DX lens for DX camera if you're using it as a portrait lens. Search "Nikon DX portrait lens) and those lenses typically cost significantly less. In other words, since the D3200 is a crop camera (DX and no FX) and this lens is for full frame, you wont get the same focal length. you will have to make adjustments on the camera for any full frame. I would say it makes to invest in this lens only if you plan to upgrade to full frame camera or at least use one some time in the future. The only focal length that works the same on both DX and FX is 50mm. Hope that helps.
Question:	will this fit on Lumix DMC-G
Answer:	This lens will absolutely work on the Nikon D5000
Question:	I am a novice but since the mm is smaller would this be a wide lens compared to the default lens that came w my g
Answer:	I believe so. It’s the noisiest lens I ever used, ever noisier than an old school budget zoom 2.8 from Tameron without VR. The robo noises can be heard frik far away. I have no complaints about the picture quality for the price range though. Just not the best option for fast action or anything where you need to be quiet. Great for budget equipment and beautiful portraits though. I’m pleased to use it instead of any 2.8 zoom lens or any wider fixed lenses.

Product features

PANASONIC LUMIX G II Lens, 20MM, F1.7 ASPH, MIRRORLESS Micro Four Thirds, H-H020AK

The LUMIX G 20mm / F1.7 II ASPH is an amazingly sharp compact lens with superb F1.7 brightness.

This new LUMIX G 20mm F1.7 II lens is an update to the original LUMIX 20mm F1.7 pancake lens made popular by Micro Four Thirds system photo enthusiasts because of its razor sharpness and compact size.

The new LUMIX G 20mm F1.7 II lens system is also designed to work with the Micro Four Thirds lens standard and is compatible with Panasonic LUMIX G digital cameras.

A new metal finish replaces the original 20mm lenses resin body, and combines with a durable metal mount for a sophisticated premium feel.

Optically the new The LUMIX G 20mm / F1.7 II lens offers the same great performance with two aspherical lenses and a multi-coated lens surface for reduced ghosts and flaring.

Features

• Extremely bright F1.7 optical performance
• Ultra compact durable metal body
• Durable Micro Four Thirds metal mount
• Two aspherical lenses
• Multi-coated lens elements reduce ghosts and flaring

Product description

Panasonic Renewal Of its 14-140mm lumix g telephoto zoom lens is based on the Micro Four Thirds system Standard. In addition to its versatile zoom range From wide-angle to telephoto, the upgraded lumix g Varo 14-140mm/ F3.5-5.6 II ASPH./ power O.I.S. (H-fsa14140) features a splash*/dust-resistant construction for heavy field use while maintaining its stylishly compact and lightweight profile. The lens's practical zoom range of 14-140mm (35mm camera equivalent: 28-280mm) suits a wide range of shooting situations. It can deftly capture the detail of a dynamic landscape, smoothly bring subjects up close or shoot an intimate, impressive portrait with beautifully defocused background. Power O.I.S. (Optical image Stabilizer) compensates effectively not only for small, fast movement but also large, slow subjects, making it easy to shoot super clear shots even in low-lit situations, such as nighttime or indoors. Incorporating an inner focus drive system and stepping motor, The LUMIX g Varo 14-140mm/ F3.5-5.6 II ASPH./ power O.I.S. Is more than capable of smooth, silent operation to work with the digital camera’s high-speed, high-precision contrast AF system for both photo and video recording. It is also compatible with sensor drives at max. 240 fps to take maximum advantage of digital cameras with high-speed AF. The LUMIX g Varo 14-140mm/ F3.5-5.6 II ASPH./ power O.I.S. (H-fsa14140) is designed and built with a highly reliable metal mount and includes multi-coated lens elements to minimize ghosts and flare. Seven blades give the aperture a rounded shape to produce an attractively smooth Defocus effect in out-of-focus areas when shooting at larger aperture settings. Notices and DISCLAIMERS: splash resistant*/ dust resistant: splash resistant is a term used to describe an extra level of protection This device offers against accidental exposure to a minimal amount of moisture, water or dust. Splash resistant does not guarantee that damage will not occur if this device is subjected to direct contact with water. Minimizing damage: in order to minimize the possibility of damage, Please be sure the following precautions are taken: (a) the splash resistant feature only works in conjunction with the cameras, lenses, and accessories that carry the same Panasonic splash resistant certification. (B) the device is not designed to be dust and splash resistant when or if a USB connection cable or the cable holder is attached to it. (C) make sure that all doors, socket caps and terminal covers are securely closed. (D) make sure that you are in a dry and secure place when changing the battery, lens or memory card, or other accessory. After changing, make sure their protective doors are securely closed. (E) If this device is exposed to water, sand or any other foreign material Clean it as soon as possible, taking the necessary precautions that the foreign substance does not get inside the device. Camera Monitor cleaning: If sand, dust, or liquids such as water droplets adhere to the monitor, wipe them off with a dry Soft cloth. (A) not doing so may cause the monitor to respond incorrectly to touch operations. (B) If the monitor is closed When such liquids are present, malfunction may result. Cold temperatures: when using in cold temperatures (10C to 0C (14F to 32F): attach a Panasonic interchangeable lens with a minimum recommended operating temperature of 10C (14F) before use. Cautions: do not place your hands inside the camera mount of the digital camera body. Since the sensor unit is a precision apparatus, it may cause a malfunction or damage.

