6 best ear basses

"Ear basses" does not appear to be a widely recognized term in the context of soundtracks, CDs, or vinyl records. However, it's possible that you may be referring to the concept of bass frequencies in audio or soundtracks.

Bass frequencies, often referred to as simply "bass," represent the lower end of the audio spectrum, typically ranging from around 20 Hz to 250 Hz.These frequencies are responsible for the deep, low tones in music and sound effects. Bass plays a crucial role in enhancing the richness and depth of audio, providing a foundation for many musical genres, including hip-hop, electronic, and rock music.

When it comes to soundtracks, vinyl records, and CDs, the presence of a well-defined bass is essential for a satisfying listening experience. Vinyl records, in particular, are known for their warm and analog sound quality, which can include rich bass frequencies when properly mastered and played on high-quality equipment. CDs, on the other hand, offer digital audio with the potential for deep bass, depending on the recording and mastering process.

In summary, while "ear basses" does not seem to be a specific term related to soundtracks, CDs, or vinyl records, the presence of deep and well-defined bass frequencies is an important aspect of audio quality in these mediums, enhancing the overall listening experience.

Below you can find our editor's choice of the best ear basses on the market
  

Rossini - Il Barbiere Di Siviglia (The Barber of Seville)

Based on 115 reviews Check latest price

Product description

• Acclaimed tenor, Juan Diego Flórez in one of his greatest stage roles.

• Two disc set of the critically praised new production from Madrid’s Teatro Real.

• A top international cast including soprano María Bayo and the great bass baritone Ruggiero Raimondi.

• Includes a bonus disc featuring a fascinating look into the creation of Rossini's comic masterpiece.

Cast List

María Bayo (Rosina)

Juan Diego Flórez (Count Almaviva)

Pietro Spagnoli (Figaro)

Bruno Praticò (Doctor Bartolo)

Ruggiero Raimondi (Don Basilio)

Marco Moncloa (Fiorello)

Susana Cordón (Berta)

Chorus and Orchestra of the Teatro Real, Madrid

Gianluigi Gelmetti, conductor

Directed by Emilio Sagi

About the Actor

Disc 1

Titles

Overture (Sinfonia)

No.1 Introduzione: "Piano, pianissimo"

Cavatina: "Ecco, ridente in cielo"

Ehi, Fiorello?

Recitativo: "Gente indiscreta"

No.2 Cavatina: "Largo al factotum"

Recitativo: "Ah, ah! che bella vita"

Recitativo: "Povera disgraziata!"

No.3 Canzone: "Se il mio nome saper voi bramate"

Recitativo: "Oh cielo!" - "Nella stanza"

No.4 Duetto: "All'idea di quel metallo"

No.5 Cavatina: "Una voce poco fa"

Recitativo: "Sì, sì, la vincerò"

Recitativo: "Oh buon di, signorina!"

Recitativo: "Ah, disgraziato Figaro"

Recitativo: "Ah! Barbiere d'inferno!"

No.6 Aria: "La calunnia è un venticello"

Recitativo: "Ah, che ne dite?"

Recitativo: "Ma bravi!"

No.7 Duetto: "Dunque io son... tu non m'inganni?"

Recitativo: "Ora mi sento meglio"

No.8 Aria: "A un dottor della mia sorte"

Recitativo: "Finora in questa camera"

No.9 Finale I: "Ehi, di casa!... buona gente!..."

Recitativo: "Ma vedi il mio destino"

No.10 Duetto: "Pace e gioia sia con voi"

Recitativo: "Insomma, mio signore"

Recitativo: "Venite, signorina"

No.11 Aria: "Contro un cor che accende amore"

Recitativo: "Bella voce! Bravissima!"

No.12 Arietta: "Quando mi sei vicina"

Recitativo: "Bravo, signor barbiere"

No.13 Quintetto: "Don Basilio!" "Cosa veggo!"

Recitativo "Ah! disgraziato me!" - "Che vecchio sospettoso"

No.14 Aria: "Il vecchiotto cerca moglie"

Recitativo: "Dunque voi Don Alonso non conoscete"

Recitativo: "Per forza o per amore"

Ah, se è ver che in tal momento

No.15 Temporale (Thunderstorm)

Recitativo: "Alfine, eccoci qua"

No.16 Terzetto: "Ah! qual colpo inaspettato!"

Recitativo: "Ah! disgraziati noi!"

No.17 Recitativo strumentato: "Il Conte!"

No.18 Aria: "Cessa di più resistere"

Recitativo: "Insomma, io ho tutti i torti"

No.19 Finaletto II: "Di sì felice innesto"

Curtain Calls

Disc 2

Rossini

Photo Gallery - Over 100 rehearsal & performance shots

Figaro

Rosina

Don Basilio

Bartolo

Almaviva

Rossini & Sterbini

Two Worlds

The Useless Precaution

The Production

Rossini

Backstage with the Barber

Headset SKTY Voiced Memory Earmuffs for Laptop Mac Switch Biz, Basso Surround, LED Sluttish, Noise Cancelling O'er Ear Headphones with Mic, One Controller, PS4, Stereophony Gambling Headset for PC Gam

Product description

Earphones (Earphones; Headphones; Head-sets; Earpieces) are a pair of conversion units, which accept electrical signals from a media player or receiver, and convert them into audible sound waves using speakers close to the ears. The headset is generally detachable from the media player and connected with a plug. The advantage is that it can listen to the sound alone without affecting others; it can also isolate the sound of the surrounding environment, which is very helpful for people who use it in noisy environments such as recording studios, bars, travel, and sports. Earphones were originally used on phones and radios, but with the popularity of portable electronic devices, earphones are mostly used in mobile phones, walkmans, radios, portable video games and digital audio players.