• Upgraded 14-140mm Lens – the LUMIX g Vario h-fsa14140 is an upgraded version of the LUMIX h-fs14140ak 14-140mm F3.5-5.6 (10x) telephoto zoom lens
• Micro four-thirds mount – durable metal MFT mount is compatible with Micro Four Thirds mount cameras, including Lumix g Mirrorless Digital Cameras
• Rugged lens design - durable splash*/dust-resistant construction ideal for heavy field use, while maintaining its stylishly compact and lightweight profile
• Power O.I.S. - Optical image Stabilizer quickly and effectively compensates for small, fast movements even in low-lit situations
• Quality optics - comprised of 14 elements in 12 groups, This lens features three aspherical lenses and two ED (extra-low dispersion) lenses, while efficiently minimizing distortion and chromatic aberration

User questions & answers

Question:	Is this manual zoom, or can i use a camera app to zoom remotely
Answer:	Yes. It will. This lens fits all the Canon bodies which has white square marked on lens adapter side.
Question:	Does the fit the gx
Answer:	Yes, it will, your camera can use all EF and EF-S lenses. There is a newer version though, the EF-S 55-250mm F4-5.6 IS STM. There are some fairly important updates to the STM version; here is a list of the most important ones… 1. STM v Micro motor focus – The IS ii has an out of date focusing system, which is slow, noisy, and seeks for focus too much, especially zoomed out. The STM focus is faster, smoother, and nearly silent. It also supports continuous focus in movie mode, but only the t4i and newer models. The barrel extends during focusing too, and the IS ii is a bit wobbly fully extended, and the STM is much sturdier. 2. Rear Focusing – the IS ii version has a front element that rotates during focus, a problem if you are trying to use any kind of filter that needs to be positioned in a specific way. This makes it challenging to use a circular polarizer and graduated ND filters. The STM version uses rear focusing, and the front element does not rotate, which eliminates this issue. 3. Improved Optics – There is a noticeable difference in image quality from the IS ii and the STM version. The STM is sharper at all ranges of the zoom. All this does come at a cost, an increase in cost to be exact. The IS ii can be had for a little more than 100 USD right now, and the STM is 300 new. If you already have the IS ii and have no intention of getting a higher quality lens (like the EF 70-200mm F2.8L), then it might not be a bad idea to get the STM version. If you don’t have either, then it is no contest, get the STM, as it is possibly the best telephoto for under a grand. If you would like more info about the 55-250mm lens, you should check out the review I have on my profile. It covers the pros and cons, offers advice for how to use the lens, and even has suggestions for lenses that might work better for you if you have the budget for them. There are also sample images taken with the lens. Here is a link to the review. https://www.amazon.com/gp/customer-reviews/R1QA3NW3157QWO?ref=pf_ov_at_pdctrvw_srp
Question:	Could you simply list only what the 'new' version changes/improvments are
Answer:	I know this is an older question, but I see a lot of similar questions and want to put some info here for everyone to see. Sports like soccer, baseball/softball, or really any outdoor sport played in decent light can take advantage of lenses like this. The limits of the aperture make it more challenging for indoor sports like basketball and volleyball. But for soccer, you really can't do better than this lens for its price. There is also the 75-300mm lens that sometimes gets bundled with cameras, but I really think this lens is better in almost all ways. Better image quality, better focusing, and also has IS. On a crop sensor camera, both will have plenty of range for soccer. I actually have used a 55-250mm for soccer, and it did fine. Plenty of reach, and plenty good photos. Will it be professional quality? Well, no, but it is pretty good for what you will pay. There is also an updated version of the 55-250mm, the IS STM version. It has some nice upgrades, but is over twice the price new. You can find them on ebay or refurbished for about 150 USD, so if that is ok with you, then I would recommend it. It's probably the best telephoto for less than 1000 USD. If you would like some more info about the 55-250mm lens, you should check out my review on my profile. It covers the pros and cons, offers advice for how to use it, and also has suggestions for other lenses that might be better for you. There are also sample images, and it is the #1 review on amazon for this lens. Here is a link to the review. https://www.amazon.com/gp/customer-reviews/R1QA3NW3157QWO?ref=pf_ov_at_pdctrvw_srp
Question:	What's the main differences between this lens and the previous version
Answer:	I know this is an older question, but I feel this is an interesting one with some very different answers, so I am going to go ahead and leave an answer... To answer your question, this is not a macro lens, though it has a pretty good close focusing distance, about 8-9 inches from the end of the barrel. So, you can place it fairly close to your subject, zoom in a little, and probably get some detail. If this isn't going ot be enough, here are some suggestions... Best method - Get a macro lens. Depending on your intended uses, there are a few options. There is the EF-S 60mm F2.8 macro USM, and the EF 100mm F2.8 macro USM, or if you are ok with third party lenses, the Sigma 105mm F2.8 EX DG OS HSM. For product photography on APS-C, the 60mm is a good choice. But for tiny objects, like insects, coins, and similar sized things, then the 100mm or 105mm are the better options. I personally prefer the Sigma, since it is stabilized and is about the same price as the Canon 100mm. I actually have a review of the 60mm lens on my profile where I do a comparison with the 100mm, and give a breakdown of when one might be better than the other. Less expensive method - Get Extension tubes. For 80 USD, you can get a set of Kenko extension tubes, which reduce the minimum focusing distance of a lens. This allows you to cheat the focus and the magnification of the lens, thus making a makeshift macro lens out of jsut about any lens. Not as good as a true 1:1 lens, but for 80 bucks it's worth a shot. Plus, if you have the 50mm F1.8 STM, it works very well in this format. One caveat though, be aware that some sets of tubes don't have power supplied to them. These sets will not be compatible with STM lenses, or any other kind of lens that requires power to focus. They also remove other functions from the lens, like aperture control, and IS. I would say for the money the 80 dollar set is a better idea.

Product features

Panasonic Lumix G Vario 14-140mm Telephoto Zoom Lens with F3.5-5.6 II ASPH, Mirrorless Micro Four Thirds Mount and Power O.I.S.

• Upgraded 14-140mm LENS – The LUMIX G Vario H-FSA14140 is an upgraded version of the LUMIX H-FS14140AK 14-140mm F3.5-5.6 (10X) Telephoto Zoom lens
• Micro four-thirds mount – Durable metal MFT mount is compatible with Micro Four Thirds mount cameras, including LUMIX G mirrorless digital cameras
• Rugged lens design - Durable splash*/dust-resistant construction ideal for heavy field use, while maintaining its stylishly compact and lightweight profile
• Power O.I.S. - Optical Image Stabilizer quickly and effectively compensates for small, fast movements even in low-lit situations
• Quality Optics - Comprised of 14 elements in 12 groups, this lens features three aspherical lenses and two ED (Extra-low Dispersion) lenses, while efficiently minimizing distortion and chromatic aberration

Product description

The LUMIX G H-H014AK is a wide angle of view and outstanding depth of field make this pancake-type, wide-angle lens a good choice for both snapshots and landscapes. What’s more, it is especially ideal for capturing architecture, historical sights and more. When the aperture of F2.5 is fully open, you get amazingly sharp night shots. All in all, you’ll enjoy clear, beautiful photos. With HD video support any user has everything they need for recording with their LUMIX camera. Not only does it perform smooth aperture changes so there are no sudden jumps in exposure, it also boasts a silent design for enhanced capture of the scene’s audio. What’s more, it offers excellent tracking performance – so you won’t miss a moment of the action.

• Lumia MFT lens – wide angle 14mm lens MFT mount has compatible with Micro Four Thirds mounted cameras, including Lumia g Mirrorless Digital Cameras
• Wide aperture – wide F2.5 aperture is outstanding for narrow depth of field shots with good booked background defocus, and sharp low light photography.
• Low profile lens – the super narrow profile of this “pancake type” lens makes it a good choice for low weight travel and snapshot photography
• Filter size – 46mm filter thread

User questions & answers

Question:	With GH4, isn't this effectively a 30mm prime
Answer:	The lens will fit the Canon 750D and work great
Question:	How does this compare to the kit lens on the lumix g7 14-42mm? anyone with experience with the two? i want better low light
Answer:	If your asking does it do macro, no. If your asking can you get close to subjects, yes. I can get within a foot of small items and get great shots.
Question:	Is this lens compatible with olympus om-d 5 mk ii
Answer:	yes, this lens perfectly fit T3i camera. I have this available if you are interesting with excellent service provider. Thank you.
Question:	How is image quality (especially sharpness at center/corners) when mounted on lumix g7 (and lens correction enabled) compared to 14-45 kit lens of g
Answer:	The lens will fit and work well

Product description

MEKE 35mm T2.2 MFT Cinema Lens is one of MEKE Cine Lens Set:MK-12mm T2.2, MK-16mm T2.2, MK-25mm T2.2, MK-35mm T2.2,MK-50mm T2.2, MK-65mm T2.2

Wide aperture of T2.2, minimum focusing distance of 22cm,Lens consturction of 13 elements in 10 groups, capable of delivering sharp and clear video

The equivalent focal length is 24mm on Micro 4/3 mount camera bodies

Deliver image with smooth, circular bokeh and little to no focus breathing

Compatible with Micro 4/3 MFT OLYMPUS Panasonic Lumix Cameras such as GH5 and BMPCC , BMPCC 4K,Zcam E2

Compatibility

Works with Olympus mirrorless camera E-P1 E-PL1 E-P2 E-PL2 E-P3 E-PL3 E-PL5 E-PM1 E-PM2 OM-D E-M5 E-P5 OM-D E-M1 OMD-EM10 and other Olympus Micro 4/3 cameras

Panasonic Lumix G9 G1 G2 G3 G5 GF1 GF2 GF3 GF5 GF6 GF7 GH1 GH2 GH3 GH5 G6 GX1 GX7 GX8 GH4 GM1 GM5 -D E-M5 E-P5 OM-D E-M1 OMD-EM10 and other Panasonic Lumix Micro M4/3 MFT cameras

BMPCC ,BMPCC 4K

Zcam Cinema :E2 MFT mount cameras

• Lens Not Attached : MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera
• Wide aperture of T2.2, minimum focusing distance of 51cm,Lens consturction of 10 elements in 8 groups, capable of delivering sharp and clear video
• With full coverage on Super 35 and APSC sensors ; The equivalent focal length is 70mm on Micro 4/3 mount camera bodies
• Very long (270º) focus throw , Delivery image withs smooth, circular bokeh and little to no focus breathing
• Compatible with Micro 4/3 MFT OLYMPUS Panasonic Lumix Cameras such as GH5 and BMPCC , BMPCC 4K,Zcam E2

User questions & answers

Question:	Will it fit a canon
Answer:	Yes, it and all other lenses made for "micro four-thirds" ("MFT", "micro 4/3", etc.) are compatible with all MFT bodies in terms of the bayonette mount, although Panasonic and Olympus have different approaches about what functions to put in their lenses vs. in their bodies instead - so, in general, many Olympus lenses work better on Olympus bodies, and many Panasonic lenses work better on Panasonic bodies (even though they share the same mount and electrical contacts).
Question:	Do I still need a speed booster for the GH4 or will this lens work without that
Answer:	Yes, I actually used it on my GF5... it does look very disproportionate, but it works the same as on any other m 4/3 camera
Question:	Does it work with lumix g
Answer:	Is this fit in GF3
Question:	Is it compatible with a Sony A6000 mirrorless
Answer:	The 20mm focus speed is not terrible. It is a bit loud and not suitable for video. I have both and like both. I find I use the 20mm more often. The Normal Lenses, I never really liked all that much. Just because it is the normal view for an eye doesn't mean it is all that useful. I like 42.5mm for portrait, and one of my most used lenses is the 7-14mm. Back to the 20 mm. You can use it for portrait but it's not as good as the longer lens. My recommendation. Get the 20mm and add another lens later.

Product features

Metal bayonet

• Metal bayonet made of lithium alloy
• Stable and reliable

Bold gear

• Designed for video making
• Easy to follow-focus

Multi-layered

• Delivery image withs smooth, circular bokeh

Minimal Breathing

PROS:

IMAGE:

- Very, very sharp

- Little to no color cast, great contrast

- Smooth, circular bokeh

- Little to no focus breathing

- Very little flaring or blooming

BUILD:

- All metal

- Nice smooth focus and aperture control

- Very long (270º) focus throw, perfect for accurately pulling focus

- Focus distance and aperture marks on both sides of lens

• Lens Not Attached : MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera
• Compatible with Panasonic G1 G2 G3 G5 G6 G7 GF1 GF2 GF3 GF5 GF6 GM1 GM5 GM10 GX1 GX7 GX8 GH1 GH2 GH3 GH4, Olympus epm1 epm2 E-PL1 E-PL2 E-PL3 E-PL5 E-PL6 E-PL7 E-M1 E-M5 E-M10.
• With a wide aperture fo f/1.7, the lens can be usable indoors, at nighttime or dark environment
• Nano technology multi-layer coating, which can effectively reduce flaring, vignetting and ghosting
• Aperture range: f/1.7-f/22, mininum focus distance: 0.3m

User questions & answers

Question:	Does this work with the GX
Answer:	Yes.
Question:	Can i put a lens hood on this lens
Answer:	One way you can always find out the contents of a box of photographic equipment is to go to B&H, find the item, and they have a section on the main page for the item titled "what's in the box". For this lens, B&H says: In the Box Panasonic Lumix G Vario 100-300mm f/4-5.6 II POWER O.I.S. Lens G Lens Cap for Lumix Lenses (67mm) Rear Lens Cap for Lumix G Lenses Lens Hood Storage Bag Limited 1-Year Warranty
Question:	Compatible with GH
Answer:	I don’t believe this lens has been updated.
Question:	Is this compatible with panasonic lumix dmx gx
Answer:	My copy of this lens was delivered in fine condition without any dust issues. This is not the fastest lens in this range, but it's affordable and takes very nice pictures.

Product features

Meike MK-35mm F1.7 lens for Micro 4/3 MFT M4/3 Olympus and Panasonic Lumix

Lens detail

Beautiful and uesful

Sample photos ---Sharpness and Color Contrast

Product description

NOTE: Camera is NOT INCLUDED



Description:



Neewer NW-4/3-35-1.7 35mm f/1.7 Manual Focus Prime Fixed Lens features smooth focusing operation. Offers you great joy of perfect experience in manual focusing.



Designed with circular aperture blade, creates gorgeous background blur effect.



Multi-coated technique for exceptional image quality.



Premium optical glass for excellent image sharpness and contrast.



Compact and exquisite design, all-metal barrel.



Precision machining ensures great durability.



Specifications:



Lens Construction: 6 elements in 5 groups



Maximum Aperture: F1.7



Focal Length: 35mm



Filter Size: Ø 49mm



Optical Zoom: 0.113x



Angle of View:

Diagonal 44°20'

Horizontal 36°30'

Vertical 23°



Filter Diameter: 60.5mm



Barrel Length: 41mm



Net Weight: 176g



Compatibility: OLYMPUS and PANASONIC APS-C Digital Cameras, such as OLYMPUS: E-M1/M5/M10, E-P5E-PL3/PL5/PL6/PL7, PEN-L; PANASONIC: GM1/2,GX1/2/7/8, GF5/6/7, GH3/4, KODAK S1, LEICA



Package Contents:



1 x NW-4/3-35-1.7 Prime Fixed Lens



1 x Lens Front Cap



1 x Lens Rear Cap



1 x Microfiber Cleaning Cloth

• Make sure this fits by entering your model number.
• Fixed focal length 35mm, Wide angle lens. Maximum aperture of F/1.7-F/22 delivers smooth bokeh, fit close-up/portrait photo photography
• Lens construction is 6 elements in 5 groups, multi-layer coatings; Minimum focusing distance of 0.25m
• Compatible with OLYMPUS and PANASONIC APS-C Digital Cameras, such as OLYMPUS: E-M1/M5/M10, E-P5E- PL3/PL5/PL6/PL7, PEN-L; PANASONIC: GM1/2,GX1/2/7/8, GF5/6/7, GH3/4, KODAK S1, LEICA
• Multi-coated technique for exceptional images quality. effectively reduce flaring, vignetting and ghosting. Perfect for landscape shooting and portraits with superb background blur

User questions & answers

Question:	does this work with the g7 without a adapter
Answer:	The lens is not a constant 2.8 it is a variable to f4
Question:	Is it possible to use this lens with gh
Answer:	I always keep a neutral UV filter on to protect the surface of the lens from dirt and scratches. I don't usually use a polarizer to reduce glare, but it might be useful when shooting landscapes toward the sun.
Question:	fits panasonic gh
Answer:	Thank you for reaching out! While a German brand lens this unit is manufactured in China
Question:	What type of mount is it
Answer:	I am guessing (and apparently the Panasonic team could not figure this out) is not the "previous generation" of this lens, but the also recently released 12-60/3.5-5.6 lens. The first version was (1) half the price, (2) about 1/3 less weight and (3) not Leica branded. I have it and am very happy - but of course I got it before this new 12-60 was announced. There has only been (from what I have found) one full review of the new lens - and no direct comparison so far between the two. Everyone on the photography boards are assuming that because of the way the new lens was made (different lens configuration and build quality) that it should produce better images. But as I said - no direct comparisons yet. The original was more of a "consumer grade" lens and the new one seems to be more of a "pro" lens - even though Panasonic has not used that "pro" designation the way Olympus has.

Product features

Neewer Standard 35mm F1.7 Manual Focus Prime Fixed Lens for Micro 4/3 MFT M4/3 Olympus and Panasonic Lumix

• Neewer NW-4/3-35-1.7 35mm f/1.7 Manual Focus Prime Fixed Lens features smooth focusing operation, offering you great joy of perfect experience in manual focusing. It has maximum aperture of f/1.7, which allows you to shoot at night time and dark environment.
• Designed with circular aperture blade, it creates gorgeous background blur effect.
• Great for "walk around" casual photography, such as street, landscape or portrait photography.

Compatibility:

• OLYMPUS and PANASONIC APS-C Digital Cameras, such as OLYMPUS: E-M1/M5/M10, E-P5E-PL3/PL5/PL6/PL7, PEN-L; PANASONIC: GM1/2,GX1/2/7/8, GF5/6/7, GH3/4, KODAK S1, LEICA

100% Manual:

• Please go to your camera CUSTOM FUNCTIONS and ENABLE release SHUTTER W/O LENS option so as to start taking pictures.

Specifications:

• Maximum Aperture: F1.7
• Wide Angle
• Manual Focus
• All-metal barrel, 6 multi-coated elements in 5 groups
• Premium optical glass

Lens Details

• Ff/1.7 Aperture
• Lens Construction: 6 elements in 5 groups
• Focal Length: 35mm
• Filter Size: 49mm
• Optical Zoom: 0.113x
• Angle of View: Diagonal 44°20'; Horizontal 36°30'; Vertical 23°
• Filter Diameter: 60.5mm
• Barrel Length: 41mm
• Net Weight: 176g

Exquisite and Practical

• It perfectly fits Micro 4/3 MFT M4/3 Olympus and Panasonic Lummix.
• All-metal barrel, multi-coated technique for exceptional image quality.
• Premium optical glass for excellent image sharpness and contrast.
• Precision machining ensures great durability.

Package Contents:

• 1 x NW-4/3-35-1.7 Prime Fixed Lens
• 1 x Lens Front Cap
• 1 x Lens Rear Cap
• 1 x Microfiber Cleaning Cloth