Headphones let you free your hands completely, so you can do whatever you want during sports or work. Full voice

Headphone sizing: Approx.23*22*11cm Package size: 57*47*46.5cm

Headset interface: USB (plug the USB connector, LED lightsome is on, unplug for off) + 3.5mm stereo audio and mic plug

UNIVERSAL COMPATIBILITY -Gaming headset for PS4, One S, One, one X,PS4 Pro,PS 4 Slim,PC,Laptop,PSP,Mac,Tablet,Switch,Switch 3DS,Switch 3DS LL. Duplicate microsoft adapter (not included) is needed when connect with old version One controller.

CRYSTAL-CLEAR SOUND -This PS4 headset built-in industry-leading heights precision 50mm magnetic neodymium driver pursues a more immersive experience; The omnidirectional noise reduction technology ensures that microphone picks up your voice clearly in-game or online chat.

NOISE REDUCTION MICROPHONE -Onmi-directional positioned of the microphone can be adjusted freely. The One headset with the noise reduction function and the sensitivity of the microphone makes the reasoned pick up and transmission clearly and loudly.

COMFORTABLE WEARING DESIGN- The retractable headband and the super soft ear cups makes it has flexibility to fit diff

  • Earplugs with built-in microphones-built-in multi-function buttons and volume adjustment buttons make it more convenient for the headset to answer and control the volume. Sound
  • You can easily control your music and calls, such as play/pause, skip to previous/next song, adjust volume, answer/reject calls, activate voice assistant, etc. Interface
  • The perfect portable earbud headphones offer sleek style and an excellent on-the-go choice for keeping you in sync with sound that inspires. Stereo
  • Headphones let you free your hands completely, so you can do whatever you want during sports or work. Full voice
  • Cable length: Approx. 2.2m

The Art of Arturo Benedetti Michelangeli

Deutsche Grammophon

Based on 39 reviews Check latest price

Bartok: Bluebeards Castle

SONY CLASSICAL

Based on 13 reviews Check latest price

Product description

Sony Classical announces a further batch of complete recordings from the CBS/Sony and RCA Victor catalogues. The newest installment of this popular series features some unusual repertoire as well as documents of the New York Metropolitan Opera in its postwar heyday. Columbias 1960 recording of Bartoks Bluebeards Castle features American singers. Though it is sung in English, its authentic Hungarian quality is guaranteed by the conductor, Budapest-born Eugene Ormandy. Rosalind Elias makes a splendidly passionate Judith. The Philadelphia Orchestra comes into its own at the opening of the various doors especially the Second, where the dazzling brilliance of Bluebeards treasure-chamber is vividly depicted (Gramophone).

Christmas Oratorio

Haenssler Classics

Based on 1 reviews Check latest price

Handel: Tolomeo

Archiv Produktion

Based on 15 reviews Check latest price

Product description

Following highly acclaimed, award-winning recordings of Handel's Rodelinda and Floridante and Vivaldi's Motezuma, Alan Curtis and his Il Complesso Barocco bring another neglected Baroque jewel to life. Alan Curtis, the pioneer of Baroque opera revivals and three-time winner of the German Record Critics Prize, works his magic on Handel's Tolomeo. Written in 1728, Tolomeo is a gripping story of revenge, lust, lost love and eventual reconciliation. It was the final opera created by Handel for the Royal Academy of Music in London, where it was premiered with a sensational cast led by one of the most famous singers of the day, the castrato Senesino. In this recording, Curtis and Il Complesso Barocco are joined by some of today's leading Handel singers headed by Ann Hallenberg as Tolomeo and also featuring Karina Gauvin, Anna Bonitatibus, Romina Basso and Pietro Spagnoli.

Tolomeo is another rarely performed Handel opera that proves precisely what a great dramatist he was. Despite some plot confusions – characters are disguised throughout - there are scenes of startling melodrama: when Tolomeo is forced to commit suicide or betray his wife, Seleuce, our emotions are torn in one direction; only later does it become clear that the poison he’s taken was swapped for a sleeping potion by Elisa, the sister of King Araspe (Tolomeo’s enemy), who is in love with Tolomeo (though she does not know his true identity). Seleuce is as pure and lovely as the woodsy, shipwrecked setting, and her music is pastoral and lyrical – one aria has her backed by intertwining recorders. Alan Curtis leads the period instrument band Il Complesso Barocco in a performance that brings out all the passion in this tale of lust, love and grief, with Anne Hallenberg fearless in the title role (it was written for the famous castrato, Senesino) and Karina Gauvin simply ravishing as Seleuce. Pietro Spagnoli, as the tyrant Araspe uses his dark voice in a nice, bullying fashion and Anna Bonitatibus’ Elisa is wonderfully wild and strong. This is a knockout performance of an opera that should be better known. -- Robert Levine

